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材美工巧 国风饰品成为心头好(文化中国行·这些美 很中国)
Ren Min Ri Bao· 2025-06-17 22:10
Core Viewpoint - The article highlights the resurgence of traditional Chinese craftsmanship in modern jewelry design, particularly among young designers who blend traditional techniques with contemporary aesthetics, making these pieces popular among younger consumers [16][21]. Group 1: Traditional Craftsmanship - Traditional craftsmanship such as pointillism, flower silk inlay, and shell inlay is gaining popularity, with young people increasingly drawn to these unique art forms [16][19]. - The intricate techniques of traditional crafts are being revitalized and integrated into daily life, showcasing a blend of ancient and modern creativity [19][20]. Group 2: Young Designers - Young designers like Wang Shenglin are at the forefront of this movement, creating pieces that reflect both traditional Chinese culture and modern design sensibilities [17][21]. - Wang Shenglin's work includes a variety of designs inspired by historical artifacts, such as the Ming Dynasty's Nine Dragons and Nine Phoenix Crown, which combines multiple traditional techniques [17][18]. Group 3: Cultural Significance - The article emphasizes that traditional crafts are not just artistic expressions but also carriers of cultural heritage, reflecting the wisdom and aesthetic pursuits of Chinese civilization [18][20]. - The revival of these crafts is seen as a way to connect younger generations with their cultural roots, fostering a deeper appreciation for traditional art forms [19][20]. Group 4: Market Trends - There is a growing market for "Guofeng" (national style) jewelry, which incorporates traditional elements into modern designs, appealing to the aesthetic preferences of young consumers [16][21]. - The popularity of these pieces is evident on social media platforms, where new designs often receive enthusiastic responses and requests for purchase [17].