Core Viewpoint - The documentary "The Northwest" highlights the rich cultural heritage and artistic expressions of Northwest China, showcasing the integration of traditional and modern elements in the region's cultural tourism [1][17]. Group 1: Cultural Heritage - The region has produced three famous epic tales of Chinese ethnic minorities, reflecting deep emotional connections and cultural significance [5]. - Traditional art forms like Qin opera and folk songs from Shaanxi resonate with the spirit of the people, serving as a medium for expressing their joys and sorrows [5][7]. - The large-scale ethnic dance drama "Silk Road Flower Rain" has been performed over 4,000 times globally, attracting 4.5 million viewers since its debut in 1979 [9]. Group 2: Artistic Revival - The revival of ancient musical instruments depicted in Dunhuang murals has been achieved through extensive research and reconstruction efforts, resulting in over 300 replicas of the Konghou [13]. - The "Wooden Goat Dance" and other folk arts in Xinjiang illustrate the vibrant cultural expressions that connect the past with contemporary practices [15][18]. Group 3: Cultural Tourism - The integration of historical culture into interactive experiences has revitalized the cultural landscape of Northwest China, creating a bridge between the past and the future [17]. - Unique culinary experiences, such as "Nang Coffee," and immersive historical sites like Yangguan and Yumenguan enhance the cultural tourism appeal of the region [18].

Core Viewpoint - The music creation for the new historical Peking opera "Yan Zhenqing" focuses on using Peking opera musical language to narrate the story of a loyal minister whose character is reflected in his calligraphy, blending traditional elements with modern compositional techniques to enhance emotional narrative and tension [1]. Group 1: Music Composition and Structure - The opera's music must inherit traditional Peking opera vocal styles and rhythmic systems while integrating modern compositional techniques to strengthen narrative and emotional impact [1]. - The collaboration between the playwright Cai Fuchao and composer Zhu Shaoyu ensures a high degree of unity between the literary quality of the lyrics and the singability of the music, reflecting their long-standing partnership [1]. - The aria "Fan Er Huang" is highlighted as a significant musical section, beginning with a sparse "Kunqiang" style and transitioning into a dramatic climax, showcasing the character's emotional journey [2]. Group 2: Thematic and Emotional Depth - The music incorporates a Northwest regional tonal base, reflecting Yan Zhenqing's cultural background and enhancing character development through thematic variations that create a cohesive musical structure [3]. - The theme song captures the desolation following the An Lushan Rebellion, with a gradual emotional build-up leading to a powerful climax, effectively portraying the historical and personal struggles [4]. - Instrumentation is intentionally restrained to enrich the emotional palette without overshadowing the vocal lines, emphasizing the music's inherent power and the drama's internal tension [4]. Group 3: Artistic Philosophy - The creation of "Yan Zhenqing" embodies the philosophy that Peking opera must delve into traditional roots while embracing contemporary aesthetics to resonate with modern audiences [4].