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武汉网红“异世界”大桥,也逃不过“夜店风灯光”
Hu Xiu· 2025-06-05 14:14
Group 1 - The article discusses the increasing homogenization and commercialization of tourist attractions in China, highlighting the transformation of unique sites into overly commercialized and visually overwhelming experiences [2][3][6] - The Yangsigang Yangtze River Bridge, initially celebrated for its natural beauty, has been criticized for its transformation into a commercialized space with high entry fees and excessive lighting [14][18][19] - The trend of creating "wild attractions" that prioritize photogenic qualities over authenticity is noted, with examples including various urban locations that have become popular for social media posts [7][10][11] Group 2 - The article points out that many ancient towns and scenic spots have adopted a nightlife-oriented approach, often resembling nightclubs rather than preserving their historical essence [20][21][28] - U-Town, a successful ancient town, is cited as a model for profitability, attracting 7.72 million visitors and generating revenue of 1.784 billion yuan in 2023, showcasing the potential financial success of well-managed tourist sites [26][27] - The article emphasizes the rapid growth of night tourism in China, with projections indicating that domestic night tourism spending could reach approximately 1.91 trillion yuan by 2024 [57][58] Group 3 - The lighting industry in China has seen significant growth, becoming a key component of the tourism experience, with the market for landscape lighting accounting for nearly 80% of the national market [62][63] - The article discusses the challenges faced by lighting designers in balancing aesthetic appeal with commercial demands, often leading to the overuse of bright and colorful lighting in tourist attractions [64][66] - The phenomenon of "over-commercialization" is critiqued, with references to the negative public perception of attractions that prioritize profit over cultural and aesthetic integrity [66]