当天，海南分中心联合国家版权交易中心联席会议，精准对接版权产业资源，落地新一批影视版权 交易成果，促成海南数盒科技有限公司、传递光年(北京)影视传媒有限公司、厦门沥金文化传媒有限公 司等版权生态伙伴达成10笔影视版权交易，涵盖电影、网络电影、网络短剧等多元形态，相关版权远销 至泰国、美国，成为本届电影节影视产业板块的标志性成果与重要亮点，彰显了自贸港版权贸易的活力 与潜力。 中国版权保护中心海南分中心 推动版权出海加速跑 新一批影视版权交易成果落地 海南日报讯(海南日报全媒体记者 刘晓惠)12月4日下午，在第七届海南岛国际电影节影视产业招商 推介(签约)会上，中国版权保护中心海南分中心影视版权战略合作及国际版权出海贸易签约仪式举行。 三亚市委、市政府和海南省委宣传部等有关负责同志见证签约。 据了解，海南分中心作为中国版权保护中心在全国设立的首家地方分中心，自落地三亚崖州湾科技 城高新区以来，聚焦产业核心发展诉求，深耕版权登记授权、IP交易转化、"人工智能+"版权创新应用 等关键领域，通过搭建国际版权交易平台，陆续实现"国际版权交流合作""国际版权实质交易"等多项成 果。 海南分中心相关负责人介绍，未来该中心将 ...

Group 1 - The core issue of copyright pledge financing is the difficulty in quickly liquidating copyright assets in case of defaults, which poses a challenge for banks, guarantee companies, evaluation agencies, and cultural trading markets [2][4][6] - Copyright pledge financing is theoretically beneficial, allowing cultural enterprises to use their copyrights as collateral for low-interest loans, but banks remain cautious due to various risks associated with the cultural market [4][6] - The establishment of a fund for the disposal of non-performing film copyrights may be a key solution to streamline the entire process [2][11] Group 2 - Three major bottlenecks in film copyright pledges include difficulty in value assessment, risk control challenges, and lack of quick liquidation channels for pledged copyrights [6][7] - Existing solutions such as intellectual property securitization and the concept of "expected copyright" are being explored, but they still face limitations [8][9] - The proposed non-performing asset disposal fund would involve industry professionals who can accurately assess the true value of distressed copyright assets and facilitate their development [12][14] Group 3 - The fund's operation involves banks listing distressed copyright assets for sale, the fund purchasing these assets at a significant discount, and a professional team working to extract remaining value [12][13][14] - The establishment of this fund creates a win-win ecosystem for banks, guarantee companies, cultural enterprises, and the overall cultural industry, promoting better resource allocation and meeting public demand for cultural products [16][18][19] - Recommendations for implementing this model include establishing collaborative mechanisms, clarifying revenue distribution, enhancing information sharing, and improving legal frameworks to support copyright pledge financing [20][23][24]

Summary of the Conference Call for Jiecheng Co., Ltd. Company Overview - Jiecheng Co., Ltd. has shown stable performance in the first half of the year, benefiting from the release of films during the Spring Festival, with expectations for improved performance in the third quarter due to the delayed release of "Nezha" [2][3]. Key Points Industry and Market Performance - The overall performance in the first half of the year was steady, with a notable contribution from the Spring Festival films, particularly those that grossed over 100 million [3]. - The company has secured most of the internet rights for films in the summer release schedule, which is expected to support overall performance for the year [5]. Financial Performance and Projections - The revenue share from the ToC (Consumer) segment has increased from 20% to 30%, indicating a positive trend [4]. - The company anticipates a growth in overall performance for 2025, driven by key film releases during important periods such as summer and the National Day holiday [4][19]. - Tencent has paid 9 billion out of an 18 billion contract, with the remaining expected to be cleared within the year, significantly improving the company's cash flow [10]. AI Technology Strategy - The company has shifted its AI application strategy from ToC to ToB (Business) applications, focusing on content creation tools for the media industry [2][6]. - The goal for the year is to achieve revenue and profitability from AI technology, with a focus on applications in content production [6]. Short Video Business and Content Production - Jiecheng Co., Ltd. is leveraging its extensive copyright portfolio to create series of short dramas, which can be monetized through sales and advertising partnerships [7]. - The rise of short dramas presents new opportunities for content production and monetization, prompting increased investment in technology and content creation [8]. Content Investment and Future Projects - The company has two crowdfunding dramas set to launch, which are expected to contribute positively to profits despite not showing immediate revenue impact [14]. - The focus remains on television drama production, with a halt in film investments [14]. Competitive Landscape and Differentiation - Jiecheng Co., Ltd. differentiates itself in the market by focusing on AI-driven content creation tools, which significantly reduce production costs compared to traditional methods [16]. - The demand from broadcasting clients for high-quality content is strong, with a willingness to pay for tools that can help them produce content efficiently [17][18]. Challenges and Opportunities - The company faces challenges in meeting the high-quality content demands of broadcasting clients, but sees opportunities in providing tools that can alleviate these issues [18]. - The overall market for imported films has decreased, but this presents a chance for Jiecheng Co., Ltd. to capitalize on rising prices for existing overseas copyrights [13]. Conclusion - Jiecheng Co., Ltd. is positioned for growth in 2025, with a strong focus on leveraging AI technology and expanding its content production capabilities. The company is optimistic about its performance in key release periods and is actively addressing market demands through innovative solutions.