叶泳诗 田跃民是中国当代雕塑家与新水墨画家。他以"马"为艺术载体，融东方写意于雕塑与绘画，作品展现了 中华文化的气韵与力量。2025年，他受邀参展迪拜赛马世界杯，在迈丹赛马场与多国赛马共构"速度与 艺术"现场，受到当地观众的广泛关注。 兴趣发掘 1958年，田跃民出生于山东聊城。童年时期，国家对文化艺术事业的重视，让他第一次拿起了画 笔。"那个年代，文化馆每年都会办两届美术学习班和书法学习班，我就是从那里开始学画画的"。 深耕带来的是技艺的进步。田跃民可以45分钟完成一件雕塑作品，更能一分钟画成一匹马。在香港慈善 音乐会上，他配合《万马奔腾》的二胡独奏，一分半钟完成两匹马的创作；在台湾东森电视台，他40分 钟创作的作品创下160万元新台币的销售纪录。他强调，"速度的背后是功底，把对象研究透了，一笔到 位不用犹豫，才能做到高效创作"。2014年，田跃民为南京青奥会创作的主题雕塑《九骏》，成为他以 马为媒传递东方精神的代表作。作品以九匹骏马奔腾的姿态，诠释了"勇往直前"的体育精神，更融入了 中国传统文化中对力量、奋进的美好期许。 高中毕业后，田跃民考入曲阜师范学院艺术系（今美术系）油画专业，系统学习绘画技法。然而 ...

Core Perspective - The article highlights the significant contribution of Eastern artists to abstract art, emphasizing their unique cultural heritage and philosophical thinking that enriches the genre with new dimensions [1][2]. Group 1: Exhibition Overview - Galerie Chantilly is hosting an exhibition titled "Tribute to Chinese Contemporary Masters" in Hong Kong, honoring pioneering Chinese artists such as Zao Wou-Ki, Zhu Dequn, Hsiao Chin, and Wang Wuxie [1]. - The exhibition aims to explore the artistic dialogue between traditional Chinese art and global modernism, showcasing how these artists have forged their independent artistic languages at the intersection of ink, color, structure, and space [1]. Group 2: Eastern Spirit and Abstract Language - Abstract art emphasizes form, color, line, and space, moving away from figurative representation, with Western abstract art focusing on inner emotions and structural forms, while Eastern art traditionally emphasizes harmony with nature and philosophical concepts like "the interplay of existence and non-existence" [2][3]. Group 3: Individual Artist Contributions - Zao Wou-Ki is known for blending Eastern and Western brush techniques, retaining the "qi yun" and "leaving blank" aesthetics of Chinese painting, creating a sense of infinite space and spiritual exploration [4]. - Zhu Dequn is recognized for his mastery of light and color, creating a poetic space in his abstract works that reflects both Eastern meditation and Western passion [5]. - Hsiao Chin draws inspiration from Daoism and Zen, using circular forms and dynamic lines to express the flow of cosmic energy, representing the core spirit of Eastern aesthetics [6]. - Wang Wuxie focuses on the balance between reality and void, utilizing "gaps" and "blank spaces" to evoke Zen-like tranquility and philosophical reflection in his art [7]. Group 4: Overall Impact - The styles of Zao Wou-Ki, Zhu Dequn, Hsiao Chin, and Wang Wuxie, while distinct, collectively embody the essence of Eastern spirit within the context of abstract art, transforming Eastern philosophical concepts into modern artistic language [7]. - This fusion enriches the content of abstract art and opens new possibilities for dialogue between Eastern and Western art forms, as reflected in their works that convey both visual and spiritual dimensions [7].