新福建"小闽荐书"专访视频 春节是阖家团圆的时刻，也是闽菜文化最鲜活的载体。佛跳墙的醇厚、荔枝肉的酸甜、爆炒双脆的爽 脆、淡糟香螺片的微甜，不仅是味蕾的盛宴，也是身居异国他乡的福建乡亲念念不忘的家乡味道。《中 国闽菜》充分展现闽菜"山海交融、以汤提鲜、善用红糟、精于刀工"的独特魅力。在春节复刻这些菜肴 时，不仅能品尝到正宗的闽菜风味，更能感受到其中蕴含的团圆、吉祥与祝福。 重见正宗闽菜的光辉 《中国闽菜》以图文并茂的形式呈现闽菜大师亲手制作或指导爱徒制作的150道闽菜，意在传承与发扬 具有千年历史的闽菜技艺。该书不仅展示菜式成品，还准确细致地记述烹饪过程。那些濒临失传、只听 老师傅说过的传统闽菜，在书中都得到了呈现。每道菜后面还附有不拘形式的"大师漫话"，或者讲述食 材的来历特点，或者介绍菜肴的独特风味，并由此漫谈开去，涉及福建的风土人情、饮食习惯、民间习 俗、历史变迁等方方面面，使整本书不仅是一部菜谱，更是一部承载闽地风土人情与饮食文化的文脉之 书。 让匠人精神在烟火气中重生 强振涛对闽菜的传承，是一份深植于血脉的使命，更是一场与时间赛跑的坚守。作为"闽厨世家"的第三 代传人，他深知，闽菜的精髓不仅在于味道 ...

记者丨赵婷婷 编辑丨李天元 嘿！马年春晚看了吗？甭管看没看，这里头可是有太多广东元素了，咱们先来捋一捋。 首先，就是最显而易见的曾小敏和黄文意带来的粤剧《牡丹亭·游园惊梦》了，在春色如许的 景致中，杜丽娘在春香的陪伴下缓步轻移、游园赏春。粤剧已经成为了央视春晚"常客"。 出品丨21财经客户端 21世纪经济报道 编辑丨金珊 从非遗到顶流，这款广货凭什么火遍新春？ 春晚吉祥物东莞造，400多名工人赶制，一天下线6000只 21君荐读 除此之外，还记得那个在春晚尾声向大家拜年的新时代好少年胡东平吗？没错，他也来自广 东，他是"10后"科创家，他针对跪姿工作者研发的"跪得易"机器人，凭借人体工学设计和体 感控制技术，已在多家康复中心和三甲医院手术室投入使用。从5岁开始学习机器人设计和编 程，到如今成为全国青少年科创领域的"顶流"，胡东平的成长轨迹，恰好映射了广东作为科 创大省的教育生态。广东的后浪真的不容小觑。 还有那些藏在晚会里的元素，大家手捧的"骐骐""骥骥""驰驰""骋骋"四只春晚吉祥物全是东莞 造！400多名工人轮班奋战，日均生产6000只，每只历经数十道工序、近万针刺绣，让东莞潮 玩供应链"跑" 出了春晚顶 ...

还有那些藏在晚会里的元素，大家手捧的"骐骐""骥骥""驰驰""骋骋"四只春晚吉祥物全是东莞造！400 多名工人轮班奋战，日均生产6000只，每只历经数十道工序、近万针刺绣，让东莞潮玩供应链"跑" 出 了春晚顶流，让广东匠心走向全球。 从传统传承到科创赋能，从匠心制造到人才汇聚，2026春晚里的广东元素，正是大湾区"传统与现代共 生"的最佳写照。春晚里还有哪些广东元素呢？评论区告诉我们。 再有，春晚上一个特别的节目让观众看到了中国技能青年的别样风采。三十名来自全国各地的世界技能 大赛获奖者代表齐聚舞台，演唱微音乐剧《每道光》，其中七名来自广东的年轻技能工匠格外引人注 目。他们从世界技能大赛的领奖台走到央视春晚的聚光灯下，用另一种方式诠释着新时代的"匠人精 神"。 除此之外，还记得那个在春晚尾声向大家拜年的新时代好少年胡东平吗？没错，他也来自广东，他 是"10后"科创家，他针对跪姿工作者研发的"跪得易"机器人，凭借人体工学设计和体感控制技术，已在 多家康复中心和三甲医院手术室投入使用。从5岁开始学习机器人设计和编程，到如今成为全国青少年 科创领域的"顶流"，胡东平的成长轨迹，恰好映射了广东作为科创大省的教育生态。 ...

Core Viewpoint - The article highlights the vibrant cultural atmosphere of the ancient city of Langzhong during the New Year celebrations, emphasizing the significance of traditional food, particularly the steamed buns, in the local community and its historical context [3][4][5][6][8]. Group 1: Cultural Significance - The New Year festivities in Langzhong begin with the Laba Festival, where thousands gather to enjoy Laba porridge, marking the start of the celebratory season [3]. - The ancient city is adorned with red lanterns and decorations, creating a lively environment that attracts both locals and tourists [3][4]. - The tradition of making steamed buns, known for their unique preparation methods passed down through generations, reflects the city's rich history and cultural heritage [5][6][8]. Group 2: Economic Impact - The local steamed bun shop has seen significant demand, with the owner reporting the production of 3,000 buns in a single day, all pre-ordered for delivery [4][5]. - There are over 300 shops selling steamed buns in Langzhong, contributing to a harmonious local economy without severe competition [7][8]. - The unique selling proposition of the steamed buns lies in their long shelf life and traditional preparation methods, which enhance their marketability [6][8]. Group 3: Artisan Craftsmanship - The owner of the steamed bun shop emphasizes the importance of a special "old yeast" that has been maintained for decades, which is crucial for the quality of the buns [5][6]. - The craftsmanship involved in making the buns is described as a blend of tradition and innovation, showcasing the dedication of local artisans [6][8]. - The article suggests that the essence of Langzhong's culinary offerings is rooted in the patience and skill of its craftsmen, who uphold traditional methods while adapting to modern demands [8].

【#冬奥花滑教练1人执教13国运动员# 】#米兰冬奥会最忙的人出现了# 在2026年米兰-科尔蒂纳冬奥会 花样滑冰赛场，一名频繁更换服装的光头教练意外走红。这位名叫贝诺瓦·里肖的传奇教练，在本届冬 奥会共执教了来自13个不同国家的16名选手，部分选手出现在同一场比赛中，造成了他不断更衣的"名 场面"。这段画面看似有些搞笑，但也反映了里肖作为体育人和创作者的独特精神，这个小小的片段， 充分彰显了他出色的执教能力。花滑名帅意外走红。本届冬奥会，里肖每时每刻都处于忙碌的状态。在 花样滑冰男子自由滑比赛中，他所执教的两位选手登场时间仅仅相隔几分钟，里肖也因此频繁更换服 装，以不同的形象出现在转播镜头中。事实上，这仅仅是里肖在本届冬奥会中众多工作任务的一部分。 作为国际花样滑冰界最高产的编舞家之一，里肖共计执教了16位冬奥会参赛选手，他们来自13个不同国 家，因此，在接下来的冬奥会赛程中，里肖的身影还会不断出现。在接受外媒采访时，里肖谈到了自己 独特的处境。他透露，通常情况下自己不能进入运动员更衣室，但考虑到需要更换的服装太多，他所执 教的选手通常会给自己提供便利，允许他将衣服和个人物品放在更衣室中，"运动员们非常通情 ...

Core Insights - The article emphasizes the transformative impact of artificial intelligence (AI) on daily life, highlighting its role in various creative and decision-making processes while also addressing the existential questions it raises for humanity [1] Group 1: Book Recommendations - The article presents a unique book recommendation format where AI characterizes five contemporary individuals and suggests books based on their identities and philosophical cores [2] - The recommended books include "要有光" by 梁鸿, which explores the psychological crises faced by youth in contemporary China, emphasizing the importance of understanding and listening to their struggles [4] - "文字的力量" by 马丁·普赫纳 examines the historical significance of literature and its role in shaping civilization, arguing that literature is a powerful tool for societal change [6][7] - "匠人" by 理查德·桑内特 redefines the concept of craftsmanship in the digital age, advocating for a return to the intrinsic joy of doing work well, beyond mere efficiency [9][10] - "系统之美" by 德内拉·梅多斯 offers insights into systems thinking, emphasizing the interconnectedness of events and the importance of understanding systemic structures to address complex issues [11][12] - "即使以最微弱的光" by 崔恩荣 delves into the emotional struggles of East Asian women, portraying their resilience in the face of societal pressures [13][15] - "生命3.0" by 迈克斯·泰格马克 discusses the implications of AI on human existence and the ethical considerations of its development [17][18] - "AI之镜" by 香农·瓦洛尔 critiques the limitations of AI as a reflection of past data, urging a reevaluation of how technology can enhance human values and growth [19][20] - "AI文明史·前史" by 张笑宇 presents a philosophical exploration of AI's evolution, warning against the potential dangers of unregulated technological advancement [23][24] - "苏格拉底的方法" by 沃德·法恩斯沃斯 revives the Socratic method as a means to combat cognitive closure in the age of AI [25][26] - "AI群星闪耀时" by 清华大学刘知远团队 provides a historical perspective on AI, emphasizing the philosophical and humanistic aspects of its development [27][28]

据考证，"锔"在古籍《玉篇·金部》中解释为"以铁缚物"，即用金属钉类工具固定器物。锔瓷，是一门 传承千年的老手艺，匠人用形似订书钉的"锔子"，将破碎的瓷器重新接合。修复后的器物不仅牢固耐 用、滴水不漏，更平添了几分历经沧桑的"治愈"之美。 （来源：南湖晚报） 转自：南湖晚报 577 N晚报记者 王卫国 通讯员 王丽丽 图片由杨钦朝 王丽丽提供 20世纪60年代以前出生的人们，或许还记得有这样一种行当：上了年纪的手艺人挑着担子、摇着铃铛， 一路吆喝"补碗补缸的有哇"，若有街坊需要，他便放下担子，坐下来，粗布往膝上一铺，取出简单的工 具，一丝不苟地修补起有裂缝的碗碟、缸甏……这门手艺，便是"锔瓷"的一种，俗称"钉碗"，属于传统 三百六十行中的一行。 在月河历史街区，沿中基路往西走到尽头，藏着一处"慢时光"小天地——竹品轩。它的主人詹建峰就是 一位锔瓷匠人。 学农业的他变身锔瓷匠人 竹品轩是一家艺术买手店，空间不大，却陈列着琳琅满目的商品：温润的碗碟瓷器、古朴的复古茶壶、 雅致的竹编艺术品，还有自带江南醇香的沈荡老酒礼品装。推门而入，精致中透着松弛的生活气息便扑 面而来。 店主詹建峰是海盐沈荡人，朋友喊他"老竹"， ...

当人间烟火与笔墨丹青相遇，又将勾勒出怎样的城市文化图景？北京华天艺术馆 "华章" 文化藏品展于2 月4日正式开幕。"华章"一展，是开馆首展的续篇与延伸。 本次展览汇集梅兰芳、郭沫若、谢稚柳、启功等名家专为华天题赠的书画真迹，承载岁月温情的老物 件，更有融入镇店经典菜肴的文化呈现与可亲手体验的百年活字拓印，邀您步入一场贯穿笔墨、器物、 滋味与技艺的时空对话。展览于2月5日起正式对公众开放，地点位于西城区新街口外大街14号十月大厦 4层北京华天艺术馆 丹青流韵 这里悬挂的不仅是一幅幅字画，更是一段段情谊的见证。 在过去的几十年岁月中，齐白石、梅兰芳、郭沫若、谢稚柳、田汉、启功、溥杰等多位名家都曾是华天 老字号的座上宾。当名人雅士与餐饮老字号相遇，笔墨间流淌的是对"匠人精神"的致敬，是对"百年味 道"的礼赞。每一幅作品背后，都有一个华天与文化名家之间的温暖故事。 珍馐雅呈 匠心淬炼 上世纪80年代，延吉餐厅的冷面多少钱一碗？同春园的松鼠桂鱼，30年前怎么卖？ 翻开泛黄的老菜谱，上面工整的手写记录会告诉你答案；触摸那些釉色温润的老餐具，碗底或许还留着 当年的厂标；凝视有些生锈的菊花铜锅，仿佛能听见半个世纪前锅中咕嘟冒 ...

Core Insights - The China Silk Museum is focusing on the integration of museum resources with higher education in design, emphasizing silk as a vital cultural and aesthetic symbol of Chinese civilization [1] - The museum is committed to research and innovation in textile conservation, showcasing its achievements in a dedicated exhibition space [4][6] - The museum has upgraded its exhibition system to provide immersive experiences, with a focus on themes related to the Silk Road and silk culture [7][8] Research and Innovation - The museum has implemented over 40 research projects in 2025, including national key research and social science fund projects [6] - The development of silk protein reinforcement technology has been a significant achievement, enhancing the durability of fragile silk artifacts [6] - The museum has established nine workstations across regions along the Silk Road to promote conservation techniques and train industry professionals [6] Exhibition and Cultural Exchange - The core permanent exhibition "Silk Journey: Chinese Silk and the Silk Road" has been fully upgraded, focusing on the dual influence of silk in cultural exchanges [7][8] - The museum has launched the "National Silk Global Exhibition Cabinet" project, which has reached over 400 million people through international exhibitions in eight countries [10][11] - Collaborative exhibitions with local designers in countries like Kazakhstan and Brazil have highlighted silk as a medium for cross-cultural dialogue [10][11] Educational Initiatives - The museum is expanding its educational functions, transitioning from a traditional museum to a more interactive educational institution [12] - Activities such as the "National Silk Hanfu Month" and hands-on workshops have attracted significant participation, enhancing public engagement with silk culture [12][13] - The museum has developed programs for schools, reaching 24 institutions to instill knowledge about the Silk Road in younger generations [12]

Core Viewpoint - The dance drama "Her Kizil" successfully blends ancient Kizil mural and dance culture with modern dance elements, creating a dialogue between past and present [2]. Group 1: Production Details - "Her Kizil" was performed at the National Grand Theatre from January 9 to 11, completing its first round of performances [2]. - The artistic director is Jiang Tiehong, the producer and lead performer is Guli Mina Maimaiti, and the chief director is Tang Chenglong [2]. - The narrative follows a modern female restorer who, while attempting to restore Kizil murals, experiences a journey through time and history [2]. Group 2: Creative Inspiration - Guli Mina's inspiration for creating a Kizil-themed work began in 2021 after being deeply moved by the Kizil murals during a field trip to Kuqa, Xinjiang [2]. - A dance short film titled "Kizil," created by Guli Mina and director Tang Chenglong, garnered over 100 million views shortly after its release in early 2025 [2]. Group 3: Artistic Elements - The production incorporates various modern dance elements rather than solely focusing on traditional "Xinjiang dance," with contemporary aesthetic transformations of traditional motifs like "Flying Apsaras" and "Huxuan" [3]. - A notable segment features three ancient Kizil figures interacting humorously with the modern restorer, which has become a highlight of the performance, affectionately referred to by audiences as "Three Idiots Disturbing Ancient Kizil" [3].