连日来，电视剧《御赐小仵作2》持续热播。剧中，拥有"蠢萌"人设的韩绩（宗峰岩饰）一角给观众们 留下了深刻的印象。出道多年，宗峰岩活跃于多部热门古装剧中，是许多观众心中的"天选古人"。1月 29日，记者对他进行了采访。 有古装范儿却不自知 《御赐小仵作2》的韩绩一角延续了第一部的"蠢萌"人设，许多观众直呼"可长点心吧"。"然而，这一季 还是没长心。"宗峰岩笑言。 《皇太子秘史》中的隆科多、《天龙八部》中的慕容复……从艺多年，宗峰岩似乎总活跃在各大热门古 装剧中，堪称"天选古人"。宗峰岩坦言，曾遇到过三四部古装剧拍摄时间赶到一起，"白天在象山，晚 上就去了横店，时间排得特别紧。不拍戏时，你有古装的范儿却不自知。" "总是在一个舒适圈里拍，很容易形成表演的瓶颈。"宗峰岩告诉记者，最近几年，他会有意识地穿插着 去拍一些现代戏，"有现代戏找我的话，我都是先拍现代戏。让自己的表演一直处在古装和现代两边都 能适应的状态。" （来源：新安晚报） 转自：新安晚报 宗峰岩在《御赐小仵作2》中饰演韩绩。 "王一博、任嘉伦很敬业" 拍戏之余，宗峰岩还会抽出一部分精力去画画。"我常常天马行空地把脑海里的东西描绘出来。"去年， 他举办了 ...

Group 1 - The core issue highlighted is the growing tension between artists and their management companies, reflecting a crisis in the entertainment industry as companies struggle with resource allocation and support for artist development [3][4][7] - Many management companies are shifting their strategies to focus on signing younger artists to build a sustainable talent pipeline, recognizing the risks of relying solely on a few top artists [4][9] - The traditional model of artist management is becoming outdated, as companies face challenges in nurturing new talent due to increased production costs and a shrinking market for new projects [20][24] Group 2 - The departure of prominent artists from management companies can significantly impact the companies' revenues and overall business health, as seen with the cases of various artists leaving their agencies [7][10] - The entertainment industry is witnessing a shift towards direct collaborations between platforms and artists, bypassing traditional management companies, which diminishes the latter's role as resource intermediaries [22][24] - The industry's future may depend on companies evolving from resource controllers to value creators, fostering partnerships with artists that emphasize mutual growth and professional development [24][25]