Group 1 - The article discusses the significance of traditional Chinese New Year paintings, known as "nianhua," which are widely appreciated for their cultural and aesthetic value, often depicting auspicious themes and folklore [2] - Nianhua has a broad geographical distribution across China, with notable production areas including Suzhou, Tianjin, and Hebei, and it has influenced art in countries like Korea, Japan, and Vietnam since the Song Dynasty [2] - The article highlights the cultural meanings and collective memories associated with the depictions of mythical creatures in nianhua, particularly focusing on the representation of "yaoguai" (monsters) that are integral to festive celebrations [2] Group 2 - The story of Zhong Kui, a legendary figure known for his ability to capture ghosts, is recounted, emphasizing his significance in Chinese folklore and the tradition of hanging his images during festive occasions to ward off evil spirits [4] - The "kuitou" or "Zhong Kui's head" paintings are simplified representations of Zhong Kui, often used as door gods to protect homes during the New Year, reflecting the belief that his fierce appearance can scare away malevolent entities [5] - The "Mouse Wedding" theme in nianhua is explored, showcasing its popularity and the cultural narratives surrounding it, which may have origins in ancient Indian tales and are reflected in various local customs [7][8] Group 3 - The article describes the fantastical mounts of deities in ancient mythology, illustrating how these mythical creatures enhance the mystique of the gods and their narratives, particularly in the context of the "Investiture of the Gods" [10] - The depiction of the battle between the deities Ran Deng Dao Ren and Zhao Gongming, along with their respective mounts, symbolizes the transcendence of ordinary experiences and the blending of reality with the supernatural [10]