▌曾祥书 《新闻概论》 刘文红 彭俐 中国传媒大学出版社 "山水是大地的文章，文章是纸上的山水。"《新闻概论》中的这句箴言，恰似一把密钥，开启了新闻学 多维宇宙的空间。这部著作以哲学之思为筋骨、美学之魅为血肉、伦理之魂为气韵，通过对国际国内优 秀新闻作品、新闻背景、新闻人物及典型事例横纵向分析、对比，不仅向人们诠释了新闻学在近代社会 的历史意义，而且构筑起当代新闻学的精神圣殿。 柏拉图曾在洞穴寓言中描绘真理追求者的宿命，而《新闻概论》则赋予当代记者同样的使命："天地有 大美而不言，记者言之。"书中创造性地将新闻哲学置于自然法则的维度考察——当多数教材纠缠于定 义推演时，作者之一、资深记者彭俐则以"人是新闻动物"的论断直抵本质，揭示了人类对信息感知的生 物性本能与文明性的渴求。 曾几何时，人们对记者的身份掀起过多重讨论，有观点认为，记者是真理的勘探者，也有人认为记者是 客观事物的传声筒，而在彭俐心里，记者是"大地文章的转译者"。书中纵向梳理了从竹简纪事到孔子与 诗经再到全息社会报道的媒介迭代，横向对比了普利策与邵飘萍的价值观差异，证明新闻哲学的本质是 永恒变化的动态真理观。如中国山水画"三远法"的哲学智慧：记者 ...

Core Viewpoint - The film "Malice," written and produced by Chen Sicheng, has received a mediocre rating of 6.3 on Douban, similar to his previous works, but its box office performance is significantly lower than expected, with a forecast of only 270 million yuan compared to over 400 million for competing imported films [1][4][5]. Group 1: Film Performance - "Malice" is projected to earn 270 million yuan, a stark contrast to the pre-release expectations of 400 to 500 million yuan [5]. - Competing films such as "Jurassic World: Dominion," "F1: Drive to Survive," and "Detective Conan: The Scarlet Bullet" are expected to surpass 400 million yuan in total box office [5][12]. - The film's box office trajectory has been flat, indicating a lack of audience engagement and interest [9][8]. Group 2: Marketing and Audience Reception - The film's low marketing budget has contributed to its poor performance, with only 46 marketing events compared to 148 for a competing film [7]. - The film's themes, which include social issues like online violence and the stigmatization of women, have not resonated with audiences, leading to a lack of emotional engagement [4][16]. - The film's critical stance towards the audience may have alienated potential viewers, as many are not inclined to pay for a film that critiques them [18][17]. Group 3: Comparison with Previous Works - Chen Sicheng's previous films, such as "The Disappearing Act" and "The Killing," successfully tapped into audience preferences for revenge narratives, while "Malice" has failed to do so [4][13]. - The success of "The Disappearing Act," which grossed 3.523 billion yuan, was attributed to its engaging themes, contrasting sharply with "Malice" [8][15]. - The decline in Chen Sicheng's appeal to frequent moviegoers is evident, as his recent works have struggled to maintain strong box office performances [11][12].