不仅是2025年上半年国产电影贡献了绝大部分票房，这种趋势在前几年已慢慢形成。 2025年上半年，中国电影市场以292.31亿元票房、同比23%的增幅，交出了近五年最佳的"半年考"答卷。这一复苏势头中，《哪吒之魔童闹海》（简称"《哪 吒2》"）无疑是最大功臣，其154.46亿的票房奇迹独占大盘超半壁江山。 近年来，国产影片也迎来高光时刻，牢牢掌握市场主导权。然而，在整体向好的数据背后，6月单月票房表现不佳也提示着，市场仍需更多优质大片注入持 续活力。 上半年票房为5年以来表现最佳 近日，国家电影局发布的数据显示，2025年上半年电影票房达292.31亿元，观影人次为6.41亿，同比分别增长22.91%和16.89%，国产影片票房占比为 91.2%。 其中，《哪吒之魔童闹海》以154.46亿元的票房成绩领跑，《唐探1900》《封神第二部：战火西岐》《熊出没·重启未来》《射雕英雄传：侠之大者》位列票 房榜2至5位。票房过亿元的影片共25部，其中国产影片16部，外国影片9部。 随着7月的来临，今年的电影市场也正式进入"下半场"时间。值得一提的是，刚过去的上半年是2020年以来全国票房表现最佳的上半年。具体来看，根据 ...

从票房构成来看，年度票房榜前十名影片中，国产电影占据九席。《哪吒之魔童闹海》以超过51%的票 房占比持续领跑，《唐探1900》和《封神第二部：战火西岐》分列第二、三位。据悉，《熊出没·重启 未来》《射雕英雄传：侠之大者》等影片同样表现不俗。 与此同时，暑期档电影市场呈现出蓬勃发展态势。截至目前，2025年暑期档总票房已突破25亿元。今年 暑期档供给丰富，超过60部中外影片确定档期。这些影片涵盖历史、悬疑、动画、科幻、动作等十余种 类型，为观众提供了多元化选择。 国产影片在暑期档中表现尤为突出。喜剧片《长安的荔枝》改编自马伯庸同名小说，描述唐代小吏完成 特殊使命的故事。悬疑片《酱园弄·悬案》根据民国真实案例创作，从女性角度展现时代变迁。历史战 争题材《东极岛》取材于二战期间舟山东极岛的真实历史事件。 动画电影同样备受关注。《聊斋：兰若寺》从传统文化汲取创作灵感，采用独特叙事结构串联经典民间 故事。《罗小黑战记2》在保持治愈风格的基础上，全面升级动作场面，打造全年龄段观影体验。 在第十五届北京国际电影节举行期间，北京联动多个商圈600余家商户，推出凭北影节票根消费优惠活 动，进一步盘活"电影+餐饮+文旅"资源。影 ...

| 20 海眼专业版 | | --- | 据猫眼专业版数据，截至2025年7月8日11时43分，2025年度票房（含预售）破300亿元，创下中国影史近五 年来年票房最快达到300亿元的新纪录，并快于2024年28天到达。 | 八四叹 | 7998971 | 4.1% | 1.6% | 14.1% | | --- | --- | --- | --- | --- | | 2025-01-29上映 | | | | | | 熊出没 · 重启未来 | 82165.64 | 2.7% | 1.6% | 14.3% | | 2025-01-29上映 | | | | | | 射雕英雄传:侠 | | | | | | 之大者 | 68969.49 | 2.2% | 0.8% | 22.0% | | 2025-01-29上映 | | | | | | 误杀3 | 63472.44 | 2.1% | 3.6% | 3.6% | | 2024-12-28上映 | | | | | | 碟中谍8:最终 | | | | | | 清算 | 45977.23 | 1.5% | 2.5% | 3.9% | | 2025-05-30上映 | | | ...

Core Insights - The animated film "Ne Zha" has achieved significant box office success, becoming the highest-grossing film in Chinese history with a domestic box office exceeding 154 billion yuan and a global total surpassing 159 billion yuan [1][3] - The film has set multiple records, including the highest number of viewers in Chinese cinema history, ranking fifth in global box office, and being the top animated film worldwide [3] - The film's release has contributed to a growing domestic film market, with the first half of 2025 seeing a box office of 292.31 billion yuan, a year-on-year increase of 22.91% [5] Industry Trends - The summer film season is heating up, with 101 films scheduled for release, including 36 dramas and 20 animated films, indicating a diverse offering for audiences [5][6] - Upcoming films include historical dramas and popular adaptations, which are expected to attract significant viewership [6] - The domestic film market continues to thrive, with 25 films surpassing 100 million yuan in box office, of which 16 are domestic productions [5]

Core Insights - The Chinese film market saw a significant increase in box office revenue and audience attendance in the first half of 2025, with total box office reaching 29.231 billion yuan and 641 million viewers, marking a year-on-year growth of 22.91% and 16.89% respectively [1] - The film "Nezha: The Devil's Child" dominated the market, generating 15.44 billion yuan in box office and 324 million viewers, setting records in Chinese film history [1][5] - Despite the strong performance of "Nezha 2," the overall market has been struggling post-Spring Festival, with no films surpassing 500 million yuan in box office since then, indicating a lack of blockbuster films [5][7] Box Office Performance - The first month of the summer season in June 2025 recorded a box office of 1.906 billion yuan and 48.7 million viewers, which is lower than the same period in 2024 [8] - The top five films of the year are all from the Spring Festival period, with "Nezha 2" accounting for over 52% of the total box office, highlighting a significant oligopoly in the market [6][7] - The monthly box office from March to June 2025 showed figures of 1.925 billion yuan, 1.197 billion yuan, 1.739 billion yuan, and 1.906 billion yuan respectively, indicating a downward trend [5] Audience Expectations and Market Challenges - The overwhelming success of "Nezha 2" has raised audience expectations, making it difficult for subsequent films to meet these standards, potentially leading to negative reviews and lower box office performance [5][10] - The film industry is facing challenges in attracting audiences back to theaters, with analysts suggesting that innovation is necessary to revive interest [1][11] - Despite the current downturn, there are expectations for a rebound in the summer market, with several anticipated films set to release in July and August 2025 [11]

中国影史票房榜冠军 中国影史观影人次冠军 全球影史票房榜第5位 全球影史动画片票房榜冠军 国家电影局1日发布数据 2025年上半年电影票房达 292.31亿元 观影人次为 6.41亿 同比分别增长22.91%和16.89% 国产影片票房占比为91.2% 其中，《哪吒之魔童闹海》以 154.46亿元 的 票房成绩领跑，《唐探1900》《封神第二部： 战火西岐》《熊出没·重启未来》《射雕英雄传：侠之大者》位列票房榜2至5位。票房过亿元 的影片共25部，其中国产影片16部，外国影片9部。 据网络平台数据，电影《哪吒之魔童闹海》密钥于6月30日到期 ，上映至今共打破113项纪 录，获得308项里程碑成就。主要成就如下： 来源：新华社（记者：邢拓）、央视新闻 关注" 新华网财经 "视频号 更多财经资讯等你来看 往期推荐 事 关稳定币，京东再发声 华为首个！重磅发布！ ...

国内电影市场上半年票房创近五年来新高。 据猫眼专业版数据，截至6月30日21时，今年上半年国内累计总票房报收292.26亿元，同比增长22.89%，位居中国影史上半年度票房榜历史第三名，仅次于 2018和2019年，也是自2020年以来上半年票房表现最好的一年。 来源：猫眼专业版公众号 《哪吒2》上映天数超过150天，总观影人次3.24亿，上映至今共打破113项纪录，包括中国影史票房榜冠军、中国影史观影人次冠军、全球影史动画片票房 榜冠军等。得益于持续火爆，该片密钥曾延期四次，6月30日正式下映。 猫眼数据显示，上半年票房前十名当中，有三部影片票房超10亿元，分别为《哪吒2》《唐探1900》《封神第二部：战火西岐》；仅有《碟中谍8：最终清 算》一部好莱坞影片上榜，暂居年度票房第七。春节档之后，截至目前尚未有一部影片取得5亿以上的票房。 有媒体分析认为，《哪吒》系列影片的成功无法复制，如何拍出观众关注的热点事件，如何控制作品的制作成本，是行业目前急需解决的问题。 北京电影家协会主席黄建新曾表示，目前行业面临的巨大挑战是投资越大的电影生产周期越长，在资讯发达、节奏越来越快的当下，难以赶上当前社会热 点。 大麦娱乐 ...

根据国家电影局统计，2025年上半年电影票房为292.31亿元，观影人次为6.41亿，同比分别增长22.91% 和16.89%，国产影片票房占比为91.2%。国内票房前5名影片分别为：《哪吒之魔童闹海》154.46亿元； 《唐探1900》36.12亿元；《封神第二部：战火西岐》12.39亿元；《熊出没.重启未来》8.22亿元；《射 雕英雄传：侠之大者》6.9亿元。票房过亿元影片25部，其中国产影片16部，外国影片9部。(央视新闻) ...

本报讯(记者贺王娟)猫眼专业版数据显示，截至6月30日21时，2025上半年(1月1日至6月30日)累计总票 房报收292.26亿元，同比增长22.89%，观影人次6.40亿，放映场次7053.9万，平均票价45.6元，6部影片 破5亿元，《哪吒之魔童闹海》以52.8%的票房占比强势领跑上半年票房榜。 对于上半年的电影市场表现，猫眼娱乐市场分析师赖力分析称，截至6月30日21时，2025年上半年(1月1 日至6月30日)累计票房达292.26亿元，位居中国影史上半年票房榜历史第三名，仅次于2018、2019年， 同时也是电影市场自2020年以来上半年票房表现最好的一年。 得益于春节档影片《哪吒之魔童闹海》的超强头部带动作用，2025年上半年整体票房表现较为出色。截 至目前，《哪吒2》的中国内地累计票房超154亿元，以遥遥领先的优势给全年电影市场带来了一个令所 有人振奋的"开门红"。影片目前的全球累计票房也已超159亿元人民币，位居全球影史票房榜第五名。 在高票房之下，电影市场同样也面临着一些挑战。具体来看，年度票房前五名的影片分别为《哪吒之魔 童闹海》《唐探1900》《封神第二部：战火西岐》《熊出没.重启未来 ...

Group 1 - The core point of the article is the phenomenon of film key extension in the Chinese film industry, particularly focusing on the film "Nezha: The Devil's Child" which has extended its screening until June 30, achieving over 15.8 billion yuan in box office revenue, ranking fifth globally [1][2][12] - The article discusses the increasing frequency of key extensions in recent years, highlighting that 2022 marked a significant rise in the average screening period for Spring Festival films, increasing from around 2 months to approximately 158 days, a growth of over 163% [12][14] - The article outlines the process of key extension, which involves negotiations between the distribution party, production party, and key production unit, requiring approval from the National Film Administration [6][15] Group 2 - The article analyzes the factors influencing key extensions, noting that market performance, audience demand, and the relationship between production companies and theaters play crucial roles [15][22] - It highlights that animated films are particularly prone to key extensions due to their slower revenue generation and broader audience distribution [20][21] - The article also points out that the phenomenon of key extension is not solely a reflection of a film's success but also a response to market conditions, such as a lack of new high-quality films [23][34] Group 3 - The article presents a divided audience perspective on key extensions, with some viewing it as beneficial for increasing viewing opportunities, while others criticize it as a tactic to extract more revenue from films that have peaked in popularity [33][30] - It emphasizes that while key extensions can provide flexibility in viewing options, they may also dilute the overall viewing experience and lead to audience fatigue [33][36] - The article concludes that the trend of key extensions reflects deeper issues within the film industry, such as insufficient quality content and imbalanced release schedules, necessitating a focus on improving the production of high-quality films [38][37]