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为什么韩国能“影视立国”,中国却盛产烂片?
Hu Xiu· 2025-08-18 10:40
Core Viewpoint - The discussion highlights the distinction between Chinese and Western narratives in film and television, emphasizing the emergence of "larger-than-life" characters in Chinese media that embody collective struggle and grassroots qualities, contrasting with the individualistic heroes often found in Western narratives [1][4][5]. Group 1: Chinese Film and Television Characteristics - Chinese quality films have consistently produced works that combine artistic and ideological depth, such as "Soldier Assault" and "Mountain Sea Love," which reflect a unique Chinese narrative style characterized by grassroots themes and collective struggle [2][3]. - The portrayal of "larger-than-life" characters in Chinese media often involves self-overcoming individuals who prioritize grand ideals over personal desires, making them resonate deeply with audiences amid a sea of individualism [5][6]. Group 2: Cultural and Strategic Insights - The interview discusses the strategic value of film and television in shaping national identity and cultural narratives, drawing parallels with the success of Korean dramas in promoting cultural elements and language abroad [13][14]. - The need for a "negotiated decoding" relationship between creators and audiences is emphasized, suggesting that a collaborative approach could enhance the quality and reception of Chinese media [16][21]. Group 3: Market Dynamics and Capital Influence - The role of capital in the film industry is complex, as it can both support and hinder the production of quality content, with a call for a more nuanced understanding of capital's influence on cultural production [20][21]. - The emergence of non-professional directors and creators in the film industry reflects a shift towards a more democratized and diverse creative landscape, challenging traditional notions of professionalism [18][19]. Group 4: Traditional Culture and Modern Narratives - The integration of traditional cultural elements in contemporary media is critiqued, with concerns that many productions merely use these elements for commercial purposes rather than genuine cultural revival [22][24]. - The importance of rebuilding a cultural community that fosters shared values and responsibilities is highlighted, suggesting that a collective approach could enhance the impact of traditional narratives in modern storytelling [25].