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季剑青:1917年北京新文化地图
Xin Lang Cai Jing· 2026-02-03 00:22
民国初年的北京是一座官气十足的城市,辛亥革命后建立起来的北洋政府,虽然搭起了议会政治的架 子,但骨子里仍不脱清朝官僚政治的气味,日日以党派纷争名利奔竞为要事。官僚政治本带有享乐主义 的色彩,选色征歌、酒食征逐被视为寻常。参众两院设于宣武门内的象房桥,毗邻南城,而南城向为北 京的繁华所在,除了前门附近的酒楼饭馆,虎坊桥以北的八大胡同,还有1914年政府为装点首都门面建 设的聚集各种娱乐设施的香厂新市区,都是议员们经常出入的场所。北京的官气不仅弥漫于政界,教育 界、新闻界亦免不了受熏染。以全国最高学府著称的北京大学的学生们,也是八大胡同的常客。北京的 报馆多设于宣武门外,与参众两院只隔了一道内城城墙,报纸舆论往往为不同的政党派系所把控。在有 识之士看来,彼时北京实充满了污浊的空气。 1916年袁世凯自称为帝,北京的政治生活腐败到了极点,6月6日袁世凯去世后,黎元洪继任总统,国会 恢复,略有复苏的气象,新闻界的反应最敏感,一时复刊和新办的报纸就有七十多家。但大部分报纸仍 旧延续着此前的恶劣状态,"或流为政党之工具,或沦为谋利之机关,十有八九,了无生气"。1916年8 月,研究系领袖汤化龙在京创办《晨钟报》,设馆址于 ...
罗志田:文学革命的社会功能与社会反响
Xin Lang Cai Jing· 2025-05-04 04:25
Group 1 - The literary revolution during the New Culture Movement is often misunderstood, with scholars like Hu Shi and Zhou Zuoren noting that the success of this movement is often overestimated [1][2] - Hu Shi emphasized that the literary revolution was a deliberate effort to elevate popular novels to their rightful place in Chinese literary history, indicating a significant shift in societal values [3][4] - The interaction between societal changes and the development of thought is crucial for understanding the literary revolution and the New Culture Movement [2][3] Group 2 - The collaboration between Hu Shi and Chen Duxiu was pivotal for the rapid success of the literary revolution, with their differing approaches complementing each other [4][5] - Hu Shi's initial expectation was that the vernacular movement would take 25 to 30 years to succeed, while Chen Duxiu's assertive stance helped garner significant attention for the movement [4][5] - The disconnect between Western-educated students and domestic intellectual discourse highlighted the need for better communication and engagement with the broader society [5][6] Group 3 - The literary revolution aimed to raise the status of popular literature, thereby enhancing the role of the reading public, particularly marginalized readers [3][4] - The movement provided a pathway for marginalized readers to become more engaged and active participants in the literary landscape [3][4] - The relationship between the proponents of the literary revolution and the general public reflects a broader trend of challenging traditional hierarchies in society [3][4] Group 4 - The misunderstanding of the literary revolution's success is evident in the limited readership of vernacular literature, which primarily attracted a specific segment of the population rather than the general public [25][26] - The actual readers of new literary works were often young, marginal intellectuals who aspired to ascend to elite status, rather than the broader populace [26][30] - The literary revolution's impact was more pronounced among intellectuals and aspiring elites, indicating a disconnect with the general public [32][34]