（来源：上观新闻） 本文配图均为唐承华的大漆作品 走进中央美术学院教授唐承华工作室时，他不在。助手说他被朋友拉去老家福清了，应该马上就回。 当大漆的色彩变得越来越丰富，它从单纯涂饰器具到走上画布，就只是时间问题了。上世纪六十年代， 一批漆画家应运而生，大漆被他们当成一种特殊的媒介材料，绘制出气韵与传统国画、油画完全不一样 的全新画种，且星火燎原。数十年来，漆画家已灿若星河，他们把山川景象、花鸟鱼虫等画作连绵推 出，气象万千。于是在福州生活久了，抬头低头就不断与大漆作品相逢，却第一次见到唐承华这种风格 的。绕了几圈，反复细细端详，它们不内敛，没有平光亮，之前对漆画的固有认知突然被推倒了，多少 有点回不过神。 我们围着工作室角落的茶桌闲坐，在茶的氤氲间，我悄然叹口气。这个下午，原本只是专程来看画的， 不料竟邂逅这样一个沉甸甸的家族故事。这是我第一次见到唐承华，之前认识很多他当年在福建师范大 学美术系求学时的同学，那些人每每提起他，除了夸才华横溢、为人豪爽、厨艺好，余下的多半就是夸 他长得帅、穿着时尚，以及热爱拳击、健身和骑哈雷机车之类的时髦行为，却从来没听人说起过他如此 特殊的家世。 不一会，外面一阵声响，接着一 ...

Core Insights - The article highlights the growing popularity of traditional crafts in Wuhan, particularly during the National Day holiday, showcasing the success of young artisans like Zhu Zhongzong and Liu Shuang in attracting tourists and generating sales through their unique products [1][5]. Group 1: Artisan Success Stories - Zhu Zhongzong, a 28-year-old artisan, has been selling his lacquerware at a market, achieving daily sales of around 4,000 to 5,000 yuan, with many tourists showing interest in his work [1][2]. - Liu Shuang, who has been in the pottery industry for 17 years, has innovated traditional Ma Kou kiln pottery by incorporating modern aesthetics and local cultural elements, attracting significant attention from visitors [3]. Group 2: Market Dynamics - The non-heritage themed markets in Wuhan saw a surge in popularity during the holiday, with over 120,000 visitors across two markets, and average daily sales exceeding 2,000 yuan per stall, with peak days reaching 7,000 to 8,000 yuan [5]. - The markets serve as a platform for young entrepreneurs, with over 80% of stall owners being young creators, facilitating engagement with traditional culture and providing a social space for visitors [5]. Group 3: Cultural Engagement Initiatives - The establishment of the "Wu Zao Wu Ji" store in Jianghan District aims to promote traditional crafts by selling non-heritage products and offering creative courses in pottery, lacquerware, and weaving, enhancing public engagement with traditional culture [6].