Core Viewpoint - The film "Nanjing Photo Studio" serves as a powerful reminder of the atrocities committed during the Nanjing Massacre, utilizing real historical evidence to present the truth of this dark chapter in Chinese history [8][9][10]. Group 1: Historical Context - The Nanjing Massacre, marked by the invasion of Japanese troops on December 13, 1937, led to a complete communication blackout, isolating the city and making it a "dead city" [9]. - The film highlights the struggle to disseminate the truth amidst strict censorship, with the National Government's Central News Agency only managing to release a brief report days later [9][10]. Group 2: Personal Narratives - The character of Luo Jin, a 15-year-old apprentice at a photo studio, captures the horror of the massacre when he secretly prints key photographs of the atrocities [10][11]. - The narrative intertwines the fates of ordinary individuals, such as the postman A Chang and the photographer Ito, showcasing their roles in preserving evidence of the crimes [9][11]. Group 3: Symbolism and Locations - The film connects personal stories to significant locations in Nanjing, such as the photo studio and the city walls, emphasizing the contrast between daily life and the surrounding violence [12][13]. - The depiction of the photo studio serves as a microcosm of the city, where personal memories are juxtaposed against the backdrop of national tragedy [12]. Group 4: Artistic Representation of Atrocities - The film employs artistic techniques to portray the brutal realities of the massacre, including scenes of Japanese soldiers engaging in horrific acts, which are based on historical events [14][15]. - The narrative also addresses the manipulation of images by the Japanese military to create a false narrative of peace, revealing the depths of their propaganda efforts [14][15]. Group 5: Preservation of Truth - The film underscores the importance of preserving historical truth, as evidenced by the efforts of individuals who risked their lives to document the atrocities [15][16]. - The conclusion of the film symbolizes the triumph of justice, with the execution of war criminal Gu Shoufu coinciding with the act of capturing the truth through photography [16].