Group 1 - The domestic film industry is facing pessimism due to poor box office performance, particularly during the National Day holiday where the best-reviewed film, "The Proof of Proof," had the worst box office results [1] - Other films from the summer season, such as "East Extreme Island" and "Lychee of Chang'an," also underperformed, which poses a significant threat to investments in high-cost films that require long-term returns [1] - There is a concern that the Chinese film industry may follow the decline seen in the music industry, leading to a future where quality films become scarce, similar to the current state of music albums [2] Group 2 - Recent Netflix and Apple films are compared to American versions of Douyin short dramas, suggesting that while they may have better quality, they are still mass-produced and lack depth, serving primarily to attract and retain subscribers [4] - The trend of producing multiple mediocre films (60-point works) is seen as detrimental to the overall film industry, as it leads to a situation where poor quality drives out better quality [5] - The film "The Woman in Cabin 10," featuring Keira Knightley, is described as a classic detective story with a strong cast, but it suffers from a lack of coherence and depth, ultimately failing to deliver a compelling narrative [6][7] Group 3 - The production techniques employed in films like "The Woman in Cabin 10" prioritize speed and cost-effectiveness, often at the expense of quality, leading to forgettable viewing experiences [7][8] - The comparison to Apple's earlier film "The Canyon" highlights a pattern of using well-known actors and intriguing premises to ensure quick returns, but raises questions about the cultural value of such productions [8]