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真实的苏东坡,让人头皮发麻!
凤凰网财经· 2025-06-14 11:05
Core Viewpoint - The article presents a comprehensive overview of Su Dongpo's life, highlighting his literary achievements, personal struggles, and enduring legacy as a cultural icon in Chinese history. Group 1: Life Achievements - At 22, Su Dongpo ranked first in the "Thousand-Year Dragon and Tiger List," earning praise from literary leader Ouyang Xiu [1] - By 27, he became the top candidate in the first national examination of the Northern Song Dynasty, with Emperor Renzong expressing joy over his potential as a future chancellor [1] - At 37, he published "Qiantang Collection," solidifying his status as a literary leader [3] Group 2: Personal Struggles - Su Dongpo faced significant hardships, including the death of his wife at 30 and wrongful imprisonment for 130 days at 42 [5] - He was exiled multiple times, experiencing the loss of his young son and enduring a life of poverty and isolation in his later years [6] Group 3: Resilience and Legacy - Despite his adversities, Su Dongpo managed to cultivate land and support his family during his exile in Huangzhou, transforming from a scholar to a farmer [8] - His literary works continued to resonate, with poems reflecting his philosophical outlook on life and resilience in the face of hardship [18] - Su Dongpo's influence persists, as he is revered by modern figures and scholars alike, symbolizing the triumph of the human spirit [14] Group 4: Book Recommendation - The article promotes a special edition of "The Complete Works of Su Dongpo," which includes extensive biographical content and artistic illustrations, aimed at providing a deep understanding of his life and the Northern Song Dynasty [20][29] - This edition features a dual narrative structure, detailing key life events and relationships, alongside thematic explorations of his literary and artistic contributions [32][44] - The book is presented as a unique collectible, combining biography, art, and historical context, making it a valuable resource for readers interested in Su Dongpo and his era [26][92]
材美工巧 器韵时宜
Core Viewpoint - The "Fourth China Good Craftsmanship Exhibition" showcases 110 pieces of traditional craftsmanship, emphasizing the new standards of "material beauty, craftsmanship, vessel charm, and timeliness" in contemporary contexts, while maintaining the essence of traditional Chinese craftsmanship [7][9][12]. Group 1: Material Beauty and Craftsmanship - The concept of "material beauty" transcends mere appreciation of materials, highlighting the wisdom of artisans in bringing out the natural spirit of materials [8][9]. - The essence of "craftsmanship" is rooted in the idea of "slow work yields fine products," with continuous innovation in techniques across various crafts such as lacquerware, embroidery, and carving [8][9]. - Wang Lihua's embroidery piece "Nine Dragons" exemplifies contemporary Su embroidery, merging poetry, painting, and calligraphy into a single artwork [8][9]. Group 2: Vessel Charm and Timeliness - The "vessel charm" is about embodying intangible concepts within tangible forms, as seen in the ceramic work "Like a Dream" by Chen Rongchun and Chen Hanqing, which resonates with literary themes [9][10]. - The exploration of "timeliness" in contemporary craftsmanship is a focal point of the exhibition, questioning whether craftsmanship should adhere to traditional techniques or embrace new materials and forms [10][11]. - Two notable works, "Narrative" and "Dinosaur," challenge traditional material values by utilizing everyday waste materials, prompting discussions on the essence of craftsmanship [10][11]. Group 3: Cultural Continuity and Innovation - The exhibition reflects a unique approach to modernization in Chinese craftsmanship, emphasizing respect for tradition while seeking breakthroughs within a framework of "inheritance/innovation" [12][14]. - The works presented, such as Fan Zefeng's Zisha teapot and Wang Lei's woven paper piece, illustrate the dynamic interplay between traditional symbols and contemporary materials, creating new meanings [13][14]. - The exhibition serves as a cultural landmark, showcasing the deep cultural connotations of Chinese craftsmanship while maintaining a strong identity in a globalized context [14].