（原标题：第一批居民从哪来？他们纪念的是哪位蜀王？） 文博时空 作者 毛玉婷 五千年前，一系列远古文化在成都平原交叉绽放。他们中，到底是哪批人率先抵 达三星堆，勾画出三星堆的最初面貌？后来，又有哪些人融入，改变了当时的社会文化？后世人描绘的 蜀王，是否能够在平原找到踪迹，他们是否参与创造了三星堆？ 墓葬的发现可以帮助解答这些疑问，但至今在三星堆古城发现的都是不埋人的器物坑，考古人心心念的 王陵并未出现，所以仍是迷雾重重。 巴蜀文化脉络 目前，川中最早的文化痕迹发现于山地区域，现隶属于阿坝藏族羌族自治州茂县。 距今大约5000年前的新石器期时代，川西高原的岷江上游，先民在营盘山活动留下遗址群。他们的文化 特征接近中国西北地区、黄河上游的马家窑文化，两个地方的人都种植小米（粟、黍），用着相同的制 陶手法，不约而同地在高领陶器的肩、颈、腹部留下粘接痕。 营盘山遗址所在地 图据成都文物考古研究院 营盘山彩陶，图源：成都文物考古研究院 大概在距今4900年，部分古蜀人从西北高原而下，抵达成都平原的德阳什邡，创立了"桂圆桥文化"。在 这个靠近山地、相对较高的地区，他们延续旱作农业，继续种植小米。 成都文物考古研究院副院长 ...

Core Viewpoint - The article discusses the unique characteristics and cultural significance of the bronze sacred trees from the Sanxingdui archaeological site, highlighting their artistic and technological innovations as well as their connection to ancient mythology [12][16][19]. Group 1: Cultural Significance - The bronze sacred trees, particularly the three-headed bird and human figures, represent the ancient Shu people's worship of the sun and nature [8][17]. - The design of the sacred trees reflects a blend of beauty and rebellion, challenging conventional forms of growth and aesthetics [10][16]. - The three-headed tree's resemblance to the mythical Fusang tree, which is associated with the sun, emphasizes the cultural and mythological connections of the ancient Shu civilization [16][22]. Group 2: Technological Innovations - The bronze sacred trees were created using advanced casting techniques, including segmented casting and the use of core support structures, which are rare in the bronze casting practices of the Shang and Zhou dynasties [19][20]. - The craftsmanship involved in the creation of the sacred trees showcases meticulous attention to detail, with multiple casting processes for even the smallest components [22]. - The CT scans reveal the structural integrity and complexity of the sacred trees, indicating a high level of skill among the ancient artisans [19][24].