日前，Netflix出品的热门美剧《艾米丽在巴黎》（Emily in Paris）的第五季新鲜出炉。与前四季的最大 区别在于，这次的故事不再发生在巴黎，而是延续第四季结尾时的情节，主人公艾米丽追随意大利男 友，转而定居罗马。 对于已习惯追看这部剧集的观众来说，这是一次转换口味、频添新鲜感的契机。而对全程参与该剧的服 装设计师玛丽琳·菲图西（Marylin Fitoussi）来说，这也让她有机会松一口气，暂时摆脱那些吹毛求疵的 法国"时尚警察"的批评。 自2020年10月《艾米丽在巴黎》第一季上线以来，法国媒体以及普通巴黎民众就一直对这部剧集颇有微 词。他们不仅批评该剧对巴黎、巴黎人的描摹太过刻板，充满种种成见，也对由莉莉·柯林斯饰演的美 国女孩艾米丽·库珀的穿着打扮大加批评，认为那过分花哨、夸张，根本就不能代表法国风情，"一点儿 也不巴黎"，甚至可以说是对这座时尚之都的侮辱。 艾米丽追随意大利男友定居罗马。 艾米丽头戴贝雷帽的造型 艾米丽波点图案的服装意在向索菲亚·罗兰和克劳迪娅·卡汀娜等意大利知名女演员致敬。 此外，不少意大利奢侈品牌，这次也不光是出现在服装造型中，更是在台词中被直接提及。因为按照剧 情设定 ...

Core Viewpoint - The discussion surrounding the aesthetic "downgrade" in fashion, particularly in the context of the upcoming "The Devil Wears Prada 2," reflects deeper societal anxieties and shifts in consumer behavior rather than a mere decline in taste [7][30]. Group 1: Changes in Fashion and Identity - The protagonist Andy's clothing style evolves significantly from the first film to the second, mirroring her professional journey from a fashion assistant to a journalist, indicating that personal identity and professional roles influence external expressions [8][9]. - By the end of the first film, Andy's style transitions from "exquisite" to "casual," symbolizing her departure from the high-fashion world of "Runway" [13][9]. Group 2: Economic Context and Cultural Reflection - The financial struggles of "Runway" magazine and Miranda's declining career in the sequel suggest a broader commentary on the fashion industry's current challenges [16]. - The shift in fashion representation from luxurious and extravagant to more comfortable and minimalist styles reflects societal responses to economic uncertainty and cultural shifts [22][26]. Group 3: Nostalgia and Consumer Behavior - The nostalgia for the economic boom era is evident, as past fashion trends are romanticized, contrasting sharply with today's more pragmatic consumer attitudes [32][33]. - The current economic climate has led to a reevaluation of luxury and success, with a growing preference for stable investments over extravagant spending [28][30]. Group 4: Future Expectations - There is anticipation regarding whether Andy will return to "Runway" and how her interactions with Miranda will evolve in the sequel, highlighting ongoing interest in the dynamics of fashion and identity [15]. - The expectation for "The Devil Wears Prada 2" to capture the vibrant and imaginative fashion world of the past remains unfulfilled, indicating a disconnect between audience desires and current portrayals [36].