躲避日军的搜捕和屠杀，如何在千难万难中守护人性的底线，如何以自己的牺牲留下对侵略者进行正义 审判的铁证，相当真实而又不以血腥为渲染。作为祖辈都生活在南京的南京人后代，我也曾听父辈说 起，当年全家老小如何在南京沦陷前的最后时刻逃出危城，然后经历了何种千辛万苦的逃亡历程。片中 说到的事件发生地点，都在我少年时代的活动区域内，说的话也是熟悉的南京乡音，甚而至于我的外祖 父也是那时的邮递员（片中男主之一的职业），父亲是后来的邮务工作人员，这些更易使我对这部影片 产生如在其中的代入感。 刘昊然在《南京照相馆》中扮演南京的一名邮递员 《得闲谨制》则是以抗战历史为背景，写出了民众历经逃难、暂且安生、横遭暴行、恐惧躲避、愤而反 抗的过程。与《南京照相馆》相比，《得闲谨制》更有故事性和言说性，情节曲折反转，不乏荒诞喜剧 段落，具有黑色幽默气质，但是主题仍归结在"我们为什么要抗战"。影片以艺术的表达，传达了这样的 信念，"为了民族自尊与人类正义，为了中国人一定要生活在自己的土地上，决不让日本法西斯不付重 大代价而达到其无法无天的目的"。（毛泽东语） 作为一个影迷，梳理一下过去一年的电影院观影日程（对许多人来说，可能网络才是观影的 ...

Group 1 - The film market in 2026 has seen a strong start, with diverse genres and themes attracting large audiences [1] - Animated film "Zootopia 2" continues to lead the box office, while domestic films focus on "realistic themes" and "emotional resonance" [1] - Films like "The Place of Arms" and "Nanjing Photo Studio," directed by Shen Ao, intertwine multiple ordinary people's fates to explore themes of "war and peace" [3] Group 2 - The film industry in China is transitioning from traditional box office economics to a multi-faceted consumption model, integrating cinema with dining, performances, exhibitions, and sports [3] - The popularity of film-related merchandise, such as chocolate products from "Zootopia 2," indicates that audiences enjoy not only the films but also the cultural extensions [5] - Technological advancements like digital LED theaters and virtual reality films are enhancing the viewing experience, providing immersive visual effects [5][7] Group 3 - The National Film Administration has initiated support for virtual reality films, with nearly 140 VR films registered and 28 receiving approval [7] - XR (Extended Reality) cinemas in cities like Beijing, Xi'an, and Guiyang have attracted many viewers, offering a dynamic and interactive viewing experience [9]

Core Viewpoint - Beijing Culture, a publicly listed company in the film and cultural sector, is committed to social responsibility and the promotion of Chinese culture, focusing on content creation, cultural tourism integration, and international cultural outreach during the 14th Five-Year Plan period [1][3]. Group 1: Film and Television Production - The company has developed a diverse portfolio of high-quality films and television series, including successful titles like "Wolf Warrior 2," "I Am Not a Medicine God," and "The Wandering Earth" series, which have strong box office appeal and cultural significance [1]. - In the television sector, Beijing Culture has produced acclaimed series such as "Young Marshal" and "You Are More Beautiful Than Stars," which have garnered widespread attention and contributed to the "Big Drama in Beijing" cultural brand [1]. Group 2: Cultural Consumption and Events - Beijing Culture has actively responded to national policies promoting consumption by organizing over 20 major concerts featuring top domestic and international artists, creating a "concert + consumption" synergy that meets diverse cultural demands [2]. - The economic impact of these concerts is significant, with a multiplier effect of approximately 1:6.85, meaning every 1 yuan spent on concert tickets generates about 6.85 yuan in related spending on transportation, accommodation, dining, and shopping [2]. Group 3: International Cultural Outreach - The company is expanding its reach globally, with the upcoming release of "Fengshen Part II" in 2025, which aims to serve as a benchmark for Chinese cultural exports, showcasing traditional Chinese mythology and receiving positive feedback in 16 countries and regions [3]. - This film has been recognized by the Ministry of Propaganda and the National Film Administration, aligning with Beijing's goals to enhance cultural influence and promote international cultural exchange during the 14th Five-Year Plan [3]. Group 4: Future Development Strategy - Looking ahead to the 15th Five-Year Plan, Beijing Culture aims to innovate and tell contemporary Chinese stories while revitalizing traditional culture in the digital age [3]. - The company plans to leverage its film, television, and performance sectors in a synergistic manner to drive high-quality development in the cultural industry and deliver long-term commercial value [3].

Core Insights - The entertainment industry in 2025 is characterized by complexity and rapid changes, with the film market surpassing 50 billion in box office revenue, driven significantly by animated films and a strong female audience [1] - The series of annual reviews will focus on various dimensions of the industry, including short dramas, long series, variety shows, and music, aiming to document and analyze industry trends and changes [1] Film Market Overview - The total box office for the year reached 51.8 billion, with a historical record of 15.4 billion for a single film, accounting for nearly 30% of the total box office, indicating a further imbalance in market structure [2] - Animated films have made significant gains, with their market share approaching 50% for the first time; domestic films generated 41.3 billion in revenue, representing 79.67% of the total [5] - The audience's viewing frequency increased, with 1.238 billion admissions, a year-on-year growth of 22.57% [5] Notable Films - "Nezha 2" emerged as a standout film, achieving a total box office of 15.4 billion, significantly surpassing expectations and becoming the highest-grossing film in history [8][9] - "Zootopia 2" also performed well, grossing over 4 billion, indicating a resurgence of Hollywood blockbusters in the Chinese market [14] - War films gained popularity due to the 80th anniversary of the victory in the Anti-Japanese War, with several high-profile releases contributing to the trend [16][19] Audience Engagement and Trends - The correlation between Douban ratings and box office performance remains strong, with films scoring above 8 being crucial for achieving higher box office returns [30][32] - Social media engagement around films is high, with audiences frequently sharing their viewing experiences, although issues like "screen recording" persist [33][36] - The audience demographic is shifting, with traditional moviegoers declining and younger viewers showing different engagement patterns, impacting overall attendance [39][41]

Group 1 - The 2026 New Year's Day box office achieved a total of 736 million yuan with 18.573 million admissions, marking a strong start for the year [1][2] - The Chinese film market rebounded significantly in 2025, with total box office surpassing 51.832 billion yuan and admissions reaching 1.238 billion, both showing over 20% year-on-year growth [4] - The recovery of the market is reflected in the performance of listed companies, with a notable divergence in their earnings, highlighting the importance of identifying blockbuster films [4][5] Group 2 - The diversity of film supply during the New Year's Day period, featuring both new and established titles, is a key driver for attracting audiences back to theaters [3][6] - The animation sector has emerged as a core growth engine, with 57 animated films contributing over 25 billion yuan to the box office in 2025, reshaping market dynamics [4][5] - The trend of consumption moving to lower-tier cities has reached a five-year high, becoming a crucial incremental market for the industry [5] Group 3 - Listed companies are strategically positioning themselves for the upcoming Spring Festival box office, with key projects like "Boonie Bears: Year of the Bear" and "Flying Life 3" already announced [6][7] - The industry is shifting towards long-term IP management and value extraction, moving beyond one-time box office successes [7] - The integration of AI technology in production and marketing processes is becoming more prevalent, enhancing efficiency and reducing costs in the film industry [7]

Group 1 - The total box office for the 2026 New Year's Day film season has exceeded 630 million yuan, indicating strong audience engagement and diverse film offerings [1] - Domestic films during the New Year's period focus on "realistic themes" and "emotional resonance," with notable titles like "In the Line of Duty" and "Family Matters" addressing significant social issues [1] - The box office for the entire year of 2022 reached 51.832 billion yuan, a year-on-year increase of 21.95%, with the New Year's season achieving over 5.3 billion yuan, marking an eight-year high [2] Group 2 - The Chinese film industry is transitioning from traditional box office economics to a multi-dimensional consumption ecosystem, with initiatives like "China Film Consumption Year" promoting broader consumer engagement [3] - The total output value of the Chinese film industry chain exceeded 800 billion yuan in 2025, reflecting significant growth potential in cultural economics [3] - The development of new cultural business formats is emphasized in the "14th Five-Year Plan," showcasing the importance of cultural production power and the vast growth space in China's cultural economy [3]

Core Insights - The total box office revenue for 2025 reached 51.832 billion yuan, marking a year-on-year growth of 21.95% [1] - The number of cinema-goers in urban theaters was 1.238 billion, reflecting a year-on-year increase of 22.57% [1] - Domestic films generated a box office of 41.293 billion yuan, accounting for 79.67% of the total revenue [1] Domestic Film Performance - A total of 51 films surpassed the 100 million yuan box office threshold, with 33 of these being domestic productions [1] - The animated film "Ne Zha" topped the annual box office chart among domestic films [1] - The imported animated film "Zootopia 2" became the highest-grossing imported film of the year [1] Genre-Specific Box Office Leaders - "The Legend of the Condor Heroes: The Great Hero" led the box office for martial arts films with 689 million yuan [1] - "Detective Chinatown 1900" was the top-grossing action film [1] - "Nanjing Photo Studio" topped the historical film category [1] - "Chasing the Wind" led the crime film box office [1] - "Fengshen Part 2: The Battle of Xiqi" was the highest-grossing mythological film [1] - "Boonie Bears: Reboot the Future" topped the sci-fi film category [1] - "Lychee in Chang'an" was the leading historical drama [1] - "Demon Slayer: Infinity Castle Chapter - Akaza Strikes Again" led the fantasy film box office [1] - "Jurassic World: Rebirth" was the top thriller film [1] - "Wild Era" topped the art film category [1] - "Son of Time" was the highest-grossing romance film [1] - "Your Voice" led the documentary film box office [1]

Core Insights - The total box office revenue for 2025 reached 51.832 billion yuan, marking a year-on-year growth of 21.95% [1] - The number of cinema-goers in urban theaters was 1.238 billion, reflecting a year-on-year increase of 22.57% [1] - Domestic films generated a box office of 41.293 billion yuan, accounting for 79.67% of the total revenue [1] - A total of 51 films surpassed the 100 million yuan mark at the box office, with 33 of these being domestic productions [1] Group 1: Box Office Performance - The film "The Legend of the Condor Heroes: The Great Hero" led by Xiao Zhan achieved a box office of 689 million yuan, becoming the highest-grossing martial arts film in Chinese history [2] - "Detective Chinatown 1900" was the top-grossing action film of the year [2] - "Nanjing Photo Studio" topped the historical film category [2] Group 2: Genre-Specific Achievements - "Catching the Wind and Chasing Shadows" was the highest-grossing crime film [2] - "Fengshen Part II: The Battle of Xiqi" led the mythological film category [2] - "Boonie Bears: Restarting the Future" was the top sci-fi film [2] Group 3: Additional Genre Highlights - "The Lychee of Chang'an" was the highest-grossing costume drama [2] - "Demon Slayer: Infinity Castle Arc - Chapter One: Akaza Strikes Back" topped the fantasy film category [2] - "Jurassic World: Rebirth" was the leading thriller film [2] - "Wild Era" was recognized as the top art film [2] - "The Son of Time" was the highest-grossing romance film [2] - "Your Voice" led the documentary category [2]

央视网消息（新闻联播）：国家电影局近日公布，2025年中国电影全年票房以超518.32亿元圆满收官，比2024年增长21.95%、净超93亿，其中贺岁档以超53 亿的成绩，创下八年来新高。在全球电影产业艰难复苏的背景下，中国电影市场成为全球电影产业的重要增长引擎，为推进文化强国建设谱写出精彩的电影 华章。 与此同时，中国电影产业正在从传统票房经济转为多元消费生态。一年来，国家电影局和相关部门推出中国电影消费年，跟着电影游中国，跟着电影去旅 游、品美食等系列活动，充分将中国电影流量转化为拉动多领域消费的增量。据测算，2025年中国电影全产业链产值已超过8000亿元。 2025年，中国电影精品创作与产业发展同频共振，主流价值传播与国际传播同向发力。站在"十五五"新起点上，中国电影将继续用光影筑梦，谱写文化强国 图景里新的电影华章。 2025年，中国电影产业快速发展，电影票房不断创新高。对比2024年，总票房接连提前突破100亿元、200亿元、300亿元、400亿元……2025年，中国电影跑 出了"加速度"。 从年初，中国电影创造"史上最强"春节档——《哪吒之魔童闹海》对中国传统神话创新演绎，获得全球动画电影票房冠 ...

Core Insights - The Chinese film market is projected to generate a total box office of 51.832 billion yuan in 2025, representing a year-on-year growth of over 20%, with domestic films accounting for nearly 80% of the total box office [1] Group 1: Animation Film Highlights - 2025 is set to be the highest year for animation film box office in Chinese film history [2][4] - Among the top ten films in 2025, four are animated films, with "Ne Zha" achieving a box office of 15.446 billion yuan, making it the highest-grossing film in Chinese history and globally for animated films [6] - The 2D animated film "Lang Lang Mountain Little Monster" earned 1.719 billion yuan, setting a new record for 2D animation in China [6] Group 2: Innovation in Live-Action Films - Audiences responded positively to live-action films that feature innovative elements and balance commercial appeal with thematic depth in 2025 [8] - The film "Nanjing Photo Studio" became the box office champion of the summer season with 3.017 billion yuan, highlighting the heroism of ordinary Chinese people during the Nanjing Massacre [8] - Other war-themed films like "731" and "Dongji Island" also presented unique perspectives on the resilience of Chinese people during historical conflicts [8][10] Group 3: International Expansion of Chinese Cinema - In 2025, the annual overseas box office for Chinese films surpassed 1 billion yuan, with films being released in 46 countries and regions [11] - "Ne Zha" was released in over 770 theaters in North America, setting new records for pre-sale box office and screening volume for Chinese films in the region over the past 20 years, with overseas earnings reaching 69 million USD [14] - The first 8K space documentary film "Outside is the Blue Planet" marked a significant achievement for Chinese space documentaries abroad, resonating strongly with international audiences [14][16]