中新网新疆和田12月26日电 (陶拴科 闫兆霞)"我把艾德莱斯绸上的飘带纹数字化重构了一下，搭配莫兰 迪色系，既保留了传统文化的韵味，也符合年轻人的审美。"在新疆和田市吐沙拉镇格来木村和田宇宙 地毯有限公司的设计工作室里，"90后"设计师阿尔孜古丽·穆太力普一边指着电脑屏幕上的设计稿，一 边和团队成员讨论新的创作方案。 阿尔孜古丽一家三代从事地毯织造，她将数字技术应用于传统工艺，努力让和田地毯织造技艺焕发新 生，推动非遗保护与乡村振兴结合。 耳濡目染致力创新 为更好地理解和汲取传统文化内涵，这些年，阿尔孜古丽走访和田地区多家博物馆，拜访许多老艺人， 详尽记录了近百种濒临失传的地毯制作技艺经典纹样。她说："每个纹样都有独特含义，巴旦木花象征 着吉祥富贵，卷草纹代表生命的延续，石榴纹寓意各民族大团结……" 有了对传统的理解，阿尔孜古丽开始探索具体的创新手法。她自学3D建模和相关软件，将收集来的传 统纹样和客户定制图案进行数字化拆解和重构。"传统的纹样线条复杂，我用数字技术提炼出核心曲 线，再配以低饱和度的色系，既符合现代家居风格，也保留了文化韵味。"2018年，她推出首款创新设 计产品——"丝路飘带"系列地毯。 ...

03:00 记者：彭菁、陈毓珊 为了能让夏布绣被更多年轻人喜爱，工匠们将传统图案和技艺融入日常生活，让夏布绣不再是墙上的艺 术品，而是可使用的生活美学。古老的智慧没有褪色，它只是等待被新的美学和科技重新唤醒，织就起 这场令人惊喜的经纬新生。 明代著作《天工开物》对夏布原料苎麻的栽培、沤制、纺织的系统记载，体现了当时对植物纤维特性的 理解。而今，创新正在拓展它的边界，在秉持"尊重纤维本性"原则的基础上，为这项古老技艺注入时尚 基因。 ...

Core Viewpoint - The 15th Guangdong Folk Craft Boutique Exhibition will be held from November 25 to December 7 in Guangzhou, showcasing 200 exquisite crafts that reflect the essence of Lingnan craftsmanship and the inheritance of traditional techniques [4][6][43]. Group 1: Exhibition Overview - The exhibition is organized by multiple associations including the Guangdong Provincial Federation of Literary and Art Circles and the Guangzhou Federation of Literary and Art Circles, aiming to present a visual feast of Lingnan craftsmanship [5][6]. - A total of 200 craft pieces have been selected from nearly 400 submissions, ensuring the highest standards of Guangdong folk crafts [16][18]. - The exhibition will feature a variety of craft categories, including wood carving, pottery, embroidery, and metalwork, showcasing both traditional and innovative works [19][21]. Group 2: Featured Crafts and Artists - Notable works include those by Cheng Zhuquan, the 14th generation inheritor of Cheng's inkstone carving, who combines traditional techniques with modern aesthetics [23][26]. - The exhibition will also highlight the work of She Xunrong, a representative of the Chaozhou hand-pulled purple clay teapot-making technique, showcasing contemporary interpretations of traditional forms [27][29]. - Li Haiyan, a practitioner of traditional plant dyeing, presents a series that merges ancient techniques with modern fashion design, exemplifying the integration of tradition and contemporary life [34][36]. Group 3: Cultural Significance - The exhibition serves as a platform for the continuation and innovation of Guangdong folk crafts, reflecting the cultural heritage and aesthetic evolution of the region [38][40]. - Since its inception in 2004, the Guangdong Folk Craft Boutique Exhibition has become a significant event in the folk craft sector, contributing to the recognition and promotion of local artisans [38][40]. - The event is free to the public, allowing broader access to the rich cultural heritage of Lingnan craftsmanship [43].

Core Viewpoint - The article highlights the efforts of Ren Chenyang, a fifth-generation inheritor of the traditional craft of making "Qian Ceng Di" cloth shoes, to innovate and preserve this cultural heritage by integrating modern elements and collaborating with popular brands [1][2][10]. Group 1: Background and Personal Journey - Ren Chenyang has dedicated 20 years to the craft of shoe-making at Neiliansheng, transitioning from a hotel management student to a skilled artisan [3][4]. - His childhood experiences with traditional cloth shoes instilled a deep appreciation for this craft, motivating him to pursue a career in shoe-making [3][4]. - Ren's initial training involved rigorous observation and practice, emphasizing the importance of patience and precision in mastering the craft [5][6]. Group 2: Craftsmanship and Techniques - The process of making a complete pair of "Qian Ceng Di" shoes involves over 90 steps and requires more than 40 tools, with a skilled artisan taking about a week to complete a pair [7][9]. - Key techniques include the "fan zhuang" method, which requires meticulous attention to detail, with each shoe needing to be sewn with over 50 precise stitches [6][8]. - The final step involves hammering the shoe soles to ensure durability, showcasing the traditional wisdom embedded in the craft [8]. Group 3: Innovation and Cultural Preservation - Ren Chenyang has initiated efforts to revive the nearly lost art of making Qing Dynasty official boots, successfully recreating the traditional techniques after extensive research [9][10]. - The revival of these traditional crafts is complemented by modern innovations, such as incorporating popular cultural elements into the designs to attract younger consumers [10][11]. - Collaborations with trendy brands and the introduction of themed collections have led to significant sales success, demonstrating the potential for traditional crafts to thrive in contemporary markets [11].

Core Insights - The article highlights the transformation of Huamao Alley in Kuqa City into a popular cultural and tourism destination, showcasing traditional Uyghur flower hats and modern design elements [2][4]. Group 1: Cultural and Tourism Development - Huamao Alley has been developed into a cultural tourism street that integrates intangible cultural heritage display, experience, and sales [2]. - The alley attracts a significant number of young tourists, with modern adaptations of traditional flower hats and related cultural products like brooches and handbags [2][4]. - In the first seven months of this year, the street received over 7 million visitors, indicating its growing popularity as a national-level tourism destination [4]. Group 2: Local Artisans and Craftsmanship - Local artisans, such as Aihamiti Moleke, continue to practice traditional craftsmanship, producing over 200 flower hats monthly, reflecting the skill and heritage behind the craft [2]. - The alley features a blend of traditional and modern elements, appealing to a younger demographic and enhancing the cultural experience [2][4]. Group 3: Future Development Plans - The local government plans to further enhance the cultural significance of Huamao Alley by improving facilities and enriching tourism experiences to attract more visitors [4].

Core Viewpoint - The article highlights the innovative transformation of traditional Adras fabric by Wang Yihua, who has dedicated 40 years to this craft, blending traditional techniques with modern design elements to create a unique fashion statement that is gaining international recognition [2]. Group 1: Company Overview - Wang Yihua, aged 55, has been involved with Adras for 40 years, starting from learning flat cutting techniques to integrating international three-dimensional cutting skills [2]. - The company has developed nearly a thousand designs that incorporate elements from traditional qipao and Western pleating, showcasing a revival of traditional craftsmanship through innovation [2]. Group 2: Industry Impact - The designs are gaining visibility on international platforms such as Milan Fashion Week, indicating a growing interest and potential market expansion for traditional Adras fabric in the global fashion industry [2].

Core Insights - The article highlights the transformation of traditional oil paper umbrella production in Shigu Town, Hunan Province, into a modern industrial chain, enhancing local employment and income opportunities [1][3]. Industry Overview - Shigu oil paper umbrellas are recognized as a provincial intangible cultural heritage, with a history dating back to the Ming Dynasty [1]. - The local government has actively promoted the modernization of traditional workshops, collaborating with universities to integrate modern printing technology into umbrella design [3]. Production and Employment - In 2024, the production of oil paper umbrellas is expected to exceed 15 million units, generating a revenue of 300 million yuan, and creating over 8,000 jobs, with annual income increases of up to 100,000 yuan for some workers [3]. - The production process involves 82 steps and takes 15 days to complete a single umbrella, showcasing the craftsmanship involved [3]. Innovation and Market Strategy - The sixth-generation inheritor of the craft, Zhou Le, emphasizes innovation by incorporating modern elements such as anime and traditional Chinese aesthetics into the umbrella designs, appealing to younger consumers [5]. - The production model has shifted to a "decentralized processing + collective cooperation" approach, allowing villagers to work from home while contributing to the assembly and sales of umbrellas [5]. E-commerce Development - The village has established 22 umbrella enterprises, with five successfully launching e-commerce channels, significantly expanding the market reach of Shigu oil paper umbrellas [7]. - On peak days, the village can sell over 5,000 umbrellas through e-commerce platforms, indicating a robust demand [7]. Collaborative Efforts - The industry is actively pursuing integration with academic institutions for cultural and technological advancements, partnering with companies to enhance product development and market expansion [7].

Core Viewpoint - The participation of Fujian Quanzhou Boxian Pavilion Lacquer Line Carving Co., Ltd. at the 5th China Arts and Crafts Expo aims to showcase the intangible cultural heritage of lacquer line carving, enhance brand influence, recruit young talents, and seek commercial cooperation opportunities in cultural tourism projects [1][2][6]. Group 1: Company Overview - Fujian Quanzhou Boxian Pavilion Lacquer Line Carving Co., Ltd. is led by Huang Peicong, a national (first-level) senior technician and master of arts and crafts in Fujian [2]. - The company presented 15 lacquer line carving works at the expo, highlighting the traditional craftsmanship of the Minnan region [1][3]. Group 2: Artistic Achievements - Huang Peicong's lacquer line carving works are known for their delicate craftsmanship, utilizing traditional techniques to create lifelike representations of figures and animals [2][6]. - Notable works include "Longing," which expresses deep aspirations for harmony and reunion, and "Prosperous Tang Dynasty, Hundred Years of Harmony," which pays tribute to traditional Chinese culture and contemporary prosperity [5][6]. Group 3: Innovation and Future Plans - The company is committed to innovating within the traditional lacquer line carving framework by integrating various materials and developing new color formulas [6][7]. - Future plans include incorporating digital technology, such as AR experiences, and creating a series of works themed around the "Maritime Silk Road" to tell Chinese stories through Minnan cultural symbols [7].