2025北京人艺国际戏剧邀请展10月11日在京开幕。作为开幕剧，北京人艺新排话剧《哈姆雷特》当晚在 首都剧场演出。据介绍，邀请展将在为期一个半月的时间里，集中呈献来自意大利、格鲁吉亚、法国、 德国、奥地利、英国、西班牙、保加利亚、中国等9个国家的14部作品，并举办戏剧工作坊、高清影像 放映、艺术讲座、戏剧赏析等配套活动。 记者：杨淑君 白瀛 新华社音视频部制作 ...

金秋十月，在天津市和平区五大道先农大院，天津首家二次元沉浸式体验馆迎来了首批客人。随着《大理寺日志》主题快闪店"喵遇咖啡"在 国庆假期正式亮相，观众不再只是这部国产动漫作品的"旁观者"，而是可以真正走进故事中和角色"同框"。 新华社记者宋瑞、马博文 新华社天津10月6日电 题：天津：消费新体验绘出黄金周经济新图景 走进店内，仿佛踏入动漫的平行时空。吧台旁陈列着大量原创周边，为粉丝提供了丰富的收藏选择。Cosplay自由行、角色互动等活动吸引不 少动漫迷提前在社交媒体上预约打卡。 "二次元文化符合新一代年轻人的消费方式，而天津本土国潮动漫与天津历史街区的联动更带来了新的消费体验。"天津生态城产业园运营管 理有限公司总经理杨琨说。 10月1日，观众在天美艺术街区圆厅剧场观看经典剧目。（受访者供图） 剧场以网络热门剧集《唐朝诡事录》为原型开发，通过"国潮+沉浸体验"拓展文化消费新空间，也进一步激活传统文化IP的市场潜力。 "我们希望通过前沿技术，让传统文化'活'起来。"天津百年中原商业发展有限公司总经理助理焦天昱说，"这一项目不仅是娱乐体验，更是文 化传承的创新尝试，也大大激发了年轻人对传统文化的喜爱。" 夜幕降临 ...

央视网消息：国庆中秋假期，各地文化演出市场热度持续攀升。从经典重现的音乐会、话剧到青春动感的舞蹈、充满创意的动漫展 演等多元业态同台绽放，让观众在艺术里感受节日氛围。 AI光影、裸眼3D、舞台激光与LED大屏等多元科技齐上阵，在由中国视协等单位主办第三届中国（吉林）动漫大会"炫动动漫之 夜"中，数字技术与动漫艺术深度融合，为传统元素赋予现代视觉表达。大会共征集到410余部动画、漫画、论文类作品，通过展 映、艺术家进校园等活动，探讨产业发展新趋势。 由中国文联、中国舞协等单位共同主办的第十四届中国舞蹈荷花奖当代舞、现代舞评奖终评活动近期在呼和浩特举行，15个当代舞 作品与18个现代舞作品，既呈现近期国内创作成果，以多元题材与创新表达，展现舞蹈工作者的创作活力与艺术创新。 "十一"当晚，《祖国，我为你歌唱——国家大剧院 2025 国庆音乐会》精彩唱响。演出汇聚《今天是你的生日，中国》《洪湖水，浪 打浪》等经典旋律，让现场观众沉浸式感受醇厚家国情怀，共享国庆佳节的喜悦与荣光。 沉浸式感受戏韵独特魅力，第十六届浙江省戏剧大赛汇集近10年戏剧创作精品，越剧、婺剧等剧种的25部大戏与7个小戏轮番上演。 半月有余的密集演出 ...

9月30日，夹城夜月文化公园内灯火璀璨、曲韵悠扬，"月映千年，戏聚米市"第25届共建杯文艺演 出暨"来米市，看戏剧"发布仪式在此圆满举行。当浙江话剧团经典剧目《传宋》之李清照选段在千年运 河畔缓缓上演，一场沉浸式戏剧盛宴揭开了米市巷街道作为戏剧文化优质载体的独特基因。 在米市巷，从话剧到杂技，从亲子剧到实验戏剧，不同门类的戏剧艺术都能找到生长的土壤。浙江 话剧团深耕主旋律创作与经典文化演绎；杭州杂技总团以高难度技艺融合江南美学；杭州蜂巢剧场凭借 孟京辉先锋戏剧IP，成为吸引年轻群体的"文艺打卡地"；浙江大船文化则专注亲子舞台剧领域。 四家院团覆盖全年龄段、全艺术门类，形成了"专业院团+多元业态"的戏剧生态链，正是这种集群 化的专业资源优势，让"来米市，看戏剧"不只是一句口号，而是可感、可享、可参与的文化体验。 活动现场，浙江话剧团、杭州杂技总团、杭州蜂巢剧场、浙江大船文化四家辖区专业院团集中发布 近期重点剧目资讯，涵盖主旋律精品、国际亲子剧目、先锋实验作品等多元类型，尽显米市巷街道戏剧 资源的"专业浓度"。 米市巷街道相关负责人介绍，他们希望以"来米市，看戏剧"文化IP为抓手，打破 "剧场围墙"，将戏 剧场景 ...

Core Insights - The 19th China Drama Festival recently concluded in Hangzhou, showcasing 42 high-quality performances and innovating the paths of drama creation and dissemination for the development of drama arts in the new era [1][3] Group 1: Festival Overview - The festival featured 30 outstanding performances from 21 provinces, autonomous regions, and municipalities, with an additional 12 performances in Wenzhou, covering 20 types of drama including traditional operas, spoken dramas, musicals, and puppet shows [1][2] - The opening play "Northbound," adapted from a novel by Xu Zechen, intertwines historical and contemporary narratives, highlighting the cultural significance of the Grand Canal [1][2] Group 2: Diversity and Innovation - The festival included a variety of traditional and contemporary adaptations, such as Cantonese opera "Cheng Ying Saves the Orphan" and Kunqu opera "The World of the Sayings," showcasing the richness and diversity of Chinese drama [2][3] - The selection of performances reflects a microcosm of China's drama ecology, featuring both widely popular genres and rare local forms, thus providing a platform for endangered art forms [2] Group 3: Artistic Evaluation and Cultural Impact - Critics emphasized the festival's broad selection criteria, including long-standing popular adaptations and traditional plays, promoting a balanced view of mainstream themes and the portrayal of ordinary people's lives [3] - The festival aims to promote Chinese aesthetic values and ideals while advocating for simplicity in stage presentations, highlighting regional characteristics of various drama forms [3] Group 4: Community Engagement and Sustainability - The festival attracted both established and emerging talents, with participation from professional troupes and university groups, reflecting a vibrant artistic landscape [4] - In addition to performances, the festival hosted workshops and discussions to cultivate drama criticism talent, emphasizing the importance of international perspectives [4] - A notable initiative was the "Everyone One Kilogram, Drama Carbon Neutrality" campaign, which engaged approximately 1.4 million participants, contributing over 2,000 tons of green energy, demonstrating a commitment to sustainability [4]

Core Insights - The 19th China Drama Festival concluded in Hangzhou, showcasing 42 performances across 20 genres, highlighting the vitality of contemporary drama creation [1] - The festival emphasized a "people's festival" approach, offering low-priced tickets and cultural tourism discounts to enhance public engagement [1] - Various activities, including drama "flash mobs" and campus outreach, were organized to attract younger audiences and promote the integration of drama arts into urban life [1] Industry Developments - The festival held 10 discussion sessions with experts and creators to analyze and improve theatrical works, focusing on industry trends [1] - A special seminar on improving drama criticism was conducted, alongside the launch of a training program for drama critics aimed at cultivating talent with international perspectives and innovative spirit [1] - The China Drama Festival, established in 1988, occurs biennially, with the 20th edition set to return to Hangzhou [1]

Core Viewpoint - The 19th China Drama Festival, held in Hangzhou, showcased 42 high-quality performances and introduced innovative approaches to optimize drama creation and dissemination, marking a significant moment for the inheritance and development of drama art in the new era [1][3]. Group 1: Festival Overview - The festival lasted for 21 days and featured 30 performances from 21 provinces, including various forms of drama such as traditional operas, musicals, and puppet shows, highlighting the achievements in China's drama art creation [1][2]. - The opening play "Beijing-Hangzhou" was adapted from a novel that intertwines historical and contemporary narratives, reflecting the unique charm of Chinese cultural imagery [1]. Group 2: Diversity of Performances - The festival included a variety of classic adaptations, such as Cantonese opera "Cheng Ying Saves the Orphan" and Kunqu opera "The World of the Sayings," showcasing different dramatic forms and styles [2]. - The selection of 42 performances represents a microcosm of China's drama ecology, featuring both widely popular genres and rare local forms, thus enriching the diversity of the drama landscape [2]. Group 3: Artistic Evaluation and Innovation - Critics noted that the festival expanded its repertoire to include long-standing popular traditional plays, emphasizing a balanced understanding of innovative themes and the portrayal of ordinary people's lives [3]. - The festival promotes the aesthetic spirit of the Chinese nation, advocating for simplicity in stage presentation while highlighting regional characteristics of various drama forms [3]. Group 4: Engagement and Community Involvement - The festival attracted both established and emerging talents, with participation from professional troupes and university groups, reflecting a vibrant scene in Chinese drama [4]. - Activities included public cultural events and a carbon-neutral initiative that engaged over 1.4 million participants, contributing more than 2,000 tons of green energy, demonstrating a commitment to sustainability [4].

Core Viewpoint - The key to contemporary drama dissemination lies in "empathy," emphasizing the importance of emotional connection in theatrical performances and cross-cultural understanding [3][9]. Group 1: Differences Between Eastern and Western Drama - Eastern and Western dramas exhibit significant differences in values and performance systems, rooted in philosophical foundations: the West emphasizes "individual conflict and social critique," while the East focuses on "overall harmony and expressive representation" [5][6]. - The "mask theory" training method proposed for East Asian actors suggests that Eastern performers tend to maintain a level of concealment in their expressions, while Western performances are characterized by emotional openness [5][6]. Group 2: Cultural Exchange and Collaboration - There is a deep cultural foundation shared between Chinese and Korean dramas, yet they also display notable differences in teaching methods and thematic expressions [6][11]. - Recommendations for enhancing collaboration between China and Korea in drama and arts education include strengthening cultural exchanges between universities and participating in international drama festivals [11][14]. Group 3: The Role of Technology in Drama - The digital age presents more opportunities than challenges for the drama field, as students increasingly view drama as a means of emotional expression despite the prevalence of digital screens [13][14]. - Concerns about artificial intelligence replacing human actors have been addressed, with a consensus that the core of drama remains the emotional expression of "human" experiences [14].

Core Ideas - The 19th China Drama Festival showcases innovation in the arts, breaking the "premiere-only" barrier and encouraging continuous improvement in performances [1][4][6] - The festival features a diverse range of 42 performances, including traditional and contemporary forms, highlighting the richness of Chinese theatrical arts [2][3] - The festival promotes a long-term vision for theatrical works, emphasizing quality and audience engagement over short-term accolades [5][7] Group 1: Festival Overview - The festival runs for 21 days in Hangzhou, organized by various cultural associations and local government [1] - It includes 42 selected performances across 20 theatrical genres, showcasing both well-known and rare regional forms [2] Group 2: Artistic Innovation - The festival encourages a shift from script revision meetings to performance enhancement sessions, involving expert feedback to refine selected works [3] - Emphasis is placed on diverse storytelling and contemporary themes, with a mix of traditional and modern productions [3] Group 3: Audience Engagement - The festival aims to enhance cultural appreciation among the public by prioritizing performances that resonate with audiences [7] - Activities such as "flash performances" and lectures are designed to integrate drama into urban life, breaking down barriers between stage and audience [11] Group 4: Sustainability and Technology - The festival promotes green practices, advocating for low-carbon event management and the use of recyclable materials in stage design [11] - There is a focus on utilizing new technologies in theatrical productions while maintaining the integrity of the art form [9][10]

Core Points - The 2025 Tianjin Drama Festival has officially launched, featuring four main sections: "Performance Showcase," "Immersive City Drama," "Third Tianjin University Student Drama Festival," and "First Tianjin Primary and Secondary School Campus Drama Festival" [1][2] - Last year, the festival presented 84 productions and over 340 performances, attracting a million viewers and tens of millions of online participants, showcasing the vibrant cultural essence of Tianjin [1] - The festival aims to deepen the integration of drama into urban life, enhancing cultural vibrancy and establishing a distinctive "Drama Gathering Tianjin" cultural brand [1][3] Performance Highlights - This year's festival will feature 98 productions and 417 performances across four units: "Famous Drama Showcase," "Troupe Showcase," "Small Theater Performances," and "Drama Screenings" [2] - Notable performances include the popular dance drama "Breaking the Ice" by the Beijing Opera and Dance Theater, the play "The Stage" directed by Chen Peisi, and the Cantonese drama "Lantern Festival" by the Hong Kong Chinese-English Theater [2] Special Activities - The "Immersive City Drama" initiative will take place during the National Day holiday, with events at major cultural landmarks in Tianjin, including Jin Street and the Italian Style District [2] - Highlights include immersive performances such as "Sunrise" and "Tea Flower Girl," as well as interactive experiences like "Tianjin Stories" and night tours [2] University and School Engagement - The third Tianjin University Student Drama Festival has expanded to include universities from Beijing and Hebei, promoting drama creation and performance exchanges among youth [3] - The festival will also introduce the first Tianjin Primary and Secondary School Campus Drama Festival, providing a platform for students to showcase their theatrical talents and engage in patriotic education through immersive performances at historical sites [3] Duration - The festival will continue until January 2026 [4]