Core Perspective - The article discusses the centenary exhibition "Surrealism, First and Forever" at the Pompidou Center, commemorating André Breton's "Manifesto of Surrealism" published in 1924, highlighting the enduring spirit and unfinished goals of surrealism [1][3][24]. Group 1: Historical Context - Surrealism emerged between the two World Wars as a significant cultural movement in Europe, described by Walter Benjamin as a snapshot before the cultural catastrophe [2]. - The movement quickly spread globally, influencing various cultures, including China during its New Culture Movement [2]. Group 2: Exhibition Design and Themes - The exhibition is designed as a "maze" to reflect the spatial concepts of surrealism, featuring thirteen themes such as "The Path of Dreams" and "Monsters" [9][12]. - The entrance of the maze is modeled after a monstrous mouth, symbolizing the entry into a dream space, reminiscent of historical surrealist venues [13]. Group 3: Key Works and Artists - The exhibition prominently features Breton's original manuscript of the "Manifesto of Surrealism," emphasizing its philosophical and revolutionary significance [21][24]. - Max Ernst's works are highlighted, particularly his series "Woman: 100 Heads," showcasing the theme of unexpected encounters in surrealism [29][31]. Group 4: Surrealism's Legacy and Influence - The article reflects on surrealism's role as a necessary entry point for avant-garde dreams, suggesting that it remains relevant in contemporary discourse [3][24]. - The relationship between surrealism and political movements is explored, indicating that surrealism has historically been intertwined with revolutionary ideals [24][26].