（原标题：三星堆的眼睛：透视出他们的天上人间） 文博时空 作者 玉山 毛玉婷 青铜斑驳，金面灿然。大大小小，不可胜数的人像与面具在三星堆博物馆内 依次排开，令人目眩，每个漫步馆内的人都能清晰感受到来自几千年前的威严与静穆。那么，千年后的 我们又该如何阅读这份跨越时间的神秘馈赠呢？ 古蜀之眼 说起三星堆遗址，大多数人的第一印象就是各种造型奇特的青铜人像。同属于青铜文化，三星堆的表现 风格与中原地区的商周等文明呈现出迥然不同的艺术风格。三星堆出土的大量人像和面具上往往有着一 双夸张的眼睛，这些眼睛已经成为了三星堆最为闻名的造型符号，每个慕名而来的游客都会围在那些奇 特的眼睛面前拍照留念。 青铜人像往往眼部凸起，具有强烈的视觉效果，金面具的眼部则会镂空，整个面具追求与青铜人像的完 美贴合。而金面具如果单独陈列，其空无一物的眼部也会散发出某种魔力，牢牢地吸引住观众的目光， 被略去的部分由于视线的汇集反而得到了凸显。 青铜人像的眼睛大致可以分为两种形制：第一种为杏核状倾斜巨目，上部有粗阔的眉毛，下部有深陷的 凹槽。双目中央往往有一道横脊使眼球成为一个有棱角的几何体。第二种眼睛更为有名，瞳仁从眼球表 面突出而呈柱状。 青 ...

Core Viewpoint - The article discusses the significance of the Sanxingdui archaeological site, particularly its bronze artifacts, which reflect a complex belief system involving a "three-god" system that may have influenced early Taoist practices in the region [1][23]. Group 1: Bronze Artifacts and Their Significance - The Sanxingdui site features three categories of bronze artifacts: bronze god statues, bronze human figures, and ritual vessels, indicating a structured approach to worship and offerings [1][2]. - The bronze god statues are divided into a main god and smaller gods, with the main god depicted wearing a distinctive bronze mask characterized by exaggerated features [3][4]. - The artifacts suggest a hierarchical belief system, with the main god positioned prominently and smaller gods serving in subordinate roles [10][11]. Group 2: The "Three-God" System - The concept of "three" is emphasized as significant to the Sanxingdui culture, leading to the proposal of a "three-god system" where three main deities are worshipped [8][9]. - The largest bronze god statue measures 1.42 meters between the ears, suggesting a central figure flanked by two smaller deities, possibly representing various aspects of nature or ancestral spirits [9]. - The arrangement of the deities in ritual contexts indicates a structured belief system with clear distinctions in the roles of gods and humans during worship [10][13]. Group 3: Ritual Practices and Beliefs - Ritual scenes depicted in artifacts suggest a connection between the heavens, earth, and humanity, with the belief that offerings could reach the divine through intermediaries [23]. - The artifacts reflect a unique cultural atmosphere distinct from other ancient Chinese civilizations, emphasizing a "heaven, earth, and human" worldview [23]. - The Sanxingdui culture may represent an early form of Taoist belief, with the worship of a triad of deities that laid the groundwork for later religious practices in the region [23].

（原标题：两河润泽下的乐活图：穿丝绸，稻香肉足，酒具成套） 文博时空 作者 毛玉婷 "仓廪实而知礼仪"，三星堆用青铜铸造出宏大艺术世界的背后，是物产丰富、衣 食无忧的能量保障。 三星堆的"动产"文物中，出土数量最多的不是青铜器，也不是象牙，而是陶器。当青铜导向崇拜符号、 集体信仰时，陶器则联结起居民日常。让我们透过这种"接地气"的用具及各类考古痕迹，窥探三星堆人 的盛食精穿生活： 数千年前，得益于天府乐土相对和谐的生存条件，三星堆人春耕待秋收，鸾鸟且自歌，怡然自乐，呈现 《山海经》里描述的生态——"灵寿华实，草林所聚。爰有百兽，相群爰处"。 米肉足后酿酒欢，勤劳的居民们捏泥造出炊、盛、饮一应俱全的食器，仪式感满满。种桑养蚕，爱美的 巧工们平织斜编而成丝绸，厚薄皆备，或华美，或飘逸…… 三星堆博物馆里的陶器群 舌尖之乐 远古人类逐水而居，文明总是伴水而生。三星堆遗址正处在两河润泽地带。北靠沱江支流鸭子河，遗址 中又有一条马牧河穿过。据植物考古研究，彼时这里气候温暖湿润，植被茂密。宜居环境，成为先民择 良地的选择。 两河分布示意 中国考古学会植物考古专业委员会主任赵志军说，"水稻取代小米，因为这里更适合种植水田作 ...

（原标题：第一批居民从哪来？他们纪念的是哪位蜀王？） 文博时空 作者 毛玉婷 五千年前，一系列远古文化在成都平原交叉绽放。他们中，到底是哪批人率先抵 达三星堆，勾画出三星堆的最初面貌？后来，又有哪些人融入，改变了当时的社会文化？后世人描绘的 蜀王，是否能够在平原找到踪迹，他们是否参与创造了三星堆？ 墓葬的发现可以帮助解答这些疑问，但至今在三星堆古城发现的都是不埋人的器物坑，考古人心心念的 王陵并未出现，所以仍是迷雾重重。 巴蜀文化脉络 目前，川中最早的文化痕迹发现于山地区域，现隶属于阿坝藏族羌族自治州茂县。 距今大约5000年前的新石器期时代，川西高原的岷江上游，先民在营盘山活动留下遗址群。他们的文化 特征接近中国西北地区、黄河上游的马家窑文化，两个地方的人都种植小米（粟、黍），用着相同的制 陶手法，不约而同地在高领陶器的肩、颈、腹部留下粘接痕。 营盘山遗址所在地 图据成都文物考古研究院 营盘山彩陶，图源：成都文物考古研究院 大概在距今4900年，部分古蜀人从西北高原而下，抵达成都平原的德阳什邡，创立了"桂圆桥文化"。在 这个靠近山地、相对较高的地区，他们延续旱作农业，继续种植小米。 成都文物考古研究院副院长 ...

（原标题：盛极而落：三星堆至今不为人所知的三部曲） 文博时空 作者 毛玉婷 近年的考古圈顶流"网红"，非三星堆莫属。在原始宗教的牵引下，先民驰骋于理 想之境，铸造出奇诡、神秘、夸张的青铜造像，构筑起神性美学，再烧砸毁掉，留下扑朔迷离的器物 坑，让今人在似懂非懂间感慨、景仰、追寻。 青铜大面具 青铜纵目面具 青铜头像 不寻常的青铜"神器"掀起一波波流量，却也遮挡住三星堆遗址绵延两千年的丰富内涵。当从"坑"里跳出 来，仔细翻阅史料，可以看到三星堆历经了三种不同的文化阶段：从新石器本土文化上"迭代"，三星堆 文化在商代中晚期达到鼎盛，进入青铜时代。这时，物质发展催生职业分工，一种类似于都江堰的早期 分流控水技术或出现，各种文化因子一起推动，揭开蜀地的古国序章。极盛之时却突遇变故，随着文化 日渐衰落，人们废弃古城，迁徙它处……尽管不是连贯的文化演进，"兴—盛—落"三部曲展开了三星堆 的绵延画卷。 总览：古国、古城、古文化 三星堆位置图，图据三星堆博物馆 三星堆遗址分布图 图源：四川省考古研究院 鸭子河南岸，分布着面积约12平方公里三星堆遗址（据现有认识），集古文化、古城、古国遗址的考古 面貌于一址。 那时，三星堆人就 ...

Core Insights - The recent findings from the Sanxingdui site reveal that the painted bronze artifacts date back nearly a thousand years earlier than previously thought, indicating a more vibrant and colorful ancient civilization in China [2][3]. Group 1: Research Findings - The Sichuan Provincial Institute of Cultural Relics and Archaeology announced that the bronze artifacts from Sanxingdui feature a significant amount of colorful painting, which challenges the traditional view of bronze artifacts from the Shang and Zhou dynasties being primarily green due to oxidation [2][3]. - The research indicates that the bronze artifacts were originally a brilliant gold color, referred to as "Ji Jin" in ancient texts, and were used in rituals to communicate with deities [3][4]. - The analysis revealed that the colors black and red were predominantly used, with black often found on facial features of bronze figures and red on decorative elements of the bronze tree and vessels [3][4]. Group 2: Cultural Significance - The use of black and red colors in the artifacts reflects their special status in Zhou dynasty rituals, symbolizing the connection between heaven and humanity, and representing auspiciousness and stability [4]. - The craftsmanship involved in creating these painted artifacts showcases advanced techniques, filling a gap in the understanding of painting art during the bronze age in China [4]. - The findings contribute to the understanding of the Sanxingdui culture as a significant part of the diverse and unified Chinese civilization, highlighting its connections with the Central Plains culture [4].

Group 1 - The 2025 Beijing Cultural Forum will take place on September 23-24, focusing on the integration of culture and technology, featuring discussions by experts [1] - The significance of Sanxingdui culture lies in the discovery of religious artifacts, which reflect a unique blend of cultural influences from the Yangtze and Yellow River civilizations [2][3] - Sanxingdui culture contributed to Chinese thought in three main aspects: the integration of ancient solar mythology into a cosmic system, the early concept of the "Tianren" relationship, and a unique urban planning philosophy [2][4] Group 2 - Key artifacts from Sanxingdui include a set of bronze and wooden composite statues, numerous bronze heads, and ceremonial vessels, showcasing a distinct artistic style [5][6] - Ongoing archaeological research is uncovering more about the layout of Sanxingdui, revealing multiple cities and a river that divides the urban space into administrative and religious areas [6][7] - The joint application for World Heritage status for Sanxingdui and Jinsha sites aims to enhance the protection and utilization of these cultural heritages, with a target submission date of 2028 [8] Group 3 - Digital methods are suggested for the protection and display of Sanxingdui artifacts, emphasizing the importance of content over technology in showcasing the historical context of the artifacts [9][10] - The need for comprehensive research and public dissemination of findings is highlighted to ensure a correct narrative about Sanxingdui is communicated to the audience [9][10]

Group 1 - The core viewpoint of the news is the successful launch of the first AIGC regional folklore IP short drama "Mingshan Strange Events: The Shuwang Divine Tree," which integrates advanced AI technology with rich cultural elements [1][3][5] - The series consists of 50 episodes and represents a significant application of AIGC technology in long-form film production, showcasing a new content creation model that combines "AI cutting-edge technology + folklore IP" [1][3] - The project effectively addresses industry challenges related to AI video scene consistency and action fluidity, achieving a cinematic quality in visuals and narrative flow [3][5] Group 2 - "Mingshan Strange Events: The Shuwang Divine Tree" revitalizes traditional folklore IP by deeply exploring and activating unique cultural elements from ancient Shu civilization and Sanxingdui culture, creating a modern narrative that appeals to the market [5][7] - The integration of strong folklore IP, suspenseful tension, and immersive AIGC audiovisual experiences positions the series as a potential breakout success in a competitive summer market [7] - The company plans to continue investing in core resources to refine AIGC video generation technology and explore its application across various film genres, aiming to drive digital innovation and commercial value of cultural resources [7]

Core Points - The 12th World Games will open on August 7, 2025, in Chengdu, Sichuan, marking the first torch relay in the history of the event [1][10] - The torch relay's starting ceremony will take place at the Sanxingdui Museum in Guanghan, Sichuan [3] Group 1: Torch Relay Details - The torch, named "Bamboo Dream," is inspired by the iconic bronze statue of the Sanxingdui culture and features a bamboo segment design, standing 72 cm tall [5][7] - The torch relay will cover a total distance of approximately 11 kilometers, with the first leg taking place within the Sanxingdui Museum, involving 20 torchbearers [9] - The first torchbearer is Huang Zhangjiayang, an artistic gymnastics champion from the Paris Olympics, while the final torchbearer will be table tennis Olympic champion Ma Long [9] Group 2: Cultural and Environmental Aspects - The torch relay incorporates elements of ancient Shu civilization, with the fire collection process utilizing solar energy conversion technology, promoting a green and low-carbon approach [8] - The event symbolizes a dialogue between history and the present, showcasing the rich cultural heritage of the region [8]

Core Viewpoint - The Sichuan University Museum, established 111 years ago, is recognized as a national first-class museum and serves as a significant repository of cultural heritage in Southwest China, showcasing a diverse range of archaeological and cultural artifacts [1][3]. Group 1: Historical Significance - The museum is the first comprehensive university museum in China and has a rich history tied to the first scientific excavation of the Sanxingdui site in 1934 [5][27]. - The museum houses artifacts from the Sanxingdui archaeological site, including ancient jade and stone items, which have drawn significant interest from history and archaeology enthusiasts [3][5]. Group 2: Cultural Exhibits - The museum features a complete set of shadow puppetry tools from the 1930s, illustrating the cultural life of Chengdu during the late Qing and early Republic periods [7]. - It showcases a unique collection of multi-ethnic cultural artifacts, including a red armor from the Yuan Dynasty made of tough buffalo hide, symbolizing the bravery of the Yi ethnic group [9]. Group 3: Biodiversity and Interactive Experiences - The museum presents a "Kingdom of Animals and Plants," featuring specimens of endangered species and local flora, many collected by students from the university's biology department [11]. - Interactive experience zones allow visitors to engage with history and nature, enhancing the educational aspect of the museum [14][15]. Group 4: Notable Artworks - The museum's collection includes over 2,000 pieces of calligraphy and paintings, with a significant focus on the Ming and Qing dynasties, including a unique collaborative landscape painting by Yuan Dynasty artists Huang Gongwang and Wang Meng [24][26]. - A notable exhibit is the Tang Dynasty statue of a Bodhisattva, which has undergone restoration and is recognized for its artistic value [17][19]. Group 5: Ongoing Research and Exploration - The museum continues to play a vital role in archaeological research, with ongoing excavations at the Sanxingdui site involving collaboration with multiple universities [34]. - The museum also documents significant archaeological findings in Tibet, contributing to the understanding of ancient Tibetan civilization [37][38]. Group 6: Visitor Engagement - The museum offers various cultural and educational activities during the summer, making it a dynamic space for learning and engagement [15][39]. - Visitors can purchase tickets and reserve spots for events through the museum's official website and WeChat account [39].