Core Viewpoint - The article discusses the upcoming release of the 4K remastered version of "Princess Mononoke" in mainland China, highlighting its significance as the first time this classic film will be shown on the big screen in the region. It reflects on the film's themes of nature and humanity, as well as its unique place in Hayao Miyazaki's body of work [4][11]. Group 1 - "Princess Mononoke" is set to premiere in mainland China on May 1, marking a significant cultural event as it celebrates Studio Ghibli's 40th anniversary [4]. - The film, while not the highest-grossing Ghibli film, is recognized for its complex narrative and high production standards, including a budget of 2.5 billion yen and a three-year production timeline [7][11]. - The film's themes explore the intricate relationship between humanity and nature, presenting a more nuanced and somber perspective compared to other Ghibli works [7][11]. Group 2 - The protagonist, Ashitaka, embodies a character who seeks to understand and mediate the conflict between humans and nature, reflecting a shift in Miyazaki's storytelling approach [23][29]. - The character of San, raised by wolves, represents a strong female figure who challenges human encroachment on nature, showcasing Miyazaki's focus on female empowerment [20][21]. - The film's antagonist, Lady Eboshi, is portrayed as a complex character who, despite her destructive actions, provides refuge for marginalized groups, illustrating the moral ambiguity present in the narrative [21][26]. Group 3 - The article draws parallels between "Princess Mononoke" and contemporary societal issues, suggesting that the film resonates with modern audiences facing similar dilemmas regarding environmental destruction and social justice [39][42]. - The film's release comes at a time when discussions around environmentalism and the impact of industrialization are increasingly relevant, making it a timely cultural artifact [39][45]. - The narrative's focus on "unrelated people" challenges traditional hero narratives, positioning characters from marginalized backgrounds at the forefront of the story [37][39].