She is arguably one of the biggest pop stars in music today, but Sabrina Carpenter has also been using her platform to raise much-needed funds for issues that remain nearest and dearest to her. https://t.co/6VVVFg9HSc Photo: Arnold Jerocki via Getty Images) Story by @jeffconway https://t.co/IndR0VU9Bg ...

Spotify revamps its Discover Weekly playlist after ten years | TechCrunch https://t.co/lzgdwRMqQj ...

Core Viewpoint - The rise of AI singer Yuri, created by AI.TALK, marks a significant moment in the AI music industry, with her debut music video "SURREAL" achieving over 7 million views across platforms, indicating a growing acceptance and interest in AI-generated music [1][7]. Group 1: AI Singer Development - The success of Yuri is attributed to advancements in music and video generation models, allowing for high-quality production that blurs the line between AI and human-generated content [7][12]. - Unlike previous virtual idols, Yuri represents a new wave of AI singers that can create music autonomously, leveraging AI models for both music composition and video production [6][8]. Group 2: Market Dynamics - The AI digital human market in China is projected to reach approximately 4.12 billion yuan in 2024, with a year-on-year growth of 85.3%, highlighting the rapid expansion of this sector [12]. - The commercial potential of AI singers is compared to traditional virtual idols, suggesting that AI singers can replicate successful monetization strategies such as merchandise, concerts, and collaborations [8][11]. Group 3: Challenges and Opportunities - Despite the potential, AI singers face challenges in achieving widespread recognition and maintaining audience engagement, as seen with other AI singers like Qiyue, which struggled to gain traction despite significant backing [10][11]. - The ability to create high-quality music and videos is essential for the commercial success of AI singers, as the market becomes increasingly competitive with more entrants expected [12][13].

Alexandra Pohl, a DJ and model, constantly jets to festivals and photoshoots—and shares with her fans the ups and downs of life on the go. Xandra has performed at EDC Vegas and Lollapalooza. #ForbesTopCreators (Photo: Cody Pickens for Forbes) https://t.co/N0dGUH5NG3 https://t.co/WJR1kQYULB ...

Core Insights - The founder of Changba, Chen Hua, expresses anxiety about the upcoming opportunities in AI applications, likening the current situation to the pre-explosion phase of mobile internet around 2011 [2][3] - Chen believes that the AI wave represents a rewriting of the script compared to the mobile internet era, with distinct differences in commercialization paths and driving factors [3][4] Group 1: Historical Context and Development - Changba was founded in 2011 and launched its app in May 2012, quickly becoming a leader in mobile karaoke [2] - The company has evolved through various stages, including significant product launches and brand upgrades, with a new AI ToC app expected in 2025 [2] Group 2: Comparison of AI and Mobile Internet - Both AI and mobile internet share similar industry development cycles, with significant breakthroughs occurring years after initial technology releases [3][4] - The commercialization paths differ: mobile internet saw a To C explosion first, while AI applications are primarily To B at this stage [4][5] Group 3: Driving Factors and Commercialization - The mobile internet was driven by hardware revolutions, while AI is propelled by breakthroughs in underlying technologies [5][6] - AI applications focus on efficiency and cost-saving for businesses, contrasting with the user-scale monetization seen in mobile internet [7][8] Group 4: Competitive Landscape - The competitive landscape for mobile internet allowed early startups to create platforms, whereas AI applications face a more closed ecosystem dominated by large companies [9][10] - Despite challenges, Chen sees promising opportunities in To B efficiency tools and high-frequency To C tools in vertical fields [11][12] Group 5: Future Opportunities and Challenges - Chen emphasizes the importance of user feedback within two weeks of product launch as a critical measure of success [13][75] - The AI application landscape is still maturing, with many startups struggling to find viable paths due to competition and market saturation [14][36] Group 6: Investment and Market Dynamics - The investment landscape for AI applications is shifting, with a preference for dollar funds over RMB funds due to the latter's complexity [79] - The government is more focused on strategic investments in foundational technologies rather than direct AI application ventures [80]

Core Points - TD Bank Group has renewed its support for the OHSOTO'KINO Indigenous Programming Initiative with a $750,000 investment over the next three years [1] - The initiative aims to amplify Indigenous voices and support emerging artists through various programs [4][5] Group 1: Financial Commitment - TD Bank Group's investment of $750,000 will be allocated over three years to support Indigenous programming [1] - The bank has been a supporter of NMC's Indigenous-focused programming since 2014, expanding its commitment with the launch of the OHSOTO'KINO initiative in 2022 [3] Group 2: Program Objectives - The OHSOTO'KINO initiative focuses on three key pillars: creation of new music, artist development, and storytelling [4] - The program provides access to NMC's recording studios, fosters artist development through the Music Incubator, and amplifies Indigenous voices through exhibitions and digital content [4] Group 3: Impact on Indigenous Artists - Indigenous artists will benefit from world-class recording facilities and professional development opportunities [5] - The initiative aims to inspire the next generation of Indigenous musicians by providing creative spaces and knowledgeable support [5]

Company Overview - LiveOne is an award-winning, creator-first music, entertainment, and technology platform headquartered in Los Angeles, CA [2] - The company focuses on delivering premium experiences and content worldwide through memberships and live and virtual events [2] - LiveOne's subsidiaries include Slacker, PodcastOne, PPVOne, CPS, LiveXLive, DayOne Music Publishing, Drumify, and Splitmind [2] Upcoming Events - LiveOne will host a conference call on July 3, 2025, to discuss results for Q4 Fiscal 2025 and the fiscal year ended March 31, 2025 [1] - The call is scheduled for 10:00 AM Eastern Time (7:00 AM Pacific Time) [1] - Access details include a webcast link and dial-in numbers for participants [1]

In this heartfelt and powerful TEDx talk at SSCBS, Shivansh Jindal, CEO of Merchant Records, shares a deeply personal journey of chasing dreams, redefining success, and constantly reinventing himself beyond every so-called "final frontier." From being a top consultant at Bain to launching a successful music label, working with legends like Arijit Singh and Shreya Ghoshal, and now building a tech app and fashion brand—Shivansh opens up about the unseen struggles behind success: losing touch with friends, mis ...

Core Viewpoint - Music Licensing, Inc. (OTC: SONG), also known as Pro Music Rights, is applying for qualification under the new OTCID Basic Market structure to enhance transparency and regulatory compliance while engaging with the investor community [2][4]. Group 1: Company Overview - Music Licensing, Inc. is a diversified holding company and the fifth public performance rights organization (PRO) established in the United States, recognized under the federal registry [5][11]. - The company licenses music to major platforms and businesses, including TikTok, iHeartMedia, Triller, Napster, 7Digital, and Vevo [5][11]. Group 2: Market Position - Pro Music Rights holds an estimated 7.4% market share in the United States, with a catalog of over 2.5 million works by notable artists such as A$AP Rocky, Wiz Khalifa, and Pharrell [6][12]. - The company also holds royalty interests in the Listerine® "Mouthwash" Antiseptic brand and a vast portfolio of works by globally recognized artists like The Weeknd, Justin Bieber, and Rihanna [7][13]. Group 3: Regulatory Compliance and Future Plans - By pursuing OTCID Basic Market status, the company reaffirms its commitment to corporate transparency and aims to maintain eligibility under SEC Rule 15c2-11 [4][8]. - The transition to OTCID Basic Market is viewed as a proactive step to better serve shareholders and the broader market [4][8].

18 June 2025 | 6:46AM HKT Tencent Music Entertainment Group (TME) Constructive outlook on faster SVIP penetration, non-subs business long-term potential; Raise TP, Buy | TME | 12m Price Target: $21.00 | Price: $18.20 | Upside: 15.4% | | --- | --- | --- | --- | | 1698.HK | 12m Price Target: HK$82.00 | Price: HK$73.40 | Upside: 11.7% | We raise TME's TP to US$21/HK$82 and reiterate our Buy rating on the name. The stock has rallied +69% YTD (vs. HSTech +18%), on the back of solid music growth visibility and pr ...