Core Viewpoint - The article highlights the vibrant cultural exchange occurring at the Terracotta Warrior Museum in Xi'an, where visitors engage in hands-on experiences of traditional pottery-making, particularly the creation of terracotta figures, under the guidance of a skilled artisan, Han Mi [1][13]. Group 1: Cultural Experience - The Terracotta Warrior Museum attracts a large number of visitors, especially foreign tourists, who are eager to learn about the ancient art of terracotta figure-making [1][2]. - Visitors, such as Albert from Dubai, express their fascination with Chinese history and culture through their participation in pottery-making, emphasizing the significance of their handmade terracotta figures [5][8]. - The experience is designed to be immersive, allowing tourists to not only observe but also actively participate in the creation of terracotta figures, enhancing their understanding of the craft [9][11]. Group 2: Artisan Background - Han Mi, a representative inheritor of the intangible cultural heritage of terracotta figure-making, has over ten years of experience in the field and aims to modernize the transmission of this ancient craft [8][15]. - Growing up in her father's pottery workshop, Han Mi has developed her skills from the ground up, combining traditional techniques with innovative approaches to attract a global audience [8][9]. - Her educational background in international economics and trade has influenced her strategy for promoting this cultural heritage internationally [8][9]. Group 3: Educational Initiatives - Since 2015, Han Mi has developed a tiered experience program that caters to both individual and group visitors, including courses on mold-making, collaborative pottery, and painting [9][11]. - The workshop has successfully hosted over 5,000 foreign visitors in the past year, with peak days seeing more than 500 participants [9][11]. - The focus of these educational experiences is to provide in-depth explanations of the terracotta-making techniques and the historical context of the figures, fostering a deeper appreciation among participants [9][11]. Group 4: Cultural Significance - The article emphasizes the importance of "living heritage," where traditional skills are integrated into modern life, allowing for a dynamic cultural exchange [11][17]. - Han Mi's new creation, the "Zhu Fu Ma" (Blessing Horse), symbolizes a blend of traditional craftsmanship with contemporary themes, aiming to resonate with modern audiences [11][14]. - The hands-on experiences at the pottery workshop serve as a bridge connecting ancient Chinese culture with the global community, transforming passive observation into active participation [17].