十多年前去苏州拙政园游玩，见夕阳西下，余晖在天，远处高耸的北寺塔大半个身姿，越过粉墙黛瓦青 枝绿叶，映入大家眼帘。倚虹亭前清水一湾，但见秀美的北寺塔倒影落入水中，更有"水隐明珠动卧 龙"之境。 顾定海 此情此景，不由得让人想起真如公园桃浦河廊桥旁的一座诗碑，上面刻有清代诗人本源的《桃浦村 居》："乍得离岩谷，村居水一湾。花眠溪色外，人卧鸟声间。"身居河畔，听听水声，看看塔影，闻闻 花香，抚今追昔，可谓幸哉。 这是中国园林构造中典型的"借景"。好多年来，每次游各色园林，我都会留心有没有印象深刻的"借 景"？如有所获，自然是有趣又有意的美事。 今年又值蜡梅盛开之季，离家不远的真如公园，遍植蜡梅59个品种1000多株，是国内蜡梅资源相对集中 的一个专类公园。"风递幽香出，禽窥素艳来"的早梅，实在要去探访一番的。与常年情景大体相仿，蜡 梅清香，游人也多。我们来到公园东北侧桃浦河上的廊桥闲坐小憩，我让同游的妻子坐在廊桥上拍照： 以真如寺的佛塔为远景，以桃浦河两岸婀娜的柳枝为中景，以廊桥上的美人靠和花格檐为前景。妻子看 过照片后夸我有创意，其实她哪里知道，这幅画面，在我心里已沉淀多年。2022年前后，我发现拓扩后 的真如 ...

Core Viewpoint - The article emphasizes the cultural significance and philosophical underpinnings of Chinese gardens, particularly focusing on the evolution from the Song Dynasty's Canglang Pavilion to the Qing Dynasty's Summer Palace, showcasing the art of borrowing scenery and the concept of "having and not having" [3][11]. Summary by Sections Development of Chinese Gardens - The article discusses the historical development of Chinese gardens, highlighting the transition from the Canglang Pavilion to the Summer Palace, and the techniques of borrowing scenery and the philosophical implications behind them [3][9]. Canglang Pavilion - Canglang Pavilion, built by Su Shunqin during the Northern Song Dynasty, embodies the spirit of resilience through its design, which integrates natural elements like water and stone, and employs the "borrowing scenery" technique through its unique window designs [5][11]. Summer Palace - The Summer Palace, originally named Qingyi Garden, represents an advanced interpretation of southern garden aesthetics in the north, adhering to the principle that "mountains and water should not overpower each other," showcasing imperial grandeur while reflecting governance principles [7][9]. Philosophical Insights - The article highlights the philosophical insights embedded in the design of these gardens, emphasizing the harmony between nature and human creation, and the importance of understanding natural laws in achieving aesthetic beauty [11][12].