Core Viewpoint - The publication of the "Complete Collection of Yungang Ornaments" represents a significant achievement in the study of Yungang ornamentation, integrating historical fragments and showcasing the aesthetic and cultural significance of these artifacts [1][3]. Group 1: Publication and Research - The "Complete Collection" consists of 18 volumes, categorizing Yungang ornaments into 10 types based on architectural space and ornamentation forms, highlighting three central themes: figure-centered, architecture-centered, and Buddhist narrative-centered ornaments [1]. - The research team collaborated with various experts and conducted field studies in locations such as the Yungang Grottoes and museums in Shanxi and Inner Mongolia to gather image data for the compilation [1][2]. Group 2: Digital Technology Integration - Digital technology has enhanced the study of Yungang ornaments, allowing for the restoration of intricate designs through a combination of hand-drawing and digital tools, making it easier for readers to appreciate hard-to-see details [2]. - A digital case library for Yungang ornamentation has been established, facilitating the editing, searching, and transformation of vector designs, with potential applications in fashion and cultural design [2]. Group 3: Cultural Significance and Exchange - Yungang ornaments exemplify a blend of Eastern and Western artistic traditions, reflecting cultural exchanges along the Silk Road and providing valuable resources for narrating a shared civilization story [3]. - The research emphasizes a holistic approach to studying Yungang ornaments, focusing on their symbolic, reinforcing, and aesthetic functions within the broader context of cultural exchange [3]. Group 4: Academic Development - The publication of the "Complete Collection" has laid a solid foundation for Yungang studies and has fostered the development of new scholars in the field, with students progressing from undergraduate to doctoral studies over the past five years [3].