Core Perspective - Pablo Picasso's "Les Demoiselles d'Avignon," created in 1907, is a landmark work in 20th-century modern art, marking the beginning of Cubism and reflecting a significant shift in artistic exploration and cultural context [1][4]. Artistic Innovation - The painting features five nude women whose bodies are deconstructed into multiple geometric planes, challenging traditional representations of the human form [2][4]. - Picasso's use of fragmented geometric shapes to reconstruct figures eliminates classical aesthetics of harmony and beauty, replacing them with a raw, sharp visual impact [2][4]. Spatial and Color Treatment - Picasso abandons single-point perspective, juxtaposing visual elements from different angles on the same plane, creating a "flattened space" that dissolves traditional depth perception [3][4]. - The color palette primarily consists of blue, ochre, and gray, establishing a cold, oppressive atmosphere, with brushwork that emphasizes form over natural light [3][4]. Historical Context and Impact - Initially, "Les Demoiselles d'Avignon" was not publicly exhibited until 1916, and it faced mixed reactions, with conservative critics viewing it as a disaster for rejecting the realistic traditions established since the Renaissance [4][6]. - The work is considered the beginning of Cubism, influencing artists like Henri Matisse and Georges Braque, and paving the way for movements such as Futurism and Abstract Expressionism [6][7]. Cultural Reflection - Picasso's art reflects a continuous inquiry into the essence of art, emphasizing that it is not merely imitation of nature but exists parallel to it, incorporating diverse cultural elements and addressing social issues [5][6]. - "Les Demoiselles d'Avignon" serves as a critical text for understanding the transition from traditional to modern art, symbolizing a rebellion against standardized visual norms in the context of contemporary digital technology [6][7].