Core Perspective - The article discusses the importance of new popular literature and art in the context of the internet era, emphasizing the need for these works to better reach and embrace the public [1] Group 1: New Popular Literature and Art - New popular literature and art is characterized by high public participation and media integration, representing a significant transformation in aesthetic paradigms, dissemination mechanisms, and audience engagement [2] - The Shanghai Pingtan Troupe's extensive performance schedule of 4,500 shows per year indicates the enduring vitality of traditional art forms like Pingtan, while also exploring new styles and emotional expressions [2] - The integration of traditional and modern elements in literature and performing arts is seen as a new exploration, with examples like the adaptation of literary IPs into films [2] Group 2: Artistic Integrity and Public Engagement - The goal of artists should be to express truth, goodness, and beauty, with the emotional impact of their works stemming from their ability to resonate with the audience's inner values [2] - The concept of "popularization of literature and art" is highlighted, suggesting that future efforts should focus on enhancing public aesthetic education and appreciation [2] - The success of academically rigorous exhibitions, such as those at the Pudong Art Museum, demonstrates the public's acceptance of elite culture, indicating a potential for elevating aesthetic tastes and cognitive abilities among the audience [2]

Core Points - The 24th China Shanghai International Arts Festival is set to host over 500 performances and exhibitions, totaling more than 1,200 events from October 17 to November 27, with nearly 60% of the main performances being international projects and almost 90% being premieres in Shanghai [1] - The festival features eight major segments aimed at building a world-class arts platform and enhancing Shanghai's status as a leading cultural hub in Asia [1] - A diverse group of renowned artists from both domestic and international backgrounds have been invited as "Art Recommendation Officers" to promote key performances across various art forms [2] Group 1 - The opening performance will be a collaboration between the Shanghai Kunqu Opera and the Palace Museum, showcasing the Kunqu opera "Taihe Zhengyin," while the closing performance will feature conductor Daniel Harding and the Santa Cecilia Orchestra [3] - The festival will highlight unique performances, including a complete rendition of Mahler's symphonies by Valery Gergiev and the Mariinsky Orchestra, and a "wordless" version of Wagner's "Ring Cycle" [4] - The festival emphasizes its role as a platform for artistic collaboration, with the Asian premiere of Pina Bausch's 1978 work "The Rite of Spring" being a significant highlight [4] Group 2 - The "Youth Empowerment Plan" will introduce new artistic talents, featuring works from 21 artists across seven countries, with a focus on innovative and interdisciplinary projects [5] - The festival will celebrate traditional Chinese culture through original stage productions, including a new adaptation of Sartre's "No Exit" and a music concert titled "Poetic China" by the Shanghai National Orchestra [5] - Shanghai's local productions will include adaptations of classic literature, such as the stage play "Blossoms" and the narrative ballet "Lily Flower," showcasing unique Shanghai storytelling [6] Group 3 - The festival will extend its reach by establishing sub-venues in Jiangsu, Zhejiang, and Anhui, promoting cultural exchange through various performances and activities [7] - The Guangdong-Hong Kong-Macau Greater Bay Area Cultural Week will feature a series of performances and exhibitions aimed at deepening cultural cooperation between the mainland and Hong Kong and Macau [7]