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为什么韩国能“影视立国”,中国却盛产烂片?
虎嗅APP· 2025-08-19 13:20
Core Viewpoint - The article discusses the differences between the Chinese and Korean film industries, emphasizing how Korea has successfully established a strong cultural identity through its film and television productions, while China struggles with the prevalence of low-quality films [5][6]. Group 1: Chinese Film Characteristics - Chinese quality films often embody a "grassroots spirit" and a narrative of "common struggle," focusing on characters who transcend personal desires for greater ideals [5][8]. - The evolution of Chinese protagonists reflects a shift from socialist realism to a more complex portrayal of characters who embody self-overcoming and collective ideals, contrasting with Western narratives that often feature larger-than-life heroes [10][11]. Group 2: Korean Film Industry Insights - The Korean film industry has established a symbiotic relationship with the government, which actively supports and funds small production companies, creating a robust ecosystem for film production [18]. - The success of Korean dramas has led to a cultural phenomenon where learning the Korean language has become popular in Europe, showcasing the strategic value of the film industry in national branding [17][18]. Group 3: Cultural and Economic Implications - The article highlights the need for a "negotiated decoding" relationship between creators and audiences, which is currently lacking in the Chinese film industry, leading to a general skepticism towards new releases [19]. - The discussion includes the role of capital in the film industry, noting that while capital can drive production, it also complicates the relationship between artistic integrity and commercial success [24][23]. Group 4: Future Directions - There is a call for a cultural reconstruction that emphasizes shared values and community, suggesting that the film industry should focus on creating narratives that resonate with the everyday experiences of the audience [27]. - The potential for new forms of storytelling and audience engagement through digital platforms and user-generated content is recognized as a transformative force in the industry [22][27].
为什么韩国能“影视立国”,中国却盛产烂片?
Hu Xiu· 2025-08-18 10:40
Core Viewpoint - The discussion highlights the distinction between Chinese and Western narratives in film and television, emphasizing the emergence of "larger-than-life" characters in Chinese media that embody collective struggle and grassroots qualities, contrasting with the individualistic heroes often found in Western narratives [1][4][5]. Group 1: Chinese Film and Television Characteristics - Chinese quality films have consistently produced works that combine artistic and ideological depth, such as "Soldier Assault" and "Mountain Sea Love," which reflect a unique Chinese narrative style characterized by grassroots themes and collective struggle [2][3]. - The portrayal of "larger-than-life" characters in Chinese media often involves self-overcoming individuals who prioritize grand ideals over personal desires, making them resonate deeply with audiences amid a sea of individualism [5][6]. Group 2: Cultural and Strategic Insights - The interview discusses the strategic value of film and television in shaping national identity and cultural narratives, drawing parallels with the success of Korean dramas in promoting cultural elements and language abroad [13][14]. - The need for a "negotiated decoding" relationship between creators and audiences is emphasized, suggesting that a collaborative approach could enhance the quality and reception of Chinese media [16][21]. Group 3: Market Dynamics and Capital Influence - The role of capital in the film industry is complex, as it can both support and hinder the production of quality content, with a call for a more nuanced understanding of capital's influence on cultural production [20][21]. - The emergence of non-professional directors and creators in the film industry reflects a shift towards a more democratized and diverse creative landscape, challenging traditional notions of professionalism [18][19]. Group 4: Traditional Culture and Modern Narratives - The integration of traditional cultural elements in contemporary media is critiqued, with concerns that many productions merely use these elements for commercial purposes rather than genuine cultural revival [22][24]. - The importance of rebuilding a cultural community that fosters shared values and responsibilities is highlighted, suggesting that a collective approach could enhance the impact of traditional narratives in modern storytelling [25].
我心中的史今班长(这部剧里有我的青春)
Ren Min Ri Bao· 2025-06-04 21:56
Group 1 - The article highlights the profound impact of the TV series "Soldier Assault" on youth, particularly in inspiring young individuals to enlist in the military [1][2] - The character Xu Sanduo is portrayed as a symbol of perseverance and determination, emphasizing that success is a result of one's own efforts and character [1] - The narrative reflects on the personal growth and transformation experienced during military service, with a focus on self-improvement and societal contribution [2] Group 2 - The article discusses the importance of mentorship and role models, exemplified by the character of Squad Leader Shi Jin, who represents the ideal leader [1] - It emphasizes the value of resilience and the mindset of not giving up, which is crucial for personal and professional development [2] - The overall message encourages individuals to strive for excellence and to give back to society, reinforcing the lessons learned from the series [2]