（来源：上观新闻） 本文配图均为唐承华的大漆作品 走进中央美术学院教授唐承华工作室时，他不在。助手说他被朋友拉去老家福清了，应该马上就回。 当大漆的色彩变得越来越丰富，它从单纯涂饰器具到走上画布，就只是时间问题了。上世纪六十年代， 一批漆画家应运而生，大漆被他们当成一种特殊的媒介材料，绘制出气韵与传统国画、油画完全不一样 的全新画种，且星火燎原。数十年来，漆画家已灿若星河，他们把山川景象、花鸟鱼虫等画作连绵推 出，气象万千。于是在福州生活久了，抬头低头就不断与大漆作品相逢，却第一次见到唐承华这种风格 的。绕了几圈，反复细细端详，它们不内敛，没有平光亮，之前对漆画的固有认知突然被推倒了，多少 有点回不过神。 我们围着工作室角落的茶桌闲坐，在茶的氤氲间，我悄然叹口气。这个下午，原本只是专程来看画的， 不料竟邂逅这样一个沉甸甸的家族故事。这是我第一次见到唐承华，之前认识很多他当年在福建师范大 学美术系求学时的同学，那些人每每提起他，除了夸才华横溢、为人豪爽、厨艺好，余下的多半就是夸 他长得帅、穿着时尚，以及热爱拳击、健身和骑哈雷机车之类的时髦行为，却从来没听人说起过他如此 特殊的家世。 不一会，外面一阵声响，接着一 ...

Core Viewpoint - The article highlights the dedication and efforts of Yang Xirong, a representative inheritor of the lacquerware craftsmanship, in reviving and promoting the nearly lost art of rhinoceros skin lacquerware, emphasizing the importance of integrating traditional craftsmanship into modern life [2][3][4]. Group 1: Background and Personal Journey - Yang Xirong grew up in an environment rich in lacquer art, developing a strong passion for the craft from a young age [2]. - She began her formal training in lacquerware at the age of 16, working in a craft factory and mastering various techniques over the years [2]. - The intricate process of creating lacquerware involves multiple steps, including making the base, applying cloth, polishing, and finishing, which can take several months [2]. Group 2: Techniques and Challenges - The technique of polishing lacquerware requires thousands of repetitions to achieve a reflective finish, often taking an entire day [2]. - Timing is crucial in the application of gold leaf, as it must be done at the right moment for optimal adhesion and shine [2]. - Yang faced significant challenges in recreating the complex textures of rhinoceros skin lacquer, which took her three years of experimentation to successfully produce a piece [4]. Group 3: Achievements and Contributions - Yang's work has been recognized with awards, including the "China Arts and Crafts Cultural Creative Award" at the China (Shenzhen) International Cultural Industry Expo [2]. - In 2018, she donated her successful piece, the "脱胎犀皮漆瓶" (脱胎 rhinoceros skin lacquer bottle), to the Guangdong Folk Art Museum, showcasing the continuity of her family's craftsmanship [4]. - Yang is actively exploring ways to make traditional lacquerware more relevant to modern consumers, aiming to integrate it into everyday life [4].