Core Viewpoint - The current state of calligraphy creation shows significant achievements and vibrant energy, but also presents concerns regarding stylistic homogenization due to a lack of deep understanding of traditional development and superficial imitation of popular styles [1] Group 1: Challenges in Calligraphy Creation - The homogenization in calligraphy is attributed to creators' insufficient understanding of the intrinsic development of Chinese calligraphy and their inability to grasp the aesthetic core of the art [1] - Many creators lack the necessary cultural cultivation and are overly focused on popular trends, leading to a superficial borrowing of traditional styles and a reliance on a few well-known classic works [1] Group 2: Importance of Traditional Study - Strengthening the study of traditional classic calligraphy is essential for building a personalized writing style, as emphasized by historical figures who advocated for mastering the essence of one style before exploring others [2] - The process of learning from traditional classics should not be a mere imitation but rather a comprehensive understanding that allows for modern application [2] Group 3: Balancing Commonality and Individuality - It is crucial to understand the relationship between the commonality and individuality in calligraphy, where commonality refers to adherence to creative rules and individuality involves integrating personal thoughts and emotions into the work [3] - Historical examples show that great calligraphers achieved peaks by innovating upon traditional foundations, highlighting the importance of both tradition and contemporary aesthetics [3] Group 4: Broader Cultural Integration - Calligraphy is not just about writing; it encompasses multiple factors and integrates various art forms, reflecting the writer's comprehensive cultural and artistic cultivation [3] - Expanding one's horizons and deeply studying various calligraphic works can enrich the creative process and help in forming a unique writing style [3] Group 5: Direction for Contemporary Calligraphy - The way forward for contemporary calligraphy is to break free from formulaic writing and imitation, allowing for a natural expression of self through the medium [4]

在中国诸多艺术门类中，书法可谓至"简"亦至"难" 参天古木需扎根厚土，书法创新离不开对传统的深情回望 书法的传承与创新，是一场从传统走向未来的温暖奔赴。需要我们既做忠诚的守护者，也做大胆的创造 者，让这笔尖上的艺术，在世界文化的星空下，闪耀出亲切而动人的东方光芒。 （作者为中国书法家协会副主席、西安美术学院书法系教授） 《 人民日报 》（ 2025年09月17日 14 版） 在中国诸多艺术门类中，书法可谓至"简"亦至"难"。说"简"，因为它就是"徒手"书写汉字——中国人自 人生第一次执笔起，便已开启这种实践，如同吃饭说话一般自然。说"难"，则在于它与生俱来的"哲 学"品格，在于几千年来积淀其中无比丰厚的文化承载，更在于它与"汉字""汉语"紧密相连，传达和诠 释着中华民族的文明步履、精神信仰、价值认同与风骨气度，承载并讲述着民族心灵的成长轨迹与精神 图谱。 从甲骨文中可清晰看出先民认识自然的最初心理与方法路径。那些呼之欲出、形象生动的"初文"，承载 着中华民族的智慧密码。在书法中，辩证法与"和合"思想完美交融，通过书法，可助人体道、辩道、明 道——这正是书法的启智功能。 书法艺术进入"自觉"时期后，出现了"晋尚 ...