Core Viewpoint - The music creation for the new historical Peking opera "Yan Zhenqing" focuses on using Peking opera musical language to narrate the story of a loyal minister whose character is reflected in his calligraphy, blending traditional elements with modern compositional techniques to enhance emotional narrative and tension [1]. Group 1: Music Composition and Structure - The opera's music must inherit traditional Peking opera vocal styles and rhythmic systems while integrating modern compositional techniques to strengthen narrative and emotional impact [1]. - The collaboration between the playwright Cai Fuchao and composer Zhu Shaoyu ensures a high degree of unity between the literary quality of the lyrics and the singability of the music, reflecting their long-standing partnership [1]. - The aria "Fan Er Huang" is highlighted as a significant musical section, beginning with a sparse "Kunqiang" style and transitioning into a dramatic climax, showcasing the character's emotional journey [2]. Group 2: Thematic and Emotional Depth - The music incorporates a Northwest regional tonal base, reflecting Yan Zhenqing's cultural background and enhancing character development through thematic variations that create a cohesive musical structure [3]. - The theme song captures the desolation following the An Lushan Rebellion, with a gradual emotional build-up leading to a powerful climax, effectively portraying the historical and personal struggles [4]. - Instrumentation is intentionally restrained to enrich the emotional palette without overshadowing the vocal lines, emphasizing the music's inherent power and the drama's internal tension [4]. Group 3: Artistic Philosophy - The creation of "Yan Zhenqing" embodies the philosophy that Peking opera must delve into traditional roots while embracing contemporary aesthetics to resonate with modern audiences [4].