Core Viewpoint - The exhibition "Faint Elephant - Ancient Sculpture Art of Zhejiang" showcases 180 pieces of Buddhist sculptures and artifacts from various periods, highlighting the evolution of Buddhist art in Zhejiang over nearly two thousand years [1][2]. Group 1: Exhibition Overview - The exhibition is held at the Pinghu Museum in Jiaxing, Zhejiang, featuring gold and copper sculptures unearthed from Buddhist pagodas, along with stone carvings, clay sculptures, and other artistic forms [1]. - It includes contributions from over 30 museums across Zhejiang, presenting a comprehensive narrative of the region's sculpture history through 180 artifacts [1][3]. - The exhibition is organized into four chronological sections: "Buddha's Shadow - From the Three Kingdoms to the Sui and Tang Dynasties," "Buddha's Shadow - The Five Dynasties and the Wu-Yue Kingdom," "Buddha's Shadow - The Song Dynasties," and "Buddha's Shadow - The Yuan, Ming, and Qing Dynasties" [1][4]. Group 2: Artistic Significance - The exhibition emphasizes the unique aesthetic of Jiangnan, with the curator noting that Zhejiang's sculpture art embodies the "spirit of craftsmanship" and the "power of nature" [1][3]. - Different periods of sculpture reflect distinct artistic styles, such as the Eastern Jin period's "elegant and refined" forms, which resonate with the cultural context of the time [2][3]. - The evolution of Buddhist art in Zhejiang showcases regional characteristics, influenced by historical developments from the Eastern Jin and Southern Dynasties to the Ming and Qing periods [3].