85后"木雕师、"90后"茶农、"00后"研究生……他们在创新尝试中推动文化产业发展 这群海南年轻人"玩转"文博会 "90后"茶农擦亮海南红茶品牌 海南日报全媒体记者 刘晓惠 文化、产业、青年，这三个名词叠加会产生哪些化学反应？在第二十一届中国（深圳）国际文化产 业博览交易会海南馆，一群青年用独特的视角和大胆的实践，给出了令人惊喜的答案。 黄花梨与漫画： "85后"木雕师刻出"表情包"文玩 层峦叠嶂间，苏东坡峨冠博带，眉峰微蹙，一旁的童子在煮茶，质地梆硬的木头也能刻画出袅袅青 烟……这是一尊金丝楠木的雕刻作品，题为《苏东坡》。它的创作者是"85后"的"南海工匠"、海南骏誉 黄花梨艺术馆主理人刘骏骏。 作为一名青年木艺工作者，他的创作台上，除了刻刀还有平板电脑——时常在屏幕里翻阅漫画分 镜。"传统雕刻讲究'三分人工七分天趣'，但年轻人更爱'表情包式'的共鸣。"刘骏骏说，他把漫画元素 融入海南黄花梨雕刻作品，谈话间，他拿起一只黄花梨蟾蜍介绍，"这就是黄花梨+漫画的艺术成果。" 海南日报全媒体记者捧起这只"蟾蜍"细看，它的表情很像年轻人在社交平台使用的表情包。这 组"趣味人生"系列的九只黄花梨金蟾神态各异，有的瞪眼 ...

Core Perspective - The article highlights the journey of Chen Jia, a young woodcarver from Chaozhou, who is dedicated to preserving and innovating traditional wood carving techniques while making them more accessible to modern consumers [2][5]. Group 1: Background and Training - Chen Jia comes from a family of woodcarvers, having learned the craft from her father for 17 years, inspired by her grandfather, a master craftsman [2][3]. - The initial training involved rigorous practices, including sharpening tools and mastering basic techniques, which were physically demanding and often resulted in injuries [3][4]. Group 2: Artistic Development - Chen Jia's family legacy includes the iconic "Lobster and Crab Basket," a hallmark of Chaozhou wood carving, which she had to master to prove her skills [3][4]. - She emphasizes the complexity of creating intricate designs, particularly in ensuring the internal and external contours of her carvings align perfectly [4]. Group 3: Innovation and Market Engagement - Since 2018, Chen Jia has been actively engaging with tourists and the public, sharing her craft and gaining inspiration for new creations [4][5]. - She has shifted her focus towards smaller, more intricate pieces that are easier for consumers to take home, such as mini lobster and crab baskets, incense holders, and other cultural products [4][5]. Group 4: Collaboration and Outreach - Chen Jia collaborates with various brands to enhance the visibility of Chaozhou wood carving, creating functional art pieces that appeal to a broader audience [5]. - She believes that hands-on experiences and close interactions with the craft are essential for promoting traditional arts and ensuring their survival [5][6].