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《无可奈何》成韩国“现象级电影”:以失业与竞争为题材的黑色喜剧
Huan Qiu Shi Bao· 2025-10-15 23:00
Core Insights - The film "No Way Out," directed by Park Chan-wook, has sparked significant discussion in both South Korea and internationally since its release on September 24, 2023, with over 2.64 million viewers in South Korea by October 14, 2023, and is being hailed as a phenomenon in the Korean film industry [1][4]. Group 1: Film Overview - "No Way Out" features a cast including Lee Byung-hun, Son Ye-jin, and Park Hae-il, and is adapted from Donald Westlake's novel "The Ax," focusing on a middle-aged office worker, Yoo Wan-soo (played by Lee Byung-hun), who, after being laid off, resorts to eliminating potential competitors to regain employment [4]. - The film premiered at the Venice Film Festival in August 2023 and has been praised for its unique blend of black humor and suspense, reflecting contemporary societal absurdities [4]. Group 2: Critical Reception - The film has received acclaim for its cinematography, music, and symbolic staging, leading to a surge in repeat viewings among audiences [4]. - "No Way Out" topped the South Korean box office in its fourth week of release, despite facing competition from other new films [4]. - Internationally, the film has been well-received, with positive reviews highlighting Park Chan-wook's signature tension and unease, and it achieved a 100% freshness rating on Rotten Tomatoes [4]. Group 3: Comparisons and Expectations - There are expectations that "No Way Out" could become a significant global representative of Korean cinema, similar to Bong Joon-ho's "Parasite," which won multiple prestigious awards [5]. - The film shares thematic elements with "Parasite," focusing on family and the anxieties of class struggle in a capitalist society, but distinguishes itself with a more stark humor that emphasizes the brutal competition among workers [5]. - Despite the overall positive reception, the film's audience score on the CGV cinema chain was reported at 84%, indicating some polarized opinions regarding the pacing and emotional resonance of the latter half of the film [5].
韩国电影也不行了
创业邦· 2025-10-12 10:47
Core Viewpoint - The South Korean film industry is facing its most significant crisis in decades, with declining box office attendance and production budgets, leading to a potential collapse of the ecosystem if urgent measures are not taken [9][11][29]. Group 1: Current State of the South Korean Film Industry - As of September 30, the film "Decision to Leave," directed by Park Chan-wook, has garnered over 1.15 million viewers in South Korea but has received poor reviews, with ratings dropping to around 6, significantly lower than his previous work [5][7]. - The overall attendance in South Korean cinemas reached only 50 million tickets by July, the lowest since 2004, indicating a severe downturn in the industry [9][11]. - Major films released during peak seasons, such as "The Black Nun" and "The Comic Dragon 2," failed to attract audiences, leading to a continued decline in key market indicators [9][11]. Group 2: Production and Investment Challenges - The production volume and investment scale in the South Korean film industry have been decreasing, with major distributors significantly cutting back on budgets [11][12]. - Since 2021, the industry has been relying on a backlog of films delayed from previous years, which is now depleting, leading to a scarcity of new content [12]. - Reports indicate that films with production budgets exceeding 3 billion KRW have sharply declined, with major distributors struggling to greenlight new projects [12]. Group 3: International Standing and Awards - South Korean films have faced humiliation on the international stage, with major directors failing to secure nominations or awards at prestigious film festivals [15][16]. - The year 2023 marked a rare instance where no South Korean films were nominated for the Cannes Film Festival, highlighting the industry's declining global reputation [16]. Group 4: Government and Industry Response - The South Korean government plans to inject $108 million into the film industry next year, an increase of 80.8% from the current budget, to stimulate the sector [23]. - Initiatives such as issuing movie vouchers and promoting international collaborations are being implemented to encourage local audiences to return to theaters [25][27]. Group 5: Future Outlook and Challenges - The industry is attempting various strategies to revitalize itself, including re-releasing classic films and introducing new marketing tactics, but the long-term effectiveness of these measures remains uncertain [29]. - The shift of talent towards streaming platforms like Netflix poses a significant challenge, as high-profile creators are increasingly drawn to the lucrative opportunities offered by OTT services [20][30].
韩国电影也不行了
Hu Xiu· 2025-10-11 00:09
Core Insights - The South Korean film industry is facing its most significant crisis in decades, with a notable decline in box office attendance and production quality [3][4][10] - Major films, including "Decision to Leave" and "The Handmaiden," have failed to replicate past successes, leading to a drop in audience ratings and box office performance [1][2][8] - The government is implementing emergency measures to support the film industry, including a significant budget increase for 2024 [13][14] Industry Performance - As of July 2023, cinema attendance in South Korea reached only 50 million, the lowest since 2004, excluding pandemic years [4] - The number of films produced by major distributors has decreased sharply, with fewer than 20 films released this year compared to over 40 before 2019 [6][5] - The production budget for films has also declined, with a significant drop in investments from major companies like CJ E&M and Lotte [5][6] Audience Engagement - The government has introduced initiatives such as discount coupons to encourage cinema attendance, resulting in a 1.8 times increase in daily audience numbers [14] - The strategy of re-releasing classic films has gained traction, with a record number of old films being shown again in theaters [14] International Standing - South Korean films have struggled to gain recognition at major international film festivals, with notable directors failing to secure nominations or awards [8][9] - The global film market is also experiencing a downturn, affecting South Korea alongside other major markets like the US and China [9][10] Future Outlook - The industry is attempting various strategies to revitalize itself, but the effectiveness of these measures remains uncertain [16] - There is a growing concern that the focus on high-budget productions may detract from the storytelling quality that has historically appealed to audiences [17][19] - The potential for a deeper crisis looms, with industry experts warning that the real challenges may emerge in the coming years [20]
《呼啸山庄》的色情化改编,将经典变成爱情闹剧?| 文化周报
Xin Lang Cai Jing· 2025-09-14 02:17
Group 1: Venice Film Festival and Political Themes - The film "The Voice of Hind Rajab," directed by Tunisian filmmaker Kaouther Ben Hania, premiered at the Venice Film Festival, receiving a 23-minute standing ovation and winning the Silver Lion award [3] - The film depicts the true story of a 5-year-old Palestinian girl, Hind Rajab, who becomes the sole survivor of an airstrike in Gaza, highlighting the humanitarian crisis in the region [3][5] - The Venice Film Festival has increasingly focused on political and social issues, with films addressing topics such as nuclear weapons and climate disasters, creating a platform for discussing real-world problems [5][6] Group 2: Cultural Boycotts and Industry Reactions - A cultural boycott debate emerged at the festival, with approximately 3,900 film professionals signing a pledge to not collaborate with Israeli film institutions, citing concerns over human rights violations [6][7] - Israeli filmmakers expressed strong opposition to the boycott, arguing it harms those promoting dialogue and understanding, and emphasizing the importance of separating creators from government actions [7] - The festival has become a stage for political discourse, with media describing films as "quasi-urgent response units" that help audiences interpret a chaotic reality [7] Group 3: Alberta Book Ban Controversy - The Alberta government in Canada faced backlash for removing numerous literary works, including "The Handmaid's Tale," from school libraries under the guise of eliminating "explicit content," igniting debates over free speech and educational control [10][11] - Author Margaret Atwood criticized the ban and created a satirical short story in response, highlighting the absurdity of the government's stance on protecting children from literature [8][10] - Following public pressure, the Alberta government announced a pause on the book ban, allowing classic literature to remain in school libraries while clarifying the policy's intent [10][11] Group 4: Controversy Surrounding "Wuthering Heights" Adaptation - The trailer for the film adaptation of "Wuthering Heights," directed by Emerald Fennell, sparked controversy due to its significant deviation from Emily Brontë's original work, described as overly sexualized and lacking depth [12][14] - Critics argue that the adaptation reduces the complex themes of class and family dynamics in the original novel to a simplistic love story, undermining its literary significance [14] - The casting choices, particularly the portrayal of Heathcliff, have also drawn criticism for not aligning with the character's original description, raising concerns about fidelity to the source material [12][14] Group 5: Baillie Gifford Prize Longlist Announcement - The 2025 Baillie Gifford Prize longlist was announced, emphasizing personal narratives and historical insights, with a focus on individual experiences [15][17] - Notable works include Yiyun Li's memoir about her sons' suicides, praised for its unique perspective and emotional depth [15][17] - The prize continues to attract attention due to its sponsorship ties to fossil fuel investments, raising questions about the intersection of literature and ethical considerations [17]