吉尔吉斯斯坦岩画

Search documents
全球非遗传承人齐聚上海,探索千年技艺的现代之路
Di Yi Cai Jing· 2025-06-10 11:25
Core Viewpoint - The 2025 International (Shanghai) Intangible Cultural Heritage Protection Forum emphasizes the importance of international cooperation and cultural exchange in preserving intangible cultural heritage, showcasing diverse practices from various countries [1][3]. Group 1: Forum Overview - The forum, hosted by the Shanghai Museum of Arts and Crafts, Shanghai Arts and Crafts Vocational College, and Shanghai Intangible Cultural Heritage Protection Center, has become a significant cultural brand in Shanghai, promoting international exchange and cooperation in intangible heritage protection [3]. - The theme of this year's forum is "Each Beauty Its Own," focusing on international cooperation, cultural identity, social participation, and technological innovation in the field of intangible heritage [3]. Group 2: Cultural Presentations - The forum featured presentations from cultural leaders and artists from countries such as Uzbekistan and Kyrgyzstan, highlighting their traditional crafts and the historical significance of their intangible cultural heritage [4][5]. - The director of the National Museum of History and Culture of Kyrgyzstan discussed the importance of rock art in documenting the lives of ancestors, showcasing the evolution of artistic expression over centuries [4]. Group 3: Cultural Exchange and Influence - The director of the Indonesian Museum of Ceramics and Fine Arts presented research on the influence of Chinese culture on Indonesian culture, particularly in batik designs, illustrating the impact of cross-cultural exchanges [7]. - The forum included interactive experiences showcasing various Chinese traditional crafts, allowing international guests to engage with the cultural heritage of China [7]. Group 4: Challenges and Opportunities in Craftsmanship - The forum addressed the challenges faced by traditional crafts in the modern economy, emphasizing the need for innovation and adaptation to avoid the loss of traditional techniques [9][12]. - The president of the Uzbekistan National Art Institute highlighted government support for traditional crafts, including financial subsidies and tax incentives, which have revitalized interest in handmade products [12]. Group 5: Education and Future of Craftsmanship - Educational institutions in China are innovating their curricula to integrate traditional craftsmanship with modern skills, preparing students for diverse career paths in the arts and crafts sector [12][13]. - The president of Nanjing University of the Arts emphasized the need to integrate intangible heritage into daily life and modern design aesthetics to seize new market opportunities [13].