中新网咸宁8月27日电 题：湖北崇阳木雕匠人刘明华：让传统手艺"活"在当下 作者 胡传林 田明 沈庭萱 尽管处暑已经到来，但湖北的天气依旧炎热。8月26日一大早，66岁的刘明华握着砂纸，俯身站在崇阳 县郊工作室的木案前。金丝楠木屏风上，未完工的"喜上梅梢"正随着他手腕的轻晃，落下细密的木屑。 刘明华与木雕相伴十余年，700余件作品从这间堆满原木与工具的屋子走出，每一刀刻痕里，都藏着"慢 工出细活"的时光答案。 推开工作室木门，最先撞入眼帘的，是立在角落的根雕"盛世清莲"：虬结的根须顺着天然纹理舒展，花 瓣边缘泛着温润的光泽，连莲蕊的细小纹路都清晰可辨。"这是6年前和徒弟一起做的，光清理根部泥土 就花了7天，生怕碰断一丝天然根须。"刘明华指尖抚过莲瓣，语气里满是珍视。"从塑形到上漆、抛 光，前前后后耗了45天，2022年在咸宁市工艺美术馆展出时，好多人围着看根须的走向呢。"刘明华 说。 穿过工作区，里间的"展品大厅"更像个小型木雕博物馆：半人高的"舞狮戏球"里，狮子的鬃毛根根分 明；巴掌大的"年年有余"上，鱼鳞的纹路细得能看清走向；还有"五福临门""一路莲升"……每拿起一件 作品，刘明华都能说出背后的故事："这 ...

Core Viewpoint - The article highlights the importance of preserving traditional craftsmanship in ancient building restoration, emphasizing the dedication and skills of artisans in maintaining cultural heritage [1][2]. Group 1: Industry Insights - The restoration of ancient buildings is challenging due to the need for authenticity, as seen in the case of the "仙人骑凤" on the eaves, which required extensive research and collaboration with experienced craftsmen to accurately replicate [2]. - The tourism industry in 沙坡头 has flourished, with sites like 高庙 and 香岩寺 becoming popular attractions, leading to the creation of souvenir items that reflect local craftsmanship [2]. Group 2: Company and Craftsmanship - The company has trained over 30 apprentices, indicating a commitment to passing down traditional skills and ensuring the longevity of ancient building restoration techniques [2]. - The artisans believe that while ancient buildings may age, the craftsmanship will endure as long as there are individuals willing to continue the tradition [2].