转自：北京日报客户端 "我在中国拍写真"的走红，离不开持续升温的入境游市场和日益创新的文旅产业。近年来，中国签证、 离境退税政策持续优化，交通、支付便利化国际化水平不断提升，"China Travel"正成为世界新潮流。 尝试非遗技艺、探秘小众目的地、自在CityWalk或CityRide……随着文旅新场景、新服务涌现，游在中 国有了更多"打开方式"。当体验中国文化成为外国人入境游的主要目的之一，在国内已经较为成熟的旅 拍、写真产业敏锐捕捉到了这股"文化尝鲜"的需求，让外国游客以可感知、可参与、可传播的方式，感 受一段东方风韵。 也许，"拍一套中式写真"的风潮始于旅行中的新鲜与好奇，但归根到底，源自文化的吸引力。"中国有 礼仪之大，故称夏；有服章之美，谓之华。"服饰是文化的重要载体和文明的具体表现。一套汉服，纹 样传承着千年历史；一件旗袍，剪裁勾勒出生活变迁。无论是宫廷的华丽、仙侠的洒脱，还是水乡的温 婉，各种风格的中式写真都汇聚着大量极具辨识度的文化符号，呈现出中式美学的独特魅力，承载着深 厚的历史积淀与民族智慧。 不可否认，在外国游客拍摄中式写真的过程中，中外审美理解与习惯偏好上的差异依然存在，然而文化 ...

来源：智通财经 2026年1月1日，青岛美高梅华府酒店正式焕新启幕。酒店以"山海云端的当代中国府邸"为定位，将"至 臻中国・华彩当代"的品牌精神熔铸于山海肌理中，以国际化的语言解读中国智慧，为宾客营造"铸府邸 之形，承生活之韵，献待客之礼"的沉浸式居停体验。崂山脚下、黄海之滨，一座珍藏于山海胜境中的 当代府邸，于此揭开面纱。 入口庭院中，著名艺术家任天进创作的白铜胡杨雕塑《千年》静立，以不朽材质凝铸时间力量，为空间 注入坚韧而沉静的精神意象。穿庭而入，一座名为《启云》的当代艺术雕塑便映入眼帘，由著名雕塑大 师隋建国创作，借现代材质与科技语言解构道家"有无相生"的哲思，生命痕迹隐于造型肌理，静立迎候 八方来宾。首层抵达大堂萃取"海上第一名山"崂山灵韵，化作府邸专属玄关，宾客在此稍作休憩，便可 乘梯直上 51 层空中大堂。登梯而至的雅境中，顶天立地的博古架巧借苏式框景之法，将海天一色收作 流动画卷，亭榭形制的玻璃屏风疏朗有致，铜色旋转楼梯如飞龙踏云蜿蜒，传统意象经当代手法焕新。 市花耐冬、海洋纹样等本土元素不着痕迹地融入动线。前一秒是海韵入怀的恢宏，转角便遇艺术长廊的 典雅，真正实现"一步一景，步移景异"，于方寸 ...

面对如何延续第一季成功、并实现自我超越的挑战，总导演陈廖宇日前在上海举办的超前看片会上坦 言，团队必须时刻提醒自己"从零开始"。这种"归零"心态，促使创作者回归艺术本源，探索"中式"表达 的更多可能性。"过去我们一说到'中式'，好像就必须是国画、水墨线条，其实'中式'也在变。"陈廖宇 说。 这种对"中式"美学当代表达的探索，在这部作品中得到了生动体现。例如，导演杜鹏鹏在《大鸟》中使 用了类似版画的风格，其笔触源自国画的枯笔与焦墨，故事内核则根植于个人记忆，其重要意象"羽 毛"的灵感，便来自他祖母去河边捡鸭毛的真实经历。同样，导演杨木在《如何成为三条龙》中，为表 现干旱的土地，创新性地采用了国画中的"皴法"，并借鉴了林风眠等艺术家的作品意境。 《中国奇谭》系列的诞生，源于对上海美术电影制片厂开创的"中国动画学派"的致敬与传承。总监制速 达说，"这一系列的创作，是对中国动画百年传统的回望与致敬，其根本目的是重拾中国动画短片创作 的多元实验精神，并以现代视角重新激活中国文化基因。它将极具东方神韵的艺术形式与当代叙事结 合，让故事扎根于中国语境。" 尽管九部作品在形式上千差万别，但所有作品都紧密扎根于中国文化语境与当 ...

具有成都特色的这家叶雕文创店也吸引了不少外籍游客驻足。这种通过定制化激光雕刻呈现图案的叶雕产品成了外国游客的旅游留念新选择。 据成都市税务局最新统计，目前，全市离境退税商店超600户。2025年1到11月，外国游客在成都消费退税额突破1.3亿元。其中，文创产品占 比超40%，成为消费增长新引擎。 央视网消息：过去一年，中国持续扩大免签国家范围，一系列政策红利全方位释放，中国游形成国际热潮，"购物车"里释放出满满活力。外国 游客的入境消费都指向了何处？ 新年第一天的清晨，在喜庆的节日氛围中，北京迎来了2026年首批入境游客。来自德国法兰克福的一架国际航班飞抵首都国际机场，现场举行 了欢迎仪式，还为外国游客们准备了出游指南、离境退税指南和精美文创等见面礼。 外国游客青睐"蜀地特色" 熊猫文创成"流量密码" 在成都宽窄巷子的"熊猫屋"文创店，不少外国游客驻足挑选、消费打卡。店内超3000款熊猫主题文创产品成为外国游客青睐的成都"新特产"。 店长介绍，店里结合非遗蜀锦的熊猫文创产品最受外籍游客欢迎。 店家介绍，最近每天都有五六十位外国游客来到店里打卡、选购。他们对生肖图案、古镇风景、熊猫形象等具有中国传统文化色彩的剪 ...

转自：劳动午报 近日，《最是一年春好处——游于园林行于山水》展览在湾里当代艺术中心展出。此次展览汇聚了齐白 石、徐悲鸿、黄永玉等32位近现代艺术大师的真迹，涵盖写意花鸟、山水人物等多种题材，总计49件珍 贵艺术品，并以"一日园林·一日天地"的全新叙事结构，通过实景陈设与空间营造，引领观众沉浸式体 验中式美学从庭院雅趣到天地山水的意境流转。此次展览将持续至2026年6月1日。本报记者 孙妍 摄影 报道 （来源：劳动午报） ...

▶音乐剧《夜莺》通过运用数字技术与多媒体视觉效果，向观众呈现出美轮美奂的舞台。 转自：贵州日报 ▲夜莺用美妙的歌声为人带去慰藉和快乐。 "我歌唱，万物的美好；我歌唱，永不熄灭的希望；我歌唱，不为任何人；我歌唱，为所有的人……"帷 幕拉开，光影流转，12月20日，中国儿童艺术剧院年度重点新创童话音乐剧《夜莺》在北京中国儿童剧 场首演，带给观众东西方美学巧妙融合的艺术享受。 台前： 创新演绎安徒生唯一中国背景童话 《夜莺》是安徒生最具独特魅力与想象力的作品之一，以古老神秘的中国为背景，讲述了森林里有一只 歌声美妙动听的夜莺，能为所有人带去慰藉和快乐。皇帝希望夜莺永远陪伴自己，为此限制了夜莺的自 由。当皇帝被一只机器夜莺吸引，夜莺就离开了皇宫。直到皇帝病重，夜莺再次飞回他身边，用歌声驱 走了死神，也让后者明白了爱与自由的意义……作品融合了真诚的情感和深刻的哲思，宛如一场奇幻美 妙的梦境，传递出至真至诚的美好信念。 中国儿艺版《夜莺》的舞台堪称视觉盛宴。舞美灯光设计以"造梦"为核心，将人文美学与自然美学巧妙 融合——"中国皇宫"华丽神秘，契合安徒生笔下西方视角中的东方古国想象；"寻找夜莺"的户外场景则 融入灵动的自然 ...

Core Viewpoint - The annual key new children's musical "The Nightingale," adapted from Hans Christian Andersen's only fairy tale set in China, premiered on December 20, showcasing a blend of Eastern and Western aesthetics while conveying a message of beauty and hope for all [1][2]. Summary by Sections Artistic Presentation - "The Nightingale" is a visually stunning representation of Chinese aesthetics, with stage design focusing on "dream-making," merging humanistic and natural beauty [4]. - The use of digital technology and multimedia effects allows seamless scene transitions, immersing the audience in a surreal experience [4]. Music and Performance - The musical score incorporates various regional folk music styles, enhancing character development and narrative progression while showcasing the vastness of Chinese culture [6]. - The cast includes talented actors from the China Children's Art Theatre, with notable performances from Pan Hangwei and emerging actors, bringing vitality to the stage [6]. Narrative and Character Design - The adaptation reimagines the characters, particularly the young emperor, to resonate with children, portraying him as a complex figure seeking love and understanding [11]. - The Nightingale is personified as a peer to the emperor, transforming from a mystical bird into a comforting companion [11]. Collaborative Creation Process - The production employed a "cross-departmental collaborative creation" model, allowing for a comprehensive exploration of the script and artistic elements [9]. - The creative team aimed to present a modern and pure interpretation of Chinese aesthetics while retaining the essence of the original story [9]. Cultural Significance - The production is positioned as a cultural output example, aiming to showcase the strength and charm of Chinese children's theater to a global audience [13].

Core Perspective - The premiere of the Chinese Children's Art Theatre's new musical "The Nightingale" represents a creative transformation of Hans Christian Andersen's classic fairy tale, integrating contemporary cultural insights and aesthetic elements [2][3]. Group 1: Cultural and Aesthetic Elements - The production employs a unique blend of Chinese aesthetics, utilizing a "deconstruction and reconstruction" approach to cultural symbols, creating a visually rich stage that balances traditional and modern elements [2]. - The musical score, crafted by composer Zhang Yixin, connects various regional folk music styles, enhancing character development and showcasing China's diverse cultural landscape [3]. - The design team incorporates punk rock elements into the portrayal of the "Death" characters, appealing to younger audiences and transforming traditional imagery into a vibrant, engaging experience [4]. Group 2: Thematic Depth and Contemporary Relevance - The narrative draws parallels between Andersen's "mechanical nightingale" and contemporary issues surrounding AI technology, highlighting the tension between technological advancement and genuine emotional experiences [3]. - The story's resolution, where the true nightingale's song revives the emperor, serves as a reminder that technology cannot replace authentic emotional connections and the essence of life [3]. - The production's innovative approach not only captivates children but also resonates with adult audiences, offering philosophical reflections on life and loss in a modern context [4].

Core Viewpoint - The fairy tale musical "The Nightingale" is a significant new production by the China Children's Art Theatre for 2025, reinterpreting Hans Christian Andersen's only fairy tale set in China through a contemporary lens, showcasing Chinese aesthetics while telling a global story [1]. Group 1: Production Details - The media conference for "The Nightingale" featured a carefully choreographed segment, highlighting a dreamlike stage that blends Eastern and Western aesthetic elements, infusing Andersen's story with a distinct Chinese cultural essence [3]. - The director, Mao Ernan, emphasized the importance of maintaining the original themes of truth, goodness, beauty, and the philosophical reflections on the soul versus mechanical reproduction during the adaptation process [3]. - The musical incorporates elements of folk music and modern musical theatre styles, allowing regional folk songs to serve the narrative and character development, showcasing the unique characteristics of local people and travelers [3]. Group 2: Creative Team and Performance Schedule - The script for the musical is written by Feng Li, known for creating successful children's plays such as "The Cat God in the Forbidden City" and "Where is the Little Butterfly's Mother?" [4]. - The production team includes prominent figures in stage design, lighting, and costume design, all of whom expressed a shared enthusiasm for the collaborative creative process [4]. - "The Nightingale" is set to premiere on December 20 at the China Children's Theatre and will run until January 18, 2026 [4].

Core Viewpoint - The article explores the aesthetic beauty of yellow glazes in Chinese ceramics, highlighting two specific pieces that represent different eras and styles of yellow glaze pottery. Group 1: Description of the Ceramics - The first piece is a "hazy beauty" yellow glazed dark dragon pattern plate, characterized by a subtle iridescence known as "clam light," resembling a thin veil of rainbow [6][4] - The second piece is a rice yellow glazed chrysanthemum petal plate, noted for its soft and nearly transparent glaze, reminiscent of freshly milled rice [6][8] - The two plates showcase contrasting aesthetics: one is warm and luminous, while the other is elegant and soft [12] Group 2: Historical Context and Significance - The yellow glaze has variations, including high-temperature and low-temperature types, with the low-temperature yellow glaze from the Ming Dynasty being particularly esteemed [12][14] - The Ming Hongzhi period's yellow glazed plate is considered a model of yellow glaze pottery, with its "clam light" resulting from centuries of molecular aging of the glaze [14] - The Qing Yongzheng period's plate reflects the era's refined porcelain-making techniques, with precise glaze material ratios and strict firing temperature controls [14][16] Group 3: Cultural and Artistic Value - Yellow has historically symbolized nobility, with yellow glazed ceramics primarily used in the royal courts during the Ming and Qing Dynasties [18][26] - The article mentions various types of yellow glazes, including pouring yellow, egg yellow, and honey yellow, showcasing the diversity in color and craftsmanship [22] - The exhibition "A Colorful Legacy: The Yellow Glazed Ceramics of the Shenyang Palace Museum" features a range of colored glazes, reflecting the ancient pursuit of color aesthetics and cultural significance in ceramics [24][26]