Group 1 - The core theme of the news is the summer exhibitions held in various museums, particularly highlighting the "Mythical Beasts and Auspicious Birds" exhibition at the China (Hainan) South China Sea Museum, showcasing 223 artifacts from 10 museums [1][4] - The exhibition categorizes animals based on the ancient dictionary "Erya," dividing them into insects, fish, birds, and beasts, while also displaying imagined creatures, emphasizing a harmonious relationship between humans and animals for sustainable development [4][6] - The exhibition features notable artifacts such as a blue and white porcelain cricket tube, a bronze ding with snake patterns, and a dragon-shaped wine vessel, illustrating the cultural significance of animals in ancient Chinese society [8][10][12] Group 2 - The Zhejiang Shaoxing Newchang Museum is hosting the "Tang Poetry Road" exhibition, which includes 240 artifacts from 36 cultural institutions, reflecting the literary richness of the Tang dynasty [17][19] - The exhibition highlights significant poets like Li Bai and Du Fu, showcasing artifacts such as a Tang tri-colored female figurine and a gold and silver hairpin mentioned in Bai Juyi's poetry, providing a vivid representation of Tang life [21][23] - The exhibition allows visitors to engage with the past through artifacts that connect to famous poems, creating an immersive experience of the Tang dynasty's cultural and poetic heritage [25]

Group 1 - The article highlights the rising trend of "cultural cooling" among young people during the summer, with museums and art galleries becoming popular destinations for leisure activities [1][2] - The "Jijin Wanli - Special Exhibition of Bronze Civilization in Southwest China" at Ningbo Museum attracted over 27,000 visitors in its first week, setting a record for special exhibitions at the museum [1][2] - The exhibition features 165 cultural relics from 17 cultural institutions in regions such as Sichuan, Chongqing, Yunnan, Guizhou, and Guangxi, showcasing the interaction and development of different regional civilizations [2] Group 2 - The popularity of the exhibition is attributed to its focus on cultural dialogue, particularly highlighting the Sanxingdui artifacts and their connections to other bronze treasures from the Southwest [2] - Interactive elements, such as a VR zone for decoding mysterious symbols on artifacts, have transformed the viewing experience from passive to participatory, appealing to younger audiences [2] - Museums in Zhejiang have extended their hours and introduced various exhibition strategies, including a mix of free and paid exhibitions, to cater to the cultural consumption needs of young people [2][3] Group 3 - Since 2008, the phased free access to public museums and memorials in China has laid the groundwork for the current "museum boom," allowing young people to seek cultural experiences as a way to escape the heat [3] - The "Z Generation," having grown up during China's rapid economic development, shows a strong sense of cultural identity and uses museums as a means to connect with history and enhance cultural confidence [3]