Core Points - The articles highlight the cultural significance of the Mid-Autumn Festival through historical artworks and poetry, showcasing the emotional depth and artistic expression of ancient scholars [6][10][12]. Group 1: Zhao Ji's "Lunar Mid-Autumn Poem" - Zhao Ji, also known as Emperor Huizong of Song, composed a poem titled "Lunar Mid-Autumn" during a moonlit night, reflecting on nature's beauty and personal feelings [8]. - The poem is characterized by elegant language and a harmonious blend of natural imagery and personal sentiment, written in Zhao Ji's unique "slender gold" calligraphy style [9]. - The artwork, measuring 44.5 cm in width and 35 cm in height, features 7 lines and 60 characters, showcasing a distinct calligraphic style that combines strength and grace [9]. Group 2: Shen Zhou's "Moon Viewing at Youzhu Villa" - Shen Zhou created "Moon Viewing at Youzhu Villa" in 1486, inviting friends to enjoy the Mid-Autumn night, which reflects his complex emotions about the passage of time [10][11]. - The artwork includes a preface written by a friend and a poem by Shen Zhou, emphasizing the interplay of poetry, calligraphy, and painting [11]. - Youzhu Villa, a significant cultural gathering place for scholars, is depicted in Shen Zhou's work, highlighting its historical importance [10]. Group 3: Wen Zhengming's "Jinling Mid-Autumn Poem" - Wen Zhengming's poem "Jinling Mid-Autumn" captures the beauty of a post-rain autumn night in Jinling (Nanjing), using vivid imagery to express nostalgia [12][13]. - The poem's first line uses "Chang'an" as a literary device to refer to Jinling, emphasizing the city's historical significance [13]. - The calligraphy, measuring 141.8 cm in height and 68.8 cm in width, showcases Wen Zhengming's mastery of various calligraphic styles, particularly in running script [14].