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Core Viewpoint - The article discusses the transformation of the music industry driven by short video platforms and streaming services, highlighting the significant shift in revenue sources and the impact on music creation and copyright dynamics [2][11][40]. Group 1: Revenue Trends - In 2024, short video and streaming revenues account for 69% of global recorded music revenue, while physical music sales have shrunk to 16.4%, and download revenues have declined for 12 consecutive years, now representing only 2.8% [2][15]. - The Chinese digital music industry is projected to reach a scale of 102.7 billion yuan, with the copyright music market exceeding 60 billion yuan [8]. Group 2: Music Copyright and Monetization - Music copyright encompasses the legal rights to use and disseminate songs, with revenue generated from various scenarios including advertisements, short videos, and live events [14]. - The monetization model has shifted from a one-time purchase of albums to ongoing revenue sharing based on play counts, with platforms paying artists monthly based on streaming data [15][17]. - For instance, Spotify pays between $3 to $7 per 1,000 streams, while domestic platforms offer around 1.5 yuan per 1,000 streams [17]. Group 3: Industry Dynamics and Creation Process - The industry has developed a standardized promotional process for songs, involving initial rights acquisition, targeted marketing through social media, and leveraging trending topics to maximize exposure [18]. - The "ROI" (Return on Investment) concept is now applied to music, where songs with low ROI are quickly abandoned, while successful tracks can yield significant returns on promotional investments [19]. - The creation of music has become increasingly influenced by commercial viability, often prioritizing catchy elements and rapid production cycles over artistic integrity [21][22]. Group 4: Distribution and Market Challenges - The music industry has undergone three distinct phases: the record industry era, the independent production era, and the current digital streaming era, each marked by changes in production, distribution, and consumption [34][35][36]. - The current landscape sees a high volume of new releases, with 1.35 million new songs in 2024, but a stark disparity in success, as only 0.8% achieve over 10 million streams [39]. - The concentration of wealth and success among a few artists and producers raises concerns about the sustainability and diversity of the music ecosystem [40][41]. Group 5: Future Considerations - The article emphasizes the need for fair distribution mechanisms and transparency in copyright transactions to ensure that creators receive appropriate compensation for their work [41][42]. - A balanced approach that fosters both commercial success and artistic expression is essential for the long-term health of the music industry [43].

Gender Representation in Rock Music - The rock music industry has historically been dominated by male performers, emphasizing masculinity through themes of destruction, dominance, and control [7] - Female performers in rock often face skepticism and marginalization, highlighting a lack of diversity in both performers and audiences [8] - Lyrics written from a male perspective, especially those referencing women, can alienate female listeners, leading to feelings of disconnection [9][10] Listener Experience and Identity - Female listeners may experience a sense of disconnection from rock lyrics, leading to feelings of being unseen and doubts about their identity [11] - Immersing oneself in the rhythm and flow of music can dissolve gender and nationality barriers, allowing for a pure appreciation of the sound [14][16] - The core of rock music lies in the combination of guitar, bass, and drums, which can transcend gender and other differences [15][16] Addressing Disconnection and Promoting Inclusion - It is not necessary to ask male performers to write lyrics from a female perspective; instead, listeners can appreciate the melodies and rhythms offered [17] - Increasing female representation in rock music allows women to speak for themselves and have their voices heard [18] - Supporting female artists and bands can help promote their music and increase their visibility within the rock community [18][19]

Overview of Tarawangsawelas - Tarawangsawelas is an experimental music group from Bandung, pioneered by Teguh Permana [1] - The group blends Sundanese cosmology elements with a modern touch and social issues as the main inspiration [1] - They draw from life experiences as their creative resources [1] Musical Style and Performance - Tarawangsawelas combines Sundanese traditional musical instruments with a modern touch [1] - Their signature style has led to numerous songs and albums, and performances on various music stages in Asia and Europe [1] - They performed on stages across Europe [1] - A notable song, Sekalipun from the album Wanci (2017), is 12 minutes and 32 seconds long [1] - Sekalipun features traditional West Javanese musical instruments (tarawangsa and jentreng) blended with modern pedal effects [1] Recognition - Tarawangsawelas is considered one of the most unique experimental music groups in Indonesia [1]

Summary of Tencent Music Entertainment Group (TME) Earnings Review Company Overview - **Company**: Tencent Music Entertainment Group (TME) - **Market Cap**: $39.5 billion - **Enterprise Value**: $34.5 billion - **Industry**: Music Streaming and Entertainment in China Key Financial Highlights - **2Q25 Performance**: Revenue and profit exceeded expectations, prompting a revision of profit estimates for FY25-27 upwards by 6-7% [1] - **Revenue Growth**: Expected 21% growth in music service revenue and 24% growth in net profit for FY25 [1] - **Revenue Forecasts**: - FY25: Rmb 32,309.7 million (up 2.4% from previous estimates) - FY26: Rmb 36,367.8 million (up 4.6%) - FY27: Rmb 40,429.3 million (up 5.3%) [21] Core Business Insights - **Diversification of Revenue Streams**: TME is expanding beyond streaming and subscriptions into non-subscription revenue sources such as advertising, concert sponsorship, and fan economy initiatives [1][18] - **SVIP Membership Growth**: SVIP membership reached over 15 million, with expectations to grow to 25.9 million by 2027, increasing penetration from 13% to 19% of total paying members [11][24] - **Non-Subscription Revenue Growth**: Non-subscription music revenue grew by over 46% year-on-year, driven by a 30% increase in advertising and a doubling of fan merchandising and concert sponsorship revenue [11][18] Financial Metrics and Ratios - **Earnings Per Share (EPS)**: - FY25: Rmb 6.15 (up from Rmb 5.77) - FY26: Rmb 7.19 (up from Rmb 6.75) - FY27: Rmb 8.13 (up from Rmb 7.64) [5] - **Profit Margins**: Expected to sustain margin expansion towards low 30% operating profit margin (OPM) and net profit margin (NPM) [18] - **Valuation**: Target price raised to $27 (from $21) and HK$106 (from HK$82) reflecting improved growth prospects [19] Growth Projections - **3Q25 Expectations**: - 17% year-on-year group revenue growth - 23% year-on-year online music revenue growth - Gross profit of Rmb 3.6 billion with a gross profit margin of 43.9% [20] - **Long-Term Outlook**: Non-subscription business expected to outpace subscription revenue growth over the next 2-3 years [11][18] Risks and Challenges - **Key Risks**: - Potential derailment from the current growth trajectory - Higher-than-expected content pricing from label companies - Inability to maintain market dominance and subscription growth - Slower-than-expected expansion of non-subscription services [22] Conclusion - **Investment Recommendation**: Reiterated "Buy" rating based on strong performance, diversified revenue streams, and positive growth outlook [1][19]

This is dominated Google trending, by the way, and most other social platforms for most of the time I've been awake. This is big. Tell me more.Could you sleep last night. Were you able to. Or were you just so excited that you had to stay up thinking about it.That was that was Elon Musk related. Let's stick with tailored at least. I mean, look, she's she's the biggest pop star in the world, if not even really close.She just wrapped her Arab tour, which is the best selling concert in music industry history le ...

Core Insights - NetEase (NTES) is set to announce its second-quarter 2025 results on August 14, with revenue expectations of $3.86 billion, reflecting a 10.02% year-over-year growth [1] - The consensus estimate for earnings per share (EPS) is $2.04, an increase of 2 cents over the past month, compared to $1.66 in the same quarter last year [1][9] - NTES has exceeded earnings expectations in three of the last four quarters, with an average surprise of 9.17% [2] Revenue Drivers - The anticipated growth in Q2 2025 is attributed to strong gaming revenues and successful global launches, building on the momentum from Q1 [3] - Key titles such as Marvel Rivals, FragPunk, and Once Human are expected to contribute significantly to revenue, with Marvel Rivals maintaining high engagement after its Season 2 update [4][9] - Established titles like Where Winds Meet and Identity V are also projected to provide stable contributions, supported by ongoing content releases and regional expansions [5] Challenges - Despite the positive outlook, certain segments are expected to face challenges, particularly Youdao's learning services and NetEase Cloud Music, which may continue to struggle with revenue pressures [6] - The innovative businesses segment, including the Yanxuan e-commerce platform, is likely to experience intensified competition, impacting revenue growth [6] Earnings Expectations - The Zacks model indicates that NTES currently has an Earnings ESP of -0.25% and a Zacks Rank of 2 (Buy), suggesting a lower likelihood of an earnings beat compared to previous quarters [7]

Well, a new era is dawning for Taylor Swift, the pop superstar, announcing a brand new album, The Life of a Showgirl. This is during an appearance on the New Heights podcast, of course, hosted by her significant other, Travis Kelsey, and his brother Jason. Now, you can already pre-order the album on Swift's website, even though there isn't a release date just yet for this.There was this uh cryptic countdown, the the changed profile pictures and these hints from the singer that she sent Swifties into a frenz ...

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