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演员王安宇否认与关晓彤恋情:相关内容均属凭空捏造,已进行证据固定并将采取法律手段追责
Xin Lang Cai Jing· 2026-01-03 02:49
今日,某博主在社交媒体及公共平台上散布涉及我司艺人情感生活的不实言论,相关内容均属凭空捏 造,已严重侵害艺人名誉权,造成极大困扰及社会误导。 为维护艺人合法权益,以正视听,我司现郑重声明如下: 一、 该博主"爆料"涉及我司艺人的言论均属谣言。我们呼吁广大公众、媒体及相关平台切勿轻信、传 播不实内容,共同抵制谣言扩散。二、我方已委托律师对相关侵权信息进行证据固定,并将采取法律手 段严肃追责。特别提示,任何通过主观臆断等方式参与捏造、传播及扩散谣言的行为,均需承担相应的 法律责任。 转自:扬子晚报 1月3日早晨,男星王安宇工作室发文否认与关晓彤恋情,全文如下: 2日深夜,司晓迪爆料疑似与众多男艺人恋爱,包括鹿晗、林更新、檀健次、黄明昊、周奇等人,引发 巨大热议。她还在粉丝群爆料王安宇与关晓彤正在恋爱中。 公开资料显示,关晓彤出生于1997年9月17日,毕业于北京电影学院,是中国内地女演员、歌手。鹿晗 与关晓彤于2017年10月8日公开恋情,至今已近八年。此前,关晓彤多次在鹿晗生日当天送上祝福文。 2025年9月17日,鹿晗没有在0点祝关晓彤生日快乐。鹿晗35岁生日当天,关晓彤也首次未公开祝福,打 破连续7年卡点庆 ...
《许我耀眼》的不纯爱实验,成了还是败了?
Hu Xiu· 2025-10-11 08:35
Core Insights - The article discusses the shift in Chinese contemporary romance dramas, particularly highlighting the series "许我耀眼," which features morally flawed protagonists, diverging from the traditional pure love narrative [1][2][4] - The series has gained significant popularity, breaking the 30,000 heat threshold on Tencent Video, indicating a departure from conventional storytelling in the genre [2] - The emergence of non-pure love narratives reflects a broader trend in the industry, suggesting that there is potential for more diverse storytelling beyond the established norms [6][7] Summary by Sections Traditional Narratives - Historically, Chinese contemporary romance has been confined to pure love narratives, focusing on themes of growth, conflict, and choices centered around love, often relegating social issues to mere background elements [3] - Recent years have seen a rise in narratives that challenge the pure love archetype, with series like "半熟男女" and "许我耀眼" introducing characters with ulterior motives and moral ambiguity [4][5] Non-Pure Love Narratives - The article identifies multiple layers of non-pure love narratives, starting with the challenge to traditional gender dynamics and societal norms, as seen in various recent dramas [8][10] - The second layer involves a re-examination of sexual dynamics, where characters may not adhere to the "double purity" trope, thus complicating the portrayal of relationships [11][12] - The third layer critiques the commodification of love, where marriage and relationships are depicted as transactional, a theme more common in international series than in domestic productions [13][14] Industry Trends - Despite the emergence of non-pure love narratives, pure love remains a dominant force in the genre, with many series ultimately reverting to familiar romantic tropes by their conclusion [5][30] - The article notes that while there is a growing interest in non-pure love stories, they still represent a minority within the genre, with platforms favoring adaptations of popular pure love IPs [16][27] - The success of short dramas has accelerated the evolution of the genre, allowing for more complex narratives and character dynamics to be explored [32][36] Future Directions - The article suggests that the evolution of contemporary romance dramas could take multiple paths, including refining pure love narratives, integrating social issues, or exploring fantastical elements [40][41] - The potential for growth in the genre lies in expanding narrative boundaries and diversifying emotional experiences for audiences, moving beyond the traditional dichotomy of sweet versus painful storytelling [39][42]