Core Insights - The 19th China Drama Festival recently concluded in Hangzhou, showcasing 42 high-quality performances and innovating the paths of drama creation and dissemination for the development of drama arts in the new era [1][3] Group 1: Festival Overview - The festival featured 30 outstanding performances from 21 provinces, autonomous regions, and municipalities, with an additional 12 performances in Wenzhou, covering 20 types of drama including traditional operas, spoken dramas, musicals, and puppet shows [1][2] - The opening play "Northbound," adapted from a novel by Xu Zechen, intertwines historical and contemporary narratives, highlighting the cultural significance of the Grand Canal [1][2] Group 2: Diversity and Innovation - The festival included a variety of traditional and contemporary adaptations, such as Cantonese opera "Cheng Ying Saves the Orphan" and Kunqu opera "The World of the Sayings," showcasing the richness and diversity of Chinese drama [2][3] - The selection of performances reflects a microcosm of China's drama ecology, featuring both widely popular genres and rare local forms, thus providing a platform for endangered art forms [2] Group 3: Artistic Evaluation and Cultural Impact - Critics emphasized the festival's broad selection criteria, including long-standing popular adaptations and traditional plays, promoting a balanced view of mainstream themes and the portrayal of ordinary people's lives [3] - The festival aims to promote Chinese aesthetic values and ideals while advocating for simplicity in stage presentations, highlighting regional characteristics of various drama forms [3] Group 4: Community Engagement and Sustainability - The festival attracted both established and emerging talents, with participation from professional troupes and university groups, reflecting a vibrant artistic landscape [4] - In addition to performances, the festival hosted workshops and discussions to cultivate drama criticism talent, emphasizing the importance of international perspectives [4] - A notable initiative was the "Everyone One Kilogram, Drama Carbon Neutrality" campaign, which engaged approximately 1.4 million participants, contributing over 2,000 tons of green energy, demonstrating a commitment to sustainability [4]

Core Viewpoint - The 19th China Drama Festival, held in Hangzhou, showcased 42 high-quality performances and introduced innovative approaches to optimize drama creation and dissemination, marking a significant moment for the inheritance and development of drama art in the new era [1][3]. Group 1: Festival Overview - The festival lasted for 21 days and featured 30 performances from 21 provinces, including various forms of drama such as traditional operas, musicals, and puppet shows, highlighting the achievements in China's drama art creation [1][2]. - The opening play "Beijing-Hangzhou" was adapted from a novel that intertwines historical and contemporary narratives, reflecting the unique charm of Chinese cultural imagery [1]. Group 2: Diversity of Performances - The festival included a variety of classic adaptations, such as Cantonese opera "Cheng Ying Saves the Orphan" and Kunqu opera "The World of the Sayings," showcasing different dramatic forms and styles [2]. - The selection of 42 performances represents a microcosm of China's drama ecology, featuring both widely popular genres and rare local forms, thus enriching the diversity of the drama landscape [2]. Group 3: Artistic Evaluation and Innovation - Critics noted that the festival expanded its repertoire to include long-standing popular traditional plays, emphasizing a balanced understanding of innovative themes and the portrayal of ordinary people's lives [3]. - The festival promotes the aesthetic spirit of the Chinese nation, advocating for simplicity in stage presentation while highlighting regional characteristics of various drama forms [3]. Group 4: Engagement and Community Involvement - The festival attracted both established and emerging talents, with participation from professional troupes and university groups, reflecting a vibrant scene in Chinese drama [4]. - Activities included public cultural events and a carbon-neutral initiative that engaged over 1.4 million participants, contributing more than 2,000 tons of green energy, demonstrating a commitment to sustainability [4].

刘长瑜从艺70多年，转益多师，博采众长，形成了清新洒脱、细腻传神的艺术特色，在舞台上塑造了众 多鲜活的人物形象，特别是《红灯记》中的李铁梅更是脍炙人口。郭启宏创作了众多新编历史剧，让李 白、曹植、李煜、顾贞观、杜甫等历史人物在戏剧舞台上得到鲜活传神的表达。 新华社杭州9月25日电（记者冯源、段菁菁）第十九届中国戏剧节25日晚在杭州闭幕。在闭幕式上，著 名京剧表演艺术家刘长瑜、著名剧作家郭启宏被授予"中国文联终身成就奖（戏剧）"。 闭幕式演出剧目是浙江小百花越剧院打造的《我的大观园》。它取材自经典文学作品《红楼梦》，凭借 创新的叙事、诗化的演绎和精致的舞台美学，深受观众好评。从今年1月在杭州首演以来，已在全国多 地演出50多场。 坚持理论与创作结合，研讨与实践并重，也是中国戏剧节的鲜明导向。本届戏剧节通过举办剧目评论 会、评论人才高级研修班、改进戏剧评论工作专题座谈会等活动，为院团和剧目提升"把脉开方"，着力 培养戏剧理论建设和评论人才，为中国戏剧的可持续发展提供坚实支撑。 中国戏剧节创办于1988年，每两年举办一次。本届戏剧节还首度打造了"碳中和戏剧节"，有140余万人 参与了"人人一千克，戏剧碳中和"活动， ...