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龙纹盘配色:飞龙在天,异彩纷呈
Jing Ji Guan Cha Bao· 2025-11-27 07:07
(原标题:龙纹盘配色:飞龙在天,异彩纷呈) 文博时空 作者 刘鑫 盘龙聚气,翼龙穿花,龙纹自古以来就是应用最为广泛的装饰纹样之一。作为其重 要载体的龙纹盘贯穿于中国陶瓷发展史始终。 龙纹盘釉色丰富,纹样清晰,各个时期的龙纹盘有其不同的风貌和特点。龙纹在瓷器上的出现不晚于南 北朝,唐代已较常见。宋代是龙纹瓷器的重要发展期阶段,官、哥、汝、定、钧五大名窑烧造的龙纹盘 各有不同,釉色上大都清新雅致,给人以自然朴素、大气端庄之感。元代龙纹以青花为主,成功创烧釉 里红,并发展了孔雀绿釉等品种。明代以青花为主,创烧斗彩(创烧于明宣德年间,成熟于成化时 期)、五彩、素三彩等。清代在彩瓷工艺上取得重大突破,康熙晚期创烧珐琅彩,同时粉彩萌芽;雍正 时期粉彩成熟,乾隆时期彩瓷工艺集大成,龙纹盘色彩更为绚丽多样。不同颜色的龙纹盘配色,展现出 不同的风貌。 一、单色系 ·绿色 "青翠欲滴,温润如玉",龙泉窑以烧制青瓷而闻名。《清秘藏》言:"古龙泉窑器,土细质厚,色甚葱 翠。"龙泉窑的青釉色青翠,与自然植物之色最是相近。 青釉贴花云龙纹盘 元 ·红色 红釉创烧可追溯至元代,明永乐时期,景德镇成功烧制出釉色纯正的鲜红釉(铜红釉),技艺达 ...
吴中绝技:一器一世界,一技一人生|新知
Jing Ji Guan Cha Bao· 2025-06-26 00:00
Core Viewpoint - The article highlights the extraordinary craftsmanship of Ming Dynasty artisans from the Wu region, particularly focusing on their unique skills and the cultural significance of their creations, which have transcended time and continue to be celebrated today [1]. Group 1: Baotiancheng and Rhinoceros Horn Carving - Baotiancheng is recognized as the foremost master of rhinoceros horn carving during the late Ming Dynasty, known for his exceptional skills in various materials including ivory and rosewood [2][3]. - His works, such as the rhinoceros horn ewer and the "Immortal Floating on a Raft" cup, showcase a blend of realism and artistic expression, reflecting the cultural ideals of the time [4][5]. Group 2: Zhou Zhu and Inlay Craftsmanship - Zhou Zhu is celebrated for pioneering the "Hundred Treasures Inlay" technique, which combines various precious materials in lacquerware, elevating the art form during the Ming Dynasty [6][8]. - His inlay works often feature intricate designs that merge literary themes with visual artistry, appealing to the aesthetic sensibilities of the literati [9][10]. Group 3: Zhu Bingshan and Silver Craftsmanship - Zhu Bingshan is credited with creating the silver raft cup, a unique design that reflects ancient myths and showcases advanced metalworking techniques [11][12]. - Only four of his silver raft cups are known to exist today, each representing a blend of functionality and artistic expression, embodying the spirit of the era [13][14][17]. Group 4: Other Notable Artisans - Zhao Liangbi, known for his comb-making skills, represents the continuation of traditional craftsmanship in the Wu region, with his work reflecting a deep cultural heritage [18]. - The article also mentions other artisans like Ma Xun and Zhang Jixiu, who contributed to the rich tapestry of Wu craftsmanship through their respective specialties in fan-making and guqin [19][20][22].