Core Points - Mo Yan, the Nobel Prize-winning author and vice chairman of the China Writers Association, has been appointed as a part-time professor at Renmin University of China [1][3] - The establishment of the Shuton Research Center at Renmin University aims to promote cultural innovation rooted in Chinese civilization and to support literary creation and talent cultivation [1][6] - Mo Yan emphasizes the principle of "literature and ink coexisting" in his calligraphy practice, highlighting that many classic calligraphy works stem from the deep calligraphic skills of the writer during the writing process [3][4] Summary by Sections Appointment and Ceremony - The appointment ceremony for Mo Yan as a part-time professor took place on November 25, with the unveiling of the Shuton Research Center [1][6] - The university's president, Lin Shangli, presented the appointment certificate to Mo Yan, marking a significant step in promoting literary arts [1] Research Center and Cultural Goals - The Shuton Research Center will focus on exploring the intrinsic connections between calligraphy, literature, and human emotions, aiming for the creative transformation and innovative development of traditional Chinese culture [6] - The center's establishment is seen as a solid action to invigorate cultural innovation through red resources [1][6] Mo Yan's Vision and Collaboration - Mo Yan expressed his intention to focus on literature and foster closer collaboration between the literature departments of Renmin University and Beijing Normal University [4] - He aims to encourage creative writing among students, aspiring for them to produce more outstanding literary works [4]

Core Viewpoint - The "Relax and Enjoy Tea" calligraphy and photography exhibition, featuring Nobel laureate Mo Yan and calligrapher Wang Zhen, opened in Hong Kong, merging literature and calligraphy into an immersive experience [1][3]. Group 1: Exhibition Details - The exhibition is organized by the Chinese Language Department of the University of Hong Kong and runs until November 3, focusing on the theme of "Coexistence of Literature and Ink" [3]. - Innovative light and shadow technology is used to present calligraphy, allowing modern audiences to appreciate the layers and fluidity of Mo Yan's calligraphy [5]. - Mo Yan's calligraphy work "Hong Kong Wanfuku" is prominently displayed at the entrance, symbolizing good wishes for Hong Kong [3]. Group 2: Artistic Collaboration - Mo Yan and Wang Zhen have known each other for over a decade, sharing a deep love for classical Chinese culture and calligraphy [5]. - They co-founded a public account called "Two Bricks Ink News" in 2019, where they share original poetry, essays, and calligraphy, fostering communication with literary friends [6]. - The account has published over 100 issues, featuring tributes to ancient figures and appreciation for contemporary calligraphers and artists [6]. Group 3: Thematic Integration - The exhibition incorporates the travel and creative journey from their essay collection "Relax and Enjoy Tea," blending calligraphy with nature photography captured by mobile phones and drones [8]. - It emphasizes the idea that everyone can be a creator, providing a visual cultural feast for the citizens of Hong Kong [8].

Core Viewpoint - The exhibition "Two Bricks Ink News Africa Tour - Mo Yan/Wang Zhen Calligraphy and Photography Exhibition" showcases the artistic dialogue between Chinese calligraphy and African landscapes, featuring works by Nobel laureate Mo Yan and Wang Zhen, highlighting the cultural exchange between ancient civilizations [1][3]. Group 1: Exhibition Details - The exhibition opened on May 31 at Peking University HSBC Business School, displaying 46 calligraphy pieces and 70 photographs created during Mo Yan and Wang Zhen's travels in Africa [1]. - The exhibition's preface emphasizes the merging of Chinese characters with African sunlight, symbolizing a dialogue between two ancient cultures [1]. Group 2: Artistic Philosophy - Mo Yan expressed a desire to find the "original state of calligraphy creation" during his time in Africa, advocating for the concept of "literature and ink coexisting" as essential to both literary and artistic creation [3]. - He noted that true artistic creation often occurs unintentionally, suggesting that the most natural artistic state arises from spontaneous expression [3]. Group 3: Philanthropic Efforts - During their trip, Mo Yan and Wang Zhen donated 100,000 yuan to support children with congenital heart disease in China, coinciding with the "99 Charity Day" [4]. - Mo Yan has contributed over 10 million yuan to assist families with children suffering from congenital heart disease and autism, supporting various charitable initiatives across multiple provinces [8].