Group 1: Cultural Heritage and Preservation - The Yungang Grottoes are recognized as a world cultural heritage site, emphasizing the importance of their protection for both China and the world [1] - The Yungang Research Institute is committed to a "protection first" philosophy, implementing a comprehensive protection system that includes monitoring, restoration, and prevention [2] - The digitalization project has achieved 80% digital preservation of the grottoes, with high-precision 3D modeling of significant structures [3] Group 2: Technological Integration - The integration of modern technologies such as 3D printing and digital scanning has enhanced the exhibition and dissemination of Yungang Grottoes art [4] - A digital case library for Yungang patterns has been established, facilitating the editing and transformation of vector patterns for contemporary applications [6] - The use of artificial intelligence in research has allowed for the virtual reconstruction of damaged sculptures, contributing to the preservation of historical art [3] Group 3: Academic Contributions - The publication of the "Complete Collection of Yungang Patterns" fills a significant gap in academic research and provides new insights into the artistic heritage of the Yungang Grottoes [5][9] - The research team has conducted extensive field studies to gather data and images, enhancing the understanding of the cultural significance of Yungang patterns [5] - The interdisciplinary approach in studying Yungang Grottoes has fostered collaboration among historians, archaeologists, and art historians, enriching the academic discourse [12] Group 4: Public Engagement and Education - The Yungang Grottoes have become a focal point for public interest in cultural heritage, with increasing engagement from younger generations [14] - Efforts to translate academic research into accessible narratives, such as children's books, aim to connect the public with the historical significance of the grottoes [13] - The promotion of Yungang Grottoes art through exhibitions and digital platforms is crucial for cultural exchange and appreciation [4][8]

纹饰，可谓中国文化无声的语言，既是审美的载体，也是思想与信仰的物化表达。依附于造像空间的云 冈纹饰，作为公元5世纪欧亚文明碰撞的结晶，堪称文明中转站、风格分水岭、技艺教科书，以立体化 的雕刻语言，实现着从装饰到叙事的功能突破。自2020年以来，《云冈纹饰全集》（以下简称《全 集》）编纂团队以云冈纹饰研究为线，致力于将一个个历史碎片存录、串联起来。作为美术领域云冈学 研究的重要成果，《全集》今年正式付梓，在时代浪潮中激荡起新的美学回响。 这部包含18卷本的巨著，集合多学科优秀研究成果，以建筑空间与纹饰形制为分类依据，涵盖10类纹饰 谱系，体现了云冈纹饰的三重中心——以造像为中心的背光、天衣璎珞、飞天伎乐纹饰；以建筑为中心 的窟顶、门窗、龛券纹饰；以佛教叙事为中心的塔柱纹饰、故事纹饰及边饰等。为做好编纂工作，团队 成员与青岛出版社编辑、各领域专家学者等，沿着丝路文脉，探寻鲜卑族的原生地，并多次前往山西的 云冈石窟、大同市博物馆，以及内蒙古的盛乐博物馆、和林格尔土城子遗址等地，开展现场调研，采集 图像信息。以此为基础出版的《全集》，既填补了云冈纹饰艺术研究的学术空白，也为中华文化基因库 存入新"标本"。 数字技术的 ...