近年来，随着全民生活水平提升和信息化深入发展，人民大众以前所未有的规模和意愿深度参与文艺创造，积极运用新技术新工具创新文艺形式 和表达方式，呈现出共创共享的新型文艺形态。 这是2025年11月4日在第十四届中国艺术节闭幕式现场拍摄的民族舞剧《红楼梦》。新华社记者 陈诚 摄 记者：曾维 迈上"十五五"新征程，人民群众物质生活越丰富，精神文化需求就越突出，就更需要提升文化服务和文化产品供给能力，从而更好满足人民精神 文化生活新期待。"十五五"规划建议提出，广泛开展群众性文化活动，繁荣互联网条件下新大众文艺。 摄像：王相博 11月13日，在苏尼特右旗第五小学，乌云吉日嘎拉在指导孩子们演奏马头琴。新华社记者 马金瑞 摄 坚定文化自信、推进文化自强，需大力繁荣文化事业、加快发展文化产业。从"提升文化原创能力""繁荣互联网条件下新大众文艺""实施公共文化 服务提质增效行动"，到"发展新型文化业态""引导规范网络文学、网络游戏、网络视听等健康发展""丰富高品质旅游产品供给"……聚焦新形势新 需要，《建议》针对性地提出一揽子新举措，绘制出文化发展的新图景。深化文化体制机制改革，与时俱进把握人民群众新需求，文化的活力定 能奔涌 ...

Core Perspective - The article discusses the importance of new popular literature and art in the context of the internet era, emphasizing the need for these works to better reach and embrace the public [1] Group 1: New Popular Literature and Art - New popular literature and art is characterized by high public participation and media integration, representing a significant transformation in aesthetic paradigms, dissemination mechanisms, and audience engagement [2] - The Shanghai Pingtan Troupe's extensive performance schedule of 4,500 shows per year indicates the enduring vitality of traditional art forms like Pingtan, while also exploring new styles and emotional expressions [2] - The integration of traditional and modern elements in literature and performing arts is seen as a new exploration, with examples like the adaptation of literary IPs into films [2] Group 2: Artistic Integrity and Public Engagement - The goal of artists should be to express truth, goodness, and beauty, with the emotional impact of their works stemming from their ability to resonate with the audience's inner values [2] - The concept of "popularization of literature and art" is highlighted, suggesting that future efforts should focus on enhancing public aesthetic education and appreciation [2] - The success of academically rigorous exhibitions, such as those at the Pudong Art Museum, demonstrates the public's acceptance of elite culture, indicating a potential for elevating aesthetic tastes and cognitive abilities among the audience [2]

近年来，随着全民生活水平提升和信息化深入发展，人民大众以前所未有的规模和意愿深度参与文艺创造，积极运用新技术新工具创新文艺形式和 表达方式，呈现出共创共享的新型文艺形态。 新华社音视频部制作 【纠错】 【责任编辑:王雪】 《中共中央关于制定国民经济和社会发展第十五个五年规划的建议》提出，广泛开展群众性文化活动，繁荣互联网条件下新大众文艺。 新大众文艺发展要牢固树立"质量为王"意识，坚持把满足人民群众的精神文化需求作为出发点和落脚点，释放、发挥新兴文艺的正能量和积极作 用，让技术更好服务于人民群众、服务于文化事业。 互联网和信息技术为文化的创新和繁荣打开了巨大空间，使得新大众文艺蓬勃发展。 ...

10月28日发布的《中共中央关于制定国民经济和社会发展第十五个五年规划的建议》提出，广泛开展群 众性文化活动，繁荣互联网条件下新大众文艺。 促进人民精神生活共同富裕 近年来，人民大众以前所未有的规模和意愿深度参与文艺创造，积极运用新技术新工具创新文艺形式和 表达方式，呈现出共创共享的新型文艺形态。 深化文化体制机制改革 《建议》明确繁荣互联网条件下新大众文艺，有助于加强对这一新兴文艺的支持和引导，推动更多资源 参与新大众文艺的发展。 迈上"十五五"新征程，人民群众物质生活越丰富，精神文化需求就越突出。深化文化体制机制改革，与 时俱进把握人民群众新需求，文化的活力定能奔涌不止。 截至2024年底，经营性互联网文化单位持证主体数13841家，2024年新审批通过的经营性互联网文化单 位数3828家。 新大众文艺蓬勃发展 由人民创作、与人民共享，新大众文艺以全民创作的壮观图景、持续焕新的艺术形态，为社会主义文艺 繁荣发展注入强大动能。互联网和信息技术为文化的创新和繁荣打开了巨大空间。 记者：张睿、余刚、陈璞、韩赫 编导：周梦蝶 包装：胡心懿 ...

Core Viewpoint - The article emphasizes the importance of achieving a moderate level of development for China by 2035, with a focus on enhancing GDP and fostering emerging industries to adapt to global economic changes [2][5][14]. Group 1: Economic Development Goals - The target is to exceed the threshold of $20,000 in per capita GDP by 2020 standards and to double the per capita GDP by 2035 compared to 2020 levels [2]. - Achieving a moderate level of development is seen as crucial for China's economic strategy moving forward [2]. Group 2: Emerging Industries - The "14th Five-Year Plan" aims to develop new pillar industries such as renewable energy, new materials, aerospace, and low-altitude economy [5]. - There is a call for a focus on key areas like quantum technology, biomanufacturing, hydrogen energy, and sixth-generation mobile communication to drive future industrial growth [6]. Group 3: Regional Innovation Systems - The establishment of regional innovation systems is essential, involving collaboration among government, enterprises, universities, and research institutions to enhance innovation capabilities [9]. - A tailored approach based on local resources and industrial foundations is recommended to prevent market bubbles and ensure sustainable development [6]. Group 4: Investment Strategies - Investment in physical assets (infrastructure, buildings, machinery) is crucial for solidifying the material and technical foundation for economic development [10]. - Investment in human capital (education, healthcare, skills training) is equally important for enhancing the capabilities and potential of the population [10]. Group 5: Digital Trade - Digital trade, characterized by data as a key production factor and digital services, is rapidly growing and is identified as a new trend in international trade and economic growth [12]. Group 6: Energy Strategy - Building an energy powerhouse is highlighted as a significant goal, with energy security being critical for national stability and development [13][14]. - The transition to green and low-carbon energy sources is emphasized as a timely and necessary step in the current global context [14].

Core Insights - The article highlights the journey of a truck driver who has turned to writing, emphasizing the connection between ordinary laborers and literary expression [2][3][4] Group 1: Personal Journey and Writing - The individual, known as "Niu Er Ge," has been a truck driver for 30 years and has developed a passion for literature from a young age, influenced by reading and listening to stories [2] - The driver has published a non-fiction work titled "Truck Driver Niu Er Ge," which chronicles his experiences over 30 years, covering 28 provinces and over 2 million kilometers [3] - Writing serves as an outlet for the driver's feelings of loneliness and provides a sense of accomplishment and confidence [3] Group 2: Community and Literary Movement - The driver has established a local literary society in his village, receiving support from county literary organizations, which encourages the creation of more literary works from ordinary people [3] - The emergence of "new popular literature" is noted, showcasing the inclusivity of literary creation, where ordinary workers can publish their stories [3] - The article encourages others to start writing, emphasizing that everyone has a unique story to tell, regardless of their experiences [4]

Core Insights - The article highlights the evolution of "working literature" in Dongguan, emphasizing its significance as a cultural phenomenon that reflects the lives of migrant workers and their experiences in the manufacturing industry [2][3][4] - It discusses the support systems in place for writers, including funding and workshops, which have contributed to the growth of literary expression among workers [3][4] Group 1: Development of Working Literature - "Working literature" is thriving in the Pearl River Delta, with Dongguan being a central hub for this literary movement, capturing the vibrant lives of workers through various narratives [2] - The author has received multiple literary awards, indicating the increasing recognition and societal interest in the themes explored in working literature [2] Group 2: Support and Growth of Literary Platforms - Dongguan has established numerous platforms to support and showcase literature, particularly for workers with limited cultural backgrounds, including annual revision meetings with experienced writers [3] - The publication of the author's first essay collection was made possible through local government funding, highlighting the role of institutional support in fostering literary talent [3] Group 3: Transformation of the Manufacturing Environment - The manufacturing landscape in Dongguan has undergone significant changes, transitioning to automated and dust-free workshops, which has impacted the experiences of workers and their narratives [3] - The article notes the ongoing education and training opportunities for writers, such as the recommendation of 36 amateur writers to study at the Lu Xun Academy of Literature, which aims to enhance their literary skills [3][4] Group 4: New Popular Literature - The rise of "new popular literature" allows broader public participation in literary creation, moving beyond mere appreciation to active involvement [4] - The article emphasizes the importance of authentic experiences from the frontline of industry, providing fresh perspectives for literary creation amidst the backdrop of rapid societal changes [4]

Core Viewpoint - The article discusses the emergence of a new wave of popular literature and art in China, characterized by the active participation of ordinary people in storytelling and creative expression, moving from being represented by professionals to becoming the main narrators of their own lives [1] Group 1: New Creative Subjects - The image of laborers is now represented by drivers, cleaners, and industrial workers who take up the pen, marking a shift from being "spoken for" to "speaking for themselves" [1] - This change reflects the need for literature from the people and the necessity of people in literature [1] Group 2: Content Dimension - The focus has shifted from "grand narratives" to telling individual stories from the grassroots level, capturing the everyday lives of ordinary people [1] - These snippets of life combine to form a vibrant "chronicle of the times," showcasing both refined literary works and the raw vitality of grassroots experiences [1] Group 3: Technological Empowerment - New technologies such as audio, video, and social media serve as modern tools for storytelling, allowing more vivid stories to emerge with high efficiency and low barriers to entry [1] Group 4: Support for Grassroots Creators - Grassroots creators seek precise support and respect for their authenticity, looking for inspiration through professional training such as revision meetings [1] - The collective reading, discussion, and dissemination by individuals serve as the most direct and enduring support for this new wave of literature and art [1] Group 5: Cultural Landscape - The spring of new popular literature is being written by countless ordinary people, contributing to a more complete and vivid cultural landscape when everyone can confidently share their life stories [1]

Group 1: Core Insights - The "15th Five-Year Plan" emphasizes the importance of "prospering new mass arts under internet conditions" and "enriching high-quality tourism product supply," aligning with the trend of consumption upgrading [1][2] - The rise of new mass arts is supported by a solid social foundation, with 696 million users of micro-short dramas and a projected market size exceeding 50 billion yuan by 2024, indicating a shift from passive consumption to active cultural participation [1][2] - The plan aims to enhance tourism experiences through a comprehensive optimization of the entire travel process, focusing on personalized services and diverse high-quality tourism products [2][3] Group 2: Industry Development - The integration of culture and tourism is expected to gain momentum, driven by the continuous acceleration of consumption upgrading and China's vast market scale [3] - The trend of traveling for cultural experiences, such as attending performances, has become common, highlighting the demand for immersive cultural and scenic experiences [3] - Future efforts will focus on improving content, scenarios, technology, and services to enhance the overall travel experience [3]

Core Viewpoint - The Central Committee's proposal emphasizes the promotion of new mass arts under internet conditions, encouraging widespread cultural activities and creative participation from the public [1] Group 1: Development of New Mass Arts - The proposal aims to support and guide the development of new mass arts, leveraging the creativity and innovation emerging from the internet [1] - The rise of new mass arts is attributed to improved living standards and the deepening of information technology, leading to unprecedented public engagement in artistic creation [1] Group 2: User Engagement and Market Trends - By June 2025, the user base for short videos and micro-dramas in China is projected to reach 1.068 billion and 626 million, respectively [1] - There is a concern regarding creators prioritizing short-term commercial gains, resulting in trends of superficial entertainment and homogenization [1] Group 3: Research and Development Ecosystem - It is suggested to enhance research on the development patterns, value logic, and ethical technology use in new mass arts to create a favorable development ecosystem [2] - Emphasis is placed on the importance of quality in new mass arts, focusing on meeting the spiritual and cultural needs of the public [2]