北京文化守护人李俊阁，中国古建筑修复专家，20多岁成为当时京城罕见的"八级木工"。曾历时3年时间，将"东 倒西歪的木头堆"，重组为隆福寺万善正觉殿的天宫藻井，让一件国宝级文物重生。长城、颐和园、十三陵乃至河 北、河南、山西、青海的古建修缮，都曾留下这位传奇木工的足迹。 李俊格和他制作的隆福寺藻井木结构微景观。新京报记者 王子诚 摄 李俊阁老人家里的冰箱上空空荡荡，没有任何小装饰，自然也没有那个冰箱贴里的"顶流网红"——北京古代建筑 博物馆的"天宫藻井"五层冰箱贴，它如今在年轻人中颇为流行。李俊阁不在意啥是冰箱贴，但"顶流网红"必须在 意李俊阁，没有他，美轮美奂的"天宫藻井"，30年前还是装了三大卡车的"碎木头"。 北京隆福寺万善正觉殿明间藻井，被称为"天花板中的天花板"，上下六层，榫卯结构，两万多个斗拱，是所有天 宫藻井的鼻祖，建成于明代景泰三年，于1989年移到北京古代建筑博物馆，并于1995年进行修复。李俊阁当时带 领20多位工匠，历时三年，把零碎构件重新拼接、组合，让国宝重见天日。 20世纪60年代，年仅20多岁的李俊阁已是"八级木工"，后来陆续参与颐和园以及山西五台山佛光寺等大批古建的 修缮。去年，天 ...

Core Viewpoint - The article highlights the importance of preserving traditional craftsmanship in ancient building restoration, emphasizing the dedication and skills of artisans in maintaining cultural heritage [1][2]. Group 1: Industry Insights - The restoration of ancient buildings is challenging due to the need for authenticity, as seen in the case of the "仙人骑凤" on the eaves, which required extensive research and collaboration with experienced craftsmen to accurately replicate [2]. - The tourism industry in 沙坡头 has flourished, with sites like 高庙 and 香岩寺 becoming popular attractions, leading to the creation of souvenir items that reflect local craftsmanship [2]. Group 2: Company and Craftsmanship - The company has trained over 30 apprentices, indicating a commitment to passing down traditional skills and ensuring the longevity of ancient building restoration techniques [2]. - The artisans believe that while ancient buildings may age, the craftsmanship will endure as long as there are individuals willing to continue the tradition [2].